Anywhere Road's Robert Ogden Barnum

Susan Gerhard October 1, 2007

Guiding four future pop stars from Brazil onto the big screen this week in “Antonia,” Robert Ogden Barnum’s new Bay Area-based distribution company, Anywhere Road, certainly comes out swinging. Tata Amaral’s impressive film, a story with heart and grit as well as style to burn, has the imprimatur of “City of God’s” Fernando Mereilles, who produced, and should find further popularity with a broader, home theater-friendly audience. Follow that with Brad Gann’s South Boston coming-of-age story, “Black Irish,” in a few short weeks, and it looks like Anywhere Road is going places, quickly. SF360.org spoke with Barnum a week before “Antonia’s” opening, shortly after the Barnum’s whirlwind spin through the Toronto International Film Festival, about the how a small, independent film distributor finds a place in the increasingly ephemeral theatrical market.

SF360: ‘Antonia’ opens this week in New York and Los Angeles. What are the marketing plans for it?

Rob Barnum: One of our partnerships is with Dan Deevy and his site, TheCinemaSource; he’s become our head of marketing. We’re doing a lot of guerilla street-teaming in both cities. We’re having two word of mouth screenings in New York, with sponsors. We have three listening parties, because soundtrack/music is the key piece of ‘Antonia.’ Newark has the largest Portuguese population in the country, so we’re doing these listening parties — one there, one in the Village near the Quad, and another one up near the Coliseum, approaching Spanish Harlem. We’re serving free drinks and playing the soundtrack and pulling people in. Our ad budgets are not

0
  • Nov 3, 2011
    Thursday

    Essential SF: Rob Epstein and Jeffrey Friedman

    With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.

  • Nov 2, 2011
    Wednesday

    Essential SF: Susan Gerhard

    Susan Gerhard talks copy, critics and the 'there' we have here.

  • Oct 31, 2011
    Monday

    Essential SF: Karen Larsen

    Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.

  • Oct 28, 2011
    Friday

    Joshua Moore, on Location

    Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’

  • Oct 26, 2011
    Wednesday

    Essential SF: Canyon Cinema

    For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.

  • Oct 24, 2011
    Monday

    Signs of the Times

    Director Mina T. Son talks about the creation of ‘Making Noise in Silence,’ screening the United Nations Association Film Festival this week.

  • Oct 20, 2011
    Thursday

    Children’s Film Festival Moves in and out of Shadows

    Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.

  • Oct 19, 2011
    Wednesday

    Essential SF: Irving Saraf and Allie Light

    Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.


previousnext

previousnext