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    • Variety: "BRUSSELS -- Germany's candidate for the foreign-language Oscar in 2011 has taken top honors at the Ghent Film Festival. "Die Fremde" by Feo Aladag was awarded the fest's grand prize Wednesda (1)
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  • 3
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  • A
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  • L
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  • M
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  • N
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  • November
    2011

    • Essential SF: Rob Epstein and Jeffrey Friedman
    • Essential SF: Susan Gerhard
    • Essential SF: Joshua Grannell

  • October
    2011

    • Mill Valley Brings Oscar Contenders Close to Home
    • Graham Leggat and the Art of Engagement
    • The Facts Behind Great Fiction
    • Goldmacher IDs Perps Behind Financial Crisis
    • Kelly, Pickert Interpret ‘Cherokee’ Words
    • GOT Low Budgets, High Production Values?
    • Arab Spring Arrives in a Festival-Packed Fall
    • ‘New Environmentalists’ Salutes Gutsy Grassroots Guerillas
    • In Orbit with ‘An Injury to One’
    • Children’s Film Festival Moves in and out of Shadows
    • Clean White Lines Demos DIY Ethos
    • Essential SF: Irving Saraf and Allie Light
    • Where Are their Stories?
    • Joshua Moore, on Location
    • NFPF’s ‘Treasures 5’ Excavates 'The West'
    • Under the Spell of French Cinema Now
    • Signs of the Times
    • Essential SF: Karen Larsen
    • Unbound by Genre, Taiwan's Films Travel Unique Paths

  • September
    2011

    • Tiffany Shlain Connects the Dots
    • Jean-Luc Godard Sets Course for Adventure
    • Kuchar, Belson Bid Adieu
    • Radical Light: ‘Movie Factory’
    • He-Men Command Belief in MMA Film 'Warrior'
    • Stigma, Satisfaction Drive Indian 'Match' Game
    • More than Cute Keeps 'Hedgehog' Going
    • ‘Aurora’ Startles, Subtly
    • Mill Valley Announces Titles in 34th
    • Iranian Teenage Love Sparks ‘Circumstance’
    • ‘Puzzle’ Pieces Together a Life
    • SFFS's Hong Kong Cinema Series Brings Fan Fare to New Screen
    • Weimberg, Ryan Pick Berkeley ‘Brain’
    • Identifying Your Documentary’s Signature Style
    • Dark Thoughts Fill TIFF’s Lightbox
    • Turturro Makes a Case for 'Passione'
    • Gordon-Levitt's Chances Better than '50/50'
    • Slade Channels Broughton’s ‘Big Joy’
    • On Chronicling Criminals
    • Broadly Comedic ‘My Afternoons with Margueritte’ a Harmless Indulgence
    • Guy Maddin: Ann Savage and the Osmonds

  • August
    2011

    • Essential SF: Lynn Hershman Leeson
    • McDonagh Finds Success in Family Path with 'The Guard'
    • Minott Tracks ‘Illness’ to Guam
    • Yoav Potash Takes 'Crime's' Case to Larger Audience
    • In Theaters: 'Life in a Day,' 'The Tree,' 'Cameraman'
    • Pagnol's Foodie Oeuvre Appreciated in East Bay
    • Field Shoots ‘MLK in Palestine’ on the Fly
    • High Energy 'Point Blank' Is a Rush
    • Miranda July Throws Cautionary Tale to the Wind with ‘The Future’
    • 'Between Two Worlds' Places Politics of Speech in Spotlight
    • ‘The Arbor’s’ ‘Verbatim Theatre’ Approach Strikes Chord
    • ‘Dawn’ Salutes Lost Girls, Sainted Sister
    • What’s So Bleeping Funny?!
    • Teens Tackle Production at SFFS Young Filmmakers Camp
    • ITVS Celebrates 20th Tuned to Multi-Platform World
    • PFA Animates with Bay Area Works
    • Susannah Greason Robbins on Growing the City’s Film Industry
    • San Francisco, Open Your Golden Gates
    • Graham Leggat: Filmmakers, Writers, Fans Remember
    • Graham Leggat and a Film Society Transformed
    • Graham Leggat, 1960-2011
    • 'Vigilante, Vigilante' Opens Can of Worms

  • July
    2011

    • Fassbinder's Funky Futurism Speaks to the Moment
    • Weitz Explores the Other L.A. with 'A Better Life'
    • Essential SF: ‘Off the Charts,’ ‘Double Dare’
    • Graham Leggat Steps Down as Executive Director of San Francisco Film Society
    • Roko Belic Charts Path to ‘Happy’
    • Silverdocs 2011: A Festival with Legs
    • Torres Story Gains Focus
    • The Naked Truth on Nudity in Film
    • Generator Everything
    • Essential SF: ‘North Beach,’ ‘Medicine For Melancholy’
    • Avoiding Turbulence Leads to Plot Trouble
    • Striking Skolimowski Films Rescued from Obscurity at PFA
    • Rapaport Brings Depth to Tribe Called Quest Doc
    • Essential SF: ‘Freedom On My Mind,’ ‘The Good War’
    • Notes on Leveraging the Big Bash Climax
    • Ben Berkowitz Offers Sound Advice
    • Voices Converge at San Francisco Jewish Film Festival
    • Cinematographer Cardiff's Eye Prized in 'Cameraman' Doc

  • June
    2011

    • Another Hole in the Head Scares Up New Round
    • ‘Kiss the Cook’ Sparks Weidlinger’s Appetite
    • Celebrating a Reel Education
    • Richardson Wraps Circus ‘Net’
    • Production Values: Michael Whalen
    • 'Blank City' Looks Back at Underground 'B' Heyday
    • Frameline35 Opens, Features Wildly Diverse Program
    • We Want Answers
    • Lewis Rides Herd on Lusty ‘Longhorns’
    • Soap-Operatic 'Bride Flight' Is an Entertaining Ride
    • Percifield Runs with Board of Supes Candidate
    • A City’s Smutty History, Embraced
    • Voluntary Organ Donor Inspires Krawitz
    • SF Film Society Signs Lease on New Theatrical Home
    • Hong Takes New Tack with 'Oki's Movie'
    • Border Trouble Comes to Pacific Film Archive
    • Dues and Taxes Paid, Kornbluth Brothers Shoot for Glory
    • ‘Over the Edge’ Emerges from ‘Cult-Favorite’ Closet
    • Critic's Notebook: A Day in the Life
    • Critic's Notebook: Frameline at 35 Still Finds Youth a Focus
    • Vintage Kinski Uncorked at YBCA

  • May
    2011

    • SFIFF54 Golden Gate Award Winners Announced
    • SFIFF Brings in Burlesque as Closer
    • Snapshots Reveal Personal Side of SFIFF54
    • Frank Pierson, 'These Amazing Shadows' Offer Inspiration
    • Unrestrained at SFIFF54, Barney Offers Live Insight
    • We Are All Made of Stars in Patrico Guzmán's Universe
    • Bold Moves, Peril Define Great Third Acts
    • Gifts My Mother Gave Me
    • 'Meek's Cutoff' a Minimalist Masterpiece
    • The Unsinkable Joel Hodgson Floats New Show
    • YBCA Revisits Vintage Erotica
    • Antonelli Contrasts Africa’s ‘Killing Seasons’
    • New Approaches Embolden Doc Genre
    • Park Jung-bum Offers Notes on his Unique POV
    • Lost Legends Haunt Roxie's Latest Noir Series
    • Elizabeth Taylor Tribute Maps Unusual Star Path
    • Frameline Announces Titles in 2011 Festival
    • Patrick Raises Child ‘Booksellers’
    • Topp Twins Agitate, Yodel, Entertain
    • New Era Takes Hold at the Roxie
    • 'Into Eternity' Ponders a Present-Day Paradox

  • April
    2011

    • The Power of ‘Poetry’
    • Juelich Rides ‘Neon’ Roller Coaster
    • Uncomplicating the Casting Process
    • Kehr Recalls ‘When Movies Mattered’
    • Ozon's 'Trophy Wife' Is a Winner
    • 'Sleeping Ember' Reignites
    • Film Globally, Screen Locally
    • The Art of the Steal
    • Journalist-Activist Chakarova Exposes ‘Price of Sex’
    • Getting Behind 'Bill Cunningham'
    • SFIFF54 Finds Life Among the Ruins
    • Looking for the Moral with Bill Nichols
    • Production Values: Debbie Brubaker
    • On Producing Killer Films
    • Swimming in the Deep End of San Francisco International Film Festival
    • SFIFF54 Embraces Barney's Unique POV
    • Bay Area Doc-makers of SFIFF54 Map Future
    • Tindersticks Fuel the Claire Denis Film Fire
    • Terence Stamp Honored with Owens Award
    • Explosive Actors, Anecdotes Light Up SFIFF54’s Midnight Awards
    • SFIFF54's 'Beginners' Brings Surprises
    • Stone not Cold in Castro Conversation
    • Film Society Awards Night Shines Light on ’70s, City

  • March
    2011

    • Hope Springs Eternal at Green Film Festival
    • 'Boonmee's' Magic Lights Up SFFS Screen
    • Ehrlich Clicks with Icelandic ‘Mouse’
    • Poetry in Motion: Working in Action
    • SFIAAFF Brings 'Light,' Captures Attention
    • Wolos’s ‘Trattoria’ Serves Up Spicy Comedy
    • What you Need to Know to License Music for Film
    • YBCA Brings Attention to Embattled Iranian Artists
    • Seely Treks Long Distances for Shorts
    • Nonfiction's Future Lies in Optimism
    • SFIAAFF'S Closer Goh Nakamura Talks Music, Movies
    • Burroughs’ Story Still Stranger than Fiction
    • Jay Rosenblatt Talks ‘Darkness’
    • Merk Mixes ‘Cocktails’ for Television
    • Filmmakers Bring Stories to New Platforms
    • Kiarostami’s Enigmatic ‘Copy’ Fascinates
    • SFMOMA's Muybridge Experiments with Time, Space
    • Good’s ‘Vigilante’ Tags Graffiti Showdown
    • SFFS Announces 2011 SF International Film Festival Titles, Events
    • Haynes Reaches Mainstream with Thoroughly Modern ‘Mildred’
    • Talent Emerges at SXSW 2011

  • February
    2011

    • Eclectic Expectations Met at SF Indiefest
    • Schneider-Jarmel Clan Take ‘Balz’ to Cuba
    • How to Fix Your Documentary's Structural Problems, Part Two
    • Silent Film Festival Is in the Money
    • Scary Cow Stampede Continues Apace
    • Im Sang-soo Re-hires a Troubling 'Housemaid'
    • Mostly British Looks Beyond Speechifying Kings
    • SFFS Screen Returns with New Suleiman
    • Noise Pop 2011's Film Series Rawks
    • Soderbergh's Spalding Gray Rings True
    • Stone Tour Cultivates the City
    • Lagarde, Lozano Jam with NY Jazzman
    • On the Making of 'Crooked Beauty'
    • Beg For Your Life: In the Well with Laurel Nakadate
    • Nakadate’s Fever Dreams Heat the Screen
    • 'We Were Here' Wrings Hope from the AIDS Crisis
    • Mitchell Block Brings Oscar Attention to Vets
    • Ido Haar Seeks Justice, Searches Soul
    • 'Come Undone' Disrupts Domesticity
    • Arctic 'Summer' Story Chills Screen

  • January
    2011

    • 'Deathstalker' Muscles its Way Back to Big Screen
    • Politics, Sacrifice Define 'Bhutto,' Director
    • How to Fix Your Documentary's Structural Problems, Part One
    • Rudolf Frieling Looks to Technologies New, Old for SFMOMA's Screens
    • German Gems Program Shines
    • Nanstad Tracks Down 'Sisters' Act
    • American Doc Showcase Visits Angola
    • VCinema Podcast Finds Its Audience
    • De Oliveira's 'Angelica' Balming, Enlivening
    • Costa's 'Ne change rien' Captures Singer's Dreaminess, Rigor
    • Bay Area Doc Makers Breathe Deep Before Sundance Debuts
    • Alexander Excavates Educational Film Treasures
    • Patrick Marks Takes a Green Eye to Noir
    • 'Somewhere' Seizes on Discontent
    • Olsson Feels ‘Soldier’s Heart’ Beat
    • SF360 Live at Sundance: Strange and Charmed Visions
    • Red Lantern Meetup Reels in Film Fans
    • Temporary Insanity Takes Hold at Noir City
    • Sundance Awards 'Circumstance,' 'Another Happy Day'
    • SF360 Live at Sundance: 285 Steps

  • December
    2010

    • Essential SF: Anne McGuire
    • 'The Sound of Music' Offers Simpler Times, Strange Complications
    • Sundance Announces Films in Competition
    • De Michiel and Constantinou Offer Food for Thought
    • Stanford's MFA Doc Program Teaches Cardinal Rules, and How to Break Them
    • Film Festival Season: Five Last-Minute Music Clearance Tips
    • Film 2010: Big Pictures Light up the Small Screen
    • John Waters, New Leadership Renew Roxie
    • 'Ghost Bird' Returns to Roost
    • Film 2010: Top Tens
    • Film 2010: YouTube, WeTube
    • Film 2010: We’re Not Here to Make Friends
    • Film 2010: Think Globally, View Locally
    • Film 2010: The Year in Quotes
    • Film 2010: Moments, Trends, Docs and the Best of the Bay Area

  • November
    2010

    • Essential SF: Les Blank
    • Essential SF: Rick Prelinger
    • Essential SF: Gail Silva
    • Essential SF: Marlon Riggs
    • The View from Here
    • Essential SF
    • New Italian Cinema Puts Focus on Ferzan Ozpetek
    • Manning’s ‘Al Capp’ Sketches Grandpa
    • 'Client 9' Reclaims Spitzer
    • Copyright Crosses Borders
    • New to SFIAF: Online Screening Room
    • Season's Screenings Bring out Best Films of the Year
    • Going Guerrilla with Zombies
    • Radical Light: 'A Haven for Radical Art and Experimental Film and Video'
    • Writing Screenplays Is not Painting by Numbers
    • Malmberg Builds a Following with 'Marwencol'

  • October
    2010

    • 'Enter the Void' at Your Own Risk
    • Mill Valley's 33rd Launches
    • 'Left in the Dark' Savors the Bay Area's Cinema Past, Present
    • 'Masquerades' Opens Arab Film Festival
    • 'Better This World' Takes a Look at Criminal Injustice
    • Are You Expecting Your Producer to Save You?
    • Savoring Fishbone in its Third Insane Decade
    • Pitchers Craft Hits at SFFS Film Arts Forum
    • Charles Ferguson Solves ‘Inside Job’
    • Marquee Names Light Up French Cinema Now
    • Brown Follows Injuries in ‘Going the Distance’
    • Mike Ott on the Guileless Filmmaking of 'Littlerock'
    • Berlin & Beyond Provides Genius Genre Treatments
    • Ed Burns Looks to Future by Getting Back to Basics

  • September
    2010

    • Going McCarey's Way
    • 'Sweet' Beat Drives Fruchtmans’ Rwanda Doc
    • 'Change of Plans' Finds Humor in Mid-Life
    • Mallimson surveys 'Edge of the Wild' on San Bruno Mountain
    • 'Them Greeks' Tests Independent Digital Production Model
    • Telluride Unveils 37th Film Festival
    • Toronto's New Lightbox Offers Transcendence
    • Tushinski Brings San Francisco into 'Dirty Poole'
    • Online Film Contests: Friend or Foe?
    • Innovative Characters, Concepts Inform New California Website
    • Irving Glides from Parrots to Pelicans
    • Altman Versus the World
    • Radical Light: 'Image Dissectors'
    • Rwanda Moves Forward in New Documentary
    • Local Filmmakers Pour into Mill Valley
    • Gardner's Global Views Unnerve at YBCA
    • A Children's Film Festival Finds Inspiration for All Ages
    • A Family Implodes in Biting 'Dogtooth'
    • Phil Spector, the Spectacle, Viewed in New Doc

  • August
    2010

    • Looking to the Skies for Cinema
    • Media Pulse: The Closed Net Threat
    • Subtext: Catching the Drift Beneath the Dialogue
    • 'Winnebago Man' Hits the Road
    • Kirschenbaum’s ‘Looking’ Provides Alzheimer’s Patient P.O.V.
    • Overcoming Your Fear of Fundraising
    • Schneider and Zanuck on the Highs of 'Get Low'
    • Of Longing and Laforgue
    • Maoz Speaks of the Limits of Language in 'Lebanon'
    • Back with a 'Vengeance'
    • A Vampire Weekend at YBCA
    • Medina Stokes SF-set ‘Furnace’
    • Getting Perspective on your Story
    • Eat, Pray, Love, Direct
    • 'Army of Crime' Revisits the Not-Always French Resistance
    • The Price of Fame
    • Bar-Lev on the True 'Tillman Story'
    • Two Zimbalists and 'Two Escobars'

  • July
    2010

    • Wilson-Shepard Doc Blooms in AIDS Grove
    • Reeling in the Years with the Red Vic
    • Lisa Cholodenko Makes High Art of Family Hijinx
    • The San Francisco Silent Film Festival Speaks Volumes
    • Media Pulse: A Crude Interpretation of the Law
    • Observing Ordinary People in 'Everyone Else'
    • Storylines of Silverdocs 2010
    • Crafting Motifs in Documentary Films
    • Charlotte Buchen, Wheels Turning
    • Koons Garcia Runs Fingers Through 'Soil'
    • Crowd Control
    • 'Wild Grass' Finds Resnais Still Growing
    • 7th Heaven: Another Hole in the Head
    • Perkins Places 'Trust' in Convicts and Parolees
    • Essential SF: 'Times of Harvey Milk,' 'Crumb,' 'Cockettes'
    • SF Jewish Film Festival Lights 30 Candles
    • Getting Down, Dirty with Bob Ray and Chad Holt
    • Essential SF: 'Berkeley in the Sixties,' 'Brother Outsider,' 'Weather Underground'
    • Why Hire a Producer of Marketing, Distribution
    • Crime on the Mind

  • June
    2010

    • Kore-eda Breathes Life into 'Air Doll'
    • Guevara-Flanagan Soars with 'Wonder Woman'
    • On Loving the Best Worst Movie of All Time
    • Field's Anti-Apartheid Series Returns to Bay Area
    • Jordan's Magic Moments with Ondine
    • Breaux Leads Search Party Through Southwestern Country
    • Koppelman Maps International Cybercrime, Cuban Opera
    • Frameline34 Focuses on Warhol and Worlds of LGBT Cinema
    • Frameline34, a Festival Refreshed
    • Frameline's History Lessons
    • On the Road with 'Joan,' Stern and Sundberg Talk Big Picture
    • Bowden Exposes San Francisco in Full Picture
    • Polk Street Lures Boswell's 'Stranger'
    • San Francisco Habitue John Waters Offers Role Models
    • The Story Beyond the Story
    • A Digital Glossary
    • Fast-Track Filmmaking with the 48 Hour Film Project

  • May
    2010

    • Conner Forever Moving Forward
    • 'Typeface' Makes Art of a Lost Craft
    • Getting Shatnered with Thrillville
    • Stevenson's Oddball Scandinavian Cinema
    • Merchant-Ivory: A Look Back
    • Looking for Comedy in Ken Loach's 'Eric'
    • Griffin and Jordan Getting Nails Done
    • Omori, Hardy Conspire to Tattoo the World
    • SFIFF53: Women's Worlds
    • SFIFF53 Reports: James Schamus, Roger Ebert and the Writing Life
    • SFIFF53 Reports: Divine Madness at 'All About Evil' Premiere
    • SFIFF53: War Stories
    • SFIFF53: Golden Gate Awards and Juried Prizes/Grants Announced
    • San Francisco International's Local Filmmakers Next Step
    • Ideas that Last at the Disposable Film Festival
    • New York-set Charlie Barker's Big S.F. Break
    • Dialogues: Gary Snyder on Art, Anarchy and the Environment
    • Behind the Music with 'Simonal'
    • Poitras's Unexpected Path to 'The Oath'
    • Judge's Crude Behavior Infuriates Documentary Makers
    • Festivals from Cannes to Marfa, San Francisco Filmmakers Reporting
    • A Short Guide to Funding Short Narratives
    • Thinking Like a Screenwriter for your Documentary

  • April
    2010

    • Link TV's ViewChange Launch
    • Epic Expectations in 'The Warlords'
    • Independent Inuit Films at YBCA
    • Can-Can Do: Silent Shooting at the Victoria
    • 'It Came from Kuchar,' 'La Mission' in Theatres
    • The Roxie's New Leadership
    • SFIFF53: Deft Dussollier In 'Micmacs,' 'Wild Grass'
    • Living on Default line in Bakalian Doc
    • Rajendra Serber's Confident Steps into Film
    • SFIFF53: Ephemeral Film and Music, Live & Onstage
    • SFIFF53 Reports: The Butcher Block; Opening Night
    • SFIFF s Porchlight On For Guests
    • SFIFF53 Reports: 'Utopia,' 'Morning'
    • Local Filmmakers In SFIFF Spotlight
    • SFIFF53: The Art of Revival
    • SFIFF53: 'At the Movies' with Roger Ebert
    • SFIFF53 Reports: California Dreamin' at Film Society Awards Night
    • Rosen's Insights into 53rd San Francisco International
    • Christina Yao's solid Empire of Silver
    • 'Utopia' in San Francisco
    • Dialogues: Jim Harrison on Poetry, Documentary
    • Hernandez's Guilty Verdict
    • Do You Pass the Test?
    • The Empathetic Storyteller

  • March
    2010

    • Hurt and Belief in 'The Yellow Handkerchief'
    • Pixar's Latest Oscar High
    • West with 'Sweetgrass'
    • Bong Joon-ho's 'Mother' Pleases
    • Unresolved Conflict in 'American Radical,' 'Promised Lands'
    • Green by Design: Purebred Productions
    • Streetfilms' Two-Wheeled Revolution
    • Laotian Tourists Focus Murray's Camera
    • Hiler and Brown's Visionary Music
    • Riffe's Raw Milk Germ
    • Nuclear Family Secrets in Silvia's Atomic Mom
    • 28th SF Int'l Asian American Film Festival
    • SF International Asian American Film Festival's Archival Tour
    • San Francisco International Film Festival's 53rd Edition
    • Reed's Promise of Prodigal Sons
    • 'Village' a New Look at New Orleans
    • Borshay Liem's Double Exposure of Korean Adoptions
    • 'Lesh Sabreen?' On Red Vic Screen
    • Karim Ahmad on ITVS's Forward-Thinking FUTURESTATES
    • Do Ask, Do Tell
    • Childhood's Richness on Film
    • Sights and Sounds of South by Southwest

  • February
    2010

    • Bay Area's Strong Presence at 82nd Oscars
    • Pacific Film Archive's Young Filmmakers on Big Screen
    • San Francisco Cinematheque's Spring Action
    • Buscemi in Fine, Droll Form in 'St. John of Las Vegas'
    • As Oscars Approach, Winners Still Up in the Air
    • Freak Flag Flying at YBCA
    • Herzog's Unexpected 'My Son, My Son, What Have Ye Done'
    • Beyond 'Berlin,' Eggers' New German Gems
    • Wendy Slick's 'Virtuoso' Turn
    • Final Chapter in Kelly and Yamamoto's Art Trilogy
    • Cohen and Lipman's Recovering Friend in Forest
    • SF Indiefest at Twelve
    • Mostly British and Very Entertaining
    • Cinequest at 20
    • Scott MacDonald on Art in Cinema at SFMoMA
    • Ehrlich, Goldsmith on Pentagon Papers
    • Sid Ganis on Hollywood South and North
    • Public, Private: A Need-to-Know Guide
    • Best Length for Documentary Films
    • Chat It Up: Livestream, UStream and Justin.tv

  • January
    2010

    • Citizen Critics' New Outlets, Challenges in 2009
    • It's 'Playtime' with Jacques Tati in New Series
    • Unspoken Fascist Future In Wings of White Ribbon
    • Val Lewton's Brooding Mood, Chilling Themes
    • The Greatest Finds of My Generation
    • Can't Stop the Musical: PFA's Classics
    • 'Fish Tank's Essex truth
    • Nani Walker's 'Other Nature' At 15,000 Feet
    • Connie Field's Magnum Opus on Anti-Apartheid Movement
    • Joe Graham's Soulful 'Strapped'
    • Nao Bustamante's 'Silver and Gold' in Park City
    • Darkness Of Noir City On Castro Screen
    • Words from Sundance Staffers: Landon Zakheim
    • Words from Sundance Staffers: Robyn Arville
    • Words from Sundance Staffers: Natalie Mulford
    • Words from Sundance Staffers: Krissy Bailey
    • Words from Sundance Staffers: Ashley Soares
    • Words from Sundance Staffers: Ilya Tovbis
    • Words from Sundance Staffers: Jennie-Marie Adler
    • Words from Sundance Staffers: Jon Ho
    • Words from Sundance Staffers: Michael Lyons
    • Words from Sundance Staffers: Duc Bieu Pham
    • Words from Sundance Staffers: Jesse Dubus
    • Words from Sundance Staffers: Elizabeth Duran
    • George Csicsery's Hard Problems
    • Animal-Rescue Mine In Katrina's Emotional Aftermath
    • Jennifer Phang On Half-Life and Identity
    • Steven Severin On His Silent Spring
    • Michael House's Translation of Tati at YBCA
    • Butchers Chop Shop at Sundance
    • Stephen Talbot's World Music
    • Sam Green's 'Utopia' at Sundance
    • Road-Tested Rules For Bang-up Fundraising Events
    • What's In a Name?
    • Talking Heads to Storytellers

  • December
    2009

    • The Cockettes' Celluloid Afterglow Still Strong at 40
    • Workin' It: 'La Danse" and "Everything Strange and New'
    • Holiday Film Preview, Part II
    • Shannon and Ryan own the screen in "The Missing Person"
    • Soulful "35 Shots of Rum" Gently Intoxicating
    • After Sept. 11, 2001, A Decade Found Its Way
    • 3D Reloaded: Where Does 3D Go From Here?
    • Top 10s of 2009: Insiders and Fans
    • Top 10s of the 2000s
    • Thoughts On the Aughts: Best/Worst Trends
    • Antonelli's 'Crossing Over' and Cooke's Soulful Genius
    • Legal Eagle Eye Kristine Enea Zooms 'Off the Grid'
    • Bay Area Narrative Filmmakers Thriving in Doc Capital
    • Wintering with the SF Silent Film Festival
    • Catherine Galasso's 'Lightning Never Strikes the Same Place Twice'
    • David Thomson Revisits 'Psycho's' Critical Moment
    • Filmmakers Stuff 'Bag!' With Self-Distribution Dreams
    • Sequence Names
    • Best Practices For Naming Sequences
    • Coming Around to 'Convergence'

  • November
    2009

    • The Exiled Ingrid Bergman at PFA
    • On the Road Before 'The Recess Ends'
    • Chilean Film 'The Maid' and the Liberation of a Genre
    • Gerald Peary on the Rise and Fall of the Film Critic
    • Daven Gee Docs on the New American Family
    • Shamir's 'Defamation' a Vintage Documentary Dust-up
    • New Social Issue Dramas from Rainin Grant-Winners
    • Feast Your Eyes: A Holiday Film Preview
    • Marissa Aroy Unearths Forgotten California history
    • A Tour Through the 2009 Taiwan Film Days
    • New Italian Cinema's Fact, Fiction, Fascination
    • Parker and di Napoli on Parody and High Art
    • Russell Merritt at the SF International Animation Festival
    • Frazer Bradshaw on "Everything Strange and New"
    • David Sherman and Wasteland Utopias
    • How to Entice and Reward Potential Donors
    • A Challenge to Filmmakers
    • Carmen Madden on Watching People, Writing Characters
    • The Upside of Downtime

  • October
    2009

    • Tangerine Dreams: Cinematheque de Tanger's Morocco Showcase
    • Heddy Honigmann and the Art of Interview
    • San Francisco Cinematheque Fall Program Underway
    • The Turn-off Sex Cinema of Koji Wakamatsu
    • Remembering Chick Strand
    • Clough's Rough Time in 'Damned United'
    • Yes Men Take On the World
    • Christopher Upham Back to 'Dakto,' Vietnam
    • Anne, Anne, Anne: McGuire Comes Alive
    • Don't Criticize it: 'Holding On to Jah'
    • Mill Valley Film Festival's 32nd
    • What's up, DocFest?
    • Live from Mill Valley: Woody Harrelson and Uma Thurman
    • SFFS's Debut Cinema by the Bay
    • French Cinema Now—and then
    • 'Sorry, Thanks' Lavishes Love on the Mission
    • Pamela Jean Smith Brings Home Movies to Big Screen
    • Dave Eggers, Spike Jonze and 'Wild Things'
    • Robert Mailer Anderson on Mendo Madness of 'Pig Hunt'
    • The Importance of Supporting Characters
    • Structuring Your Doc With Your Voice - and Vision
    • A Fat Line Between Love and Hate

  • September
    2009

    • High Drama in High school in 'The Beautiful Person'
    • William Klein's Restless Mind
    • Columbia Pictures' noir lights at the Roxie
    • War Vets as Stars in 'Common Sky'
    • Foraging for 'Swamp Cabbage'
    • Telles charts 'Storm' of Mexican Revolution
    • Simon and Gosling Play Strachwitz's Tunes
    • Montalbano's "The Recondite Heart"
    • Toronto International Film Festival 2009
    • Cory McAbee and 'Stingray Sam'
    • The Sad Dance of 'Tony Manero'
    • Lucrecia Martel and "The Headless Woman"
    • Franny Armstrong's S.O.S. to the World
    • Roy Andersson on "You, the Living"
    • The Impact of Joe Berlinger's 'Crude'
    • Writing a Kick-Ass Funding Proposal
    • Organizing your bins effectively
    • TechCrunch 50: Clicker and AnyClip
    • E-news You Can Use

  • August
    2009

    • 'Desert of the Tartars' Saved from Obscurity
    • 'Thirst' and the Vampire Genre Still Bleeding
    • Josef von Sternberg Gem
    • 'District 9' a Summer Sci-fi Surprise
    • WWII as Genre Busted by 'Flame & Citron'
    • Kim Longinotto and Women Make Movies Film Festival
    • Lee, Schamus and Woodstock
    • Dina Ciraulo's 'Opal'
    • Pete Nicks Impatient in 'Waiting Room'
    • Hess, Janos and the Volunteers of America
    • How Scary Cow co-op is making indie filmmaking in SF a little less frightening
    • Swedish Muckrakers Enlist Local Help
    • Seiji Horibuchi on VIZ Cinema
    • Bob Goldthwait, Fate and 'World's Greatest Dad'
    • Ellen Schneider's Active Voice
    • Fine points on Festivals
    • Understanding Backstory
    • How a Story Consultant Saved Me

  • July
    2009

    • An Ample Display of Tilda Swinton's Edge
    • 'Why Isn't Chris von Sneidern Famous?'
    • Lucrecia Martel and a Case for Decadence
    • Whip-smart, Witty 'In the Loop'
    • Social Justice and the S.F. Jewish Film Festival
    • 'Until the Light Takes Us'
    • 'Howl' is Poetry in Post
    • 'Lion's Den' and '24 City'
    • The horror, the horror: 'Tweaker With an Axe'
    • Weissman's 'Heartbreak and Heroism'
    • J.P. Allen and the Landscape of Love
    • SF Silent Film Festival
    • Kutner and Goldstein on 'The Snake'
    • Anita Monga and the SF Silent Film Festival
    • Britta Sjogren and "Women's Film"
    • Berkeley-based writer Barry Gifford's wild screen-rides
    • Shelley Diekman Reflects on Well-Spent life
    • 'The Greatest Year in Film' at the Castro
    • Are Your "Friends" Worthless?
    • Beyond Words: Comedy That Sticks
    • The Real Deal
    • Free and Open: Video's Cambrian Explosion

  • June
    2009

    • 'Fados' finds Saura on his toes
    • Social Fury 'In the Realm of Oshima' at PFA
    • Marco Ferreri's Anarchic Filmmaking
    • Iron Curtain Call in the Poland of 'Katyn'
    • Frameline33: Youth in Revolt
    • Suspense, Stillness and Beauty in 'Three Monkeys'
    • Nutritious eating on the cheap for Potash film
    • 'All About Evil'-doer Joshua Grannell in post
    • Tejada-Flores on "Road" for a Change
    • Another Hole in the Head
    • Frameline33: Something Old, Something New
    • Frameline33: Icons and Unsung Heroes
    • Lawrence Jordan: to Infinity and Beyond
    • Miller Brothers Touch Home at AT&T Park
    • Weimberg/Ryan on Conflict and Conscience
    • Tom Shepard's 'Whiz Kids' Blinding with Science
    • Lee Isaac Chung on 'Munyurangabo'
    • Cronenwett's 'Maggots and Men' at Frameline
    • Richard Levien, from 'Immersion' to 'La Migra'
    • "Just Make Them Love It"
    • Facing the Music (Rights)
    • Story Structures that Funders Love
    • When the Personal is Political

  • May
    2009

    • Film Society Awards: Ballard, Coppola, Redford and Toback
    • SFIFF52 Blogs: Five Reasons why SF Loves Coppola
    • SFIFF52: Movie-Scribe Meltdown
    • SFIFF52 Blogs: Wilkerson's Proving Strong
    • SFIFF52 Blogs: Coppola & Lucas at the Castro
    • SFIFF52 Blogs: Cataloguing California
    • Kubrick and Altman's Fear, Desire, and Delinquency
    • Elliot Lavine: 'I Wake Up Dreaming'
    • SFIFF52 Blogs: Dinosaurs, Disease, and Delirium
    • Garrel's 'Frontier of Dawn'
    • 'A Wake for Analog'
    • 'Night and Day:' Location, Location, Locution
    • Berkeley Hosts Karel Vachek Retrospective
    • Raimi's Return to Horror: Drag Me to Hell
    • Kaufman and Snitow: New Jewish Identity
    • Recession-Proof Theaters, to a Point
    • 'In-World War:' Brant Smith's Directorial Debut
    • Dinner and a Movie Discussion: Igor Sinyak
    • Cyrus Omoomian's 'Democracy': From Iran to Chile
    • Local Makers Line Up Next Shot after SFIFF
    • SFIFF52: Planet Armstrong
    • SFIFF52: Golden Gate Awards Uncorked, SFFS/KRF Grant Winner Announced
    • SFIFF52 Blogs: Keeping Scores
    • Bruce Goldstein: From NY to SF to 'Con'
    • Six Degrees of Bringing Home the Bacon
    • The Hero, Deconstructed
    • Crafting an Elegant Essay Documentary
    • The Future of Video—In Our Hands?

  • April
    2009

    • Box set "Treasures" unearths buried avant-garde
    • Walsh sets off on Rainer's parade
    • "Fans, Friends & Followers"—an excerpt
    • "Observe and Report:" Seth Rogen Strikes Again
    • Bahrani Earns Ebert's Praise for "Goodbye Solo"
    • SFIFF52: Jim Granato's "D tour"
    • SFIFF52: Peter Bratt's "La Mission"
    • SFIFF52: "Lightness of Being" – Eight Wry Films
    • SFIFF52: Jarmel and Schneider's "Speaking in Tongues"
    • SFIFF52: Yun Suh's "City of Borders"
    • SFIFF52: Chris Felver's "Ferlinghetti" Captures an Icon
    • SFIFF52: Lourdes Portillo, Persistence of Vision Award Recipient
    • SFIFF52 Blogs: Mission, Midnight and Under the Influence
    • SFIFF52 Blogs: Portillo's 'Al Más Allá'
    • SFIFF52: Leone's 'Once Upon a Time in the West'
    • Holtzman: Psychedelic Cambodian Rock in 'Dengue Fever'
    • SFIFF52: New Narrative Trend for Bay Area Cinema
    • SFIFF52: 'The Professionals' Unites Filmmakers
    • SFIFF52: Jennifer Maytorena Taylor and a 'New Muslim Cool'
    • SFIFF52: Wisdom of the Underages
    • SFIFF52: Robert Redford Accepts Owens Award
    • SFIFF52: Light and Saraf's 'Empress Hotel'
    • Risky (Film) Business - What (Not) to Do
    • Character, Stripped to the Bone
    • Repeating Yourself?
    • Augmented Reality at SXSWi

  • March
    2009

    • 'Examined Life' Puts Ideas into Action
    • Troell in Fine Form with 'Everlasting Moments'
    • Back to Nature with Ben Rivers
    • William Kentridge at SFMOMA
    • On the Road, in Search of a Film
    • Sam Green's Utopian Experiment
    • Kitchell on Another Hot Topic with Environmental Movement Doc
    • Cinequest, Transforming
    • Kiyoshi Kurosawa and a Cinema of Disaster
    • SXSW: From the Producer's Chair
    • Politics Get Personal in 'Project Kashmir'
    • Connecting Here and There at the 27th SFIAAFF
    • SF International Film Festival Lineup
    • 'Medicine for Melancholy' in the City it Re-discovered
    • The Buzz on H.P. Mendoza's 'Fruit Fly'
    • Cary Joji Fukunaga on the (Very) Bay Area Story Behind 'Sin Nombre'
    • Livin' la Vida Arnold with Lyndall Grant
    • Michael Jacobs 'Audience of One' at the Roxie
    • 'Medicine for Melancholy' and the Art of DIY Legal Agreements
    • How to Rate Your Doc's Story Potential
    • Sound Advice

  • February
    2009

    • Warhol's Screen Tests Get Dean & Britta Treatment
    • 'Strand' Follows Thread to Rep Cinema's Glory Days
    • Stephane Gauger on 'Owl and the Sparrow'
    • Terence Davies' 'Of Time and the City' is Poetic, Personal
    • Re-Viewing 'The Savage Eye'
    • 'Just Another Love Story' Offers Shock Treatment
    • Chantal Akerman's Everyday, and More, at SFMOMA
    • Gangster Life Verite in 'Gomorrah'
    • 'Silent Light' and Shattered Landscapes
    • Epps Unearths Buried Alcatraz History
    • Strand Releasing Turns 20
    • Ellen Lake's Miniatures Fit Right In
    • Leban and Szajko's Gay Marriage Doc
    • Peled's Globalization Trilogy in India's Cotton Fields
    • SF Indiefest 2009
    • San Francisco Silent Film Festival Winter Event
    • Noise Pop Film Festival 2009
    • SF Cinematheque: New Year, New Direction
    • Intersections of 'Harrison Montgomery' with Daniel Davila
    • Lightening Your Fundraising Load
    • The Alchemy of Adaptation
    • Growing a Good Story, Naturally
    • Ten Commandments Before Diving into Digital Delivery

  • January
    2009

    • The Year in Film 2008: Oscar Odds
    • The Year in Film: What did Women Want?
    • Debra Chasnoff's 'Straightlaced'
    • Autobio-Animation and the Horrors of War
    • 'Che: The Roadshow' reclaims a legend
    • Bruce LaBruce's 'Otto': Zombies With Heart
    • 'Scott Walker: 30 Century Man'
    • Bud Cort Honored at Sketchfest
    • Sundance Blogs: 'Everything Strange and New' and 'La Mission'
    • Sundance '09: Award-Winners, Bloggers, and More
    • César Charlone Directs 'The Pope's Toilet'
    • Essay Films at the Pacific Film Archive
    • Elizabeth Pepin's 'Wasted!'
    • 'Tongues' Cracks the Language Barrier
    • A Composer Almost Ready for His Close-Up
    • Veteran Berkeley Filmmaker's Baseball Doc
    • Wim Wenders: Berlin & Beyond
    • Sundance Blog: Midnight at the Egyptian
    • Sundance Blog: Urban Hiker's Guide
    • Wendy Levy on the Politics of Participation
    • Eddie Muller and Noir City
    • Unresolutions of 2009
    • Social Justice Filmmaking Grants Announced
    • Remembering Ave Montague
    • Casting: Names and Numbers
    • Funder as Supplicant

  • December
    2008

    • 'Discovering Teuvo Tulio'
    • Something Wild: Martha Colburn's Collage Animations
    • Genuflection: 'Pray the Devil Back to Hell'
    • Season's Gleanings, a Holiday Preview
    • Reading Between the Frames: Fleming and Sturges
    • Bursting with 'Button'
    • New at Frameline: K.C. Price
    • Case Studies in Screenwriting: Pam Gray
    • Pamela Harris, GFEM, and Filmmaker Funding
    • Tom E. Brown on 'Pushing Dead' and Stayin' Alive
    • Québec Film Week's Unprovincial Pleasures
    • Sundance Harvests an Eclectic Crop of Local Films
    • The Year in Film, 2008: Top Unreleased Films
    • What Crisis? Fundraising During an Economic Meltdown
    • From Gauche to Great
    • Audience of One?
    • Greenscreen Envy

  • November
    2008

    • Supernaturalism with 'Let the Right One In'
    • Another Ingmar Bergman in 'Monika'
    • SF360 Film+Club: 'Silver Jew'
    • Soviet-Critical 'Cargo 200' at YBCA
    • Global Lens on Link TV
    • Kroot's Planet Kuchar
    • Sean Uyehara On the S.F. International Animation Festival
    • Scott MacDonald's 'Canyon Cinema' Book--Both History and How-to
    • David Thomson and 1,000 Unusual Suspects
    • Gus Van Sant and Dustin Lance Black on 'Milk'
    • Sragow on 'An American Movie Master'
    • Perfect Pitch

  • October
    2008

    • 'Full Battle Rattle' On the Endless War
    • Crossing Borders with 'Fraulein'
    • 'Secrecy' Up For Debate
    • SFFS Screens 'Delwende'
    • 'Christmas on Mars' Non Halloween
    • Straight and Not So Narrow 'Crooked Beauty' In Production
    • Making 'Howl' and 'Babnik'
    • A Documentary on Death and Survival in Paradise
    • Mill Valley Film Festival's Maher Moment
    • Dead Channels 2008 Comes Alive
    • SFFS's Inaugural French Cinema Now
    • MVFF: Mulford and Cruz On Chile's Dark Past
    • Carnival of Nonfiction Filmmaking
    • 12th Arab Film Festival
    • Jack Stevenson on 'The Superstars Next Door'
    • Documenting the Lyme Epidemic
    • A Talk With Arab Film Festival's Executive Director
    • Lance Hammer on Beauty and 'Ballast'
    • Susan Oxtoby and the Pacific Film Archive
    • Notes on Digital Distribution
    • Trailer Talk
    • The Dimensions of Dialogue
    • Basics of Web 3.0?

  • September
    2008

    • Chris Marker Comes Home, At Last
    • Room for Thought at SFMOMA
    • The Fantastical Imagination of 'Wind Man'
    • Curators at Bay Area Now 5
    • Toronto 2008: Slow Food, Fast Festival
    • The Cosmic Dance-Floor of Arthur Russell
    • Baloney Sandwiches With No Cheese: Ted V. Mikels' Wild World
    • 'Anita O'Day: The Life of a Jazz Singer'
    • Jerusalem's Lone Gay Bar
    • Educational 'Split' Helps Troubled Children of Divorce
    • Scott Crocker's 'Ghost Bird' Phenomenon
    • Mendocino's Swine Country
    • Mill Valley's 31st Program
    • 7th SF DocFest Program
    • Ariella Ben-Dov's Madcat Archives
    • Stephen Parr's Oddball Films
    • Vida Ghahremani: Star is Reborn in Wayne Wang's Latest
    • Yiyun Li, The Voice of 'A Thousand'
    • James Savoca's 'Around June' Casts Spell Around Potrero Hill
    • SWAG: Free Feature Films On the Web

  • August
    2008

    • Saluting the Ultimate Whistleblower
    • Not About Royalty
    • 'The Dark Cinema of David Goodis' at the PFA
    • Nik Sheenan's 'FliCKer'
    • Vertigo's 50th Anniversary
    • In Spain with 'Vicky Cristina Barcelona'
    • Global Film Initiative: Funding the Bigger Picture
    • 'Hats Off' Fascinated With 93-Years-Young Actress
    • 'Days and Clouds' Finds Changes in the Weather
    • Inside the Telluride Film Festival
    • Exhuming History with "The Judge and the General"
    • Canyon Cinema's Dominic Angerame
    • Stephen Olsson and Link TV
    • Parvez Sharma and 'A Jihad for Love'
    • Rob Nilsson on Himself
    • Second Stage of Film Arts Foundation's Legacy of Advocacy
    • Not Quite Quiet Desperation

  • July
    2008

    • 'The Gits,' the Movie
    • Niles Essanay's Voguing Eunuchs, Raving Madmen
    • Fatih Akin and 'The Edge of Heaven'
    • Swinging '60s suburbs in 'Viva'
    • The Mystical and Everyday in 'A Listener's Tale'
    • 'CSNY: Deja Vu'
    • Jacques Nolot and 'Before I Forget'
    • 'The Exiles,' a Return Engagement
    • Beard world and Swenson's Salton Sea
    • Frameline's New Lesson Plan
    • The San Francisco Silent Film Festival
    • The 28th San Francisco Jewish Film Festival
    • Riffling through '1000 Journals' with Someguy
    • SFFS Screen's 'Hank and Mike'
    • Hard Look at China in 'Blind Mountain'
    • Catherine Breillat's 'The Last Mistress'
    • S.F. Jewish Film Festival's Stein and Fishman
    • Muayad Alayan, Christian Bruno
    • In Memoriam: Bruce Conner (1933-2008)
    • A Week at Flaherty
    • What's Fair is not Foul

  • June
    2008

    • Review: 'Surfwise'
    • Travel Guide Through Another Hole in the Head Film Festival
    • Review: 'Love Songs'
    • 'Mongol's' Mr. Nice Guy: Genghis Khan
    • Herzog's 'Encounters at the End of the World'
    • San Francisco Black Film Festival's 10th
    • Screen Test, San Jose
    • The List: Michael Lumpkin Looks Back
    • Hong Sang Soo on the SFFS Screen
    • Critic's Notebook: Hole Head, Week One
    • New Rohmer on SFFS Screen
    • The World of 'Derek' at Frameline32
    • Argentina's New Wave at Frameline
    • Critic's Notebook: Frameline32
    • Alex Gibney on Going 'Gonzo'
    • Dawn and David Katznelson
    • 'Up the Yangtze' with Yung Chang
    • Strand's Marcus Hu and Frameline's Michael Lumpkin
    • Ruby Yang on 'A Double Life'
    • SFFS Screen at Sundance Kabuki

  • May
    2008

    • Review: 'The Living End,' remixed and remastered
    • Finding Warren Sonbert
    • Review: "Mister Lonely"
    • Jimmy Stewart at 100
    • Review: "Postal"
    • Capelle on Composers: Day Two
    • Nights on the Towne: Film Society Awards Night
    • Cinemania at the SF International
    • Capelle on Composers: Back to Back
    • SF International's Golden Gate Awards: Alive and Cooking
    • In Other Words: States of Cinema, Music and Mind
    • In Other Words: Pacific Whims
    • Capelle on Composers: Day Three
    • "Standard Operating Procedure" and the Stories We Tell
    • Frameline's 32nd SFLGBT Festival Program
    • S.F. International Arts Festival
    • SFIAF: 'Mordake' and Week Two -- Reviewed, Previewed
    • 'Shampoo.' Rinse. Repeat.
    • Gibney Going "Gonzo," Part Two
    • Q&A: Alex Rivera, 'Sleep Dealer'
    • The Doctor and the Documentarian Behind "The English Surgeon"
    • Contemporary Jewish Museum's DAWN

  • April
    2008

    • Review: "Boarding Gate"
    • "Cachao: Uno Mas"
    • SF Int'l announces its 51st program and year-round screen
    • Earthdance Short-Attention-Span Environmental Film Festival
    • Seven from the Sonoma Valley Film Festival
    • "Palestine: Interior/Exterior"
    • SFIFF51: Renee Tajima- Pe–a's trip down “Calavera Highway'
    • SFIFF51: Dawn Logsdon, on new hope in an old neighborhood, "Faubourg TremŽ"
    • SFIFF51: The Miller Brothers on writing, pitching, acting, directing, and hitting one out of the ballpark
    • Asia Argento, In Full Flower
    • I [heart] Jason Lee
    • Mike Leigh's Topsy-Turvy World
    • Capelle and Composers: Day One
    • In Other Words: Standard Operating Procedure
    • Thomas Beard exposes "Live Cinema"
    • 'Thrillville' turns 11
    • Johnny Symons and "Ask Not"
    • SFIFF51: Craig Baldwin Shoots the Moon, and the Desert
    • SFIFF51: California Newsreel at 40
    • SFIFF51: On the Breeding Behind "Evolution: The Musical!"
    • SFIFF51: Barry Jenkins' San Francisco Story
    • SFIFF51: Eddie Muller's Muses
    • SFIFF51: Katherin McInnis Cues the Carnival Music

  • March
    2008

    • "Warts & All: The Films of Danny Plotnick"
    • "A Genuine Tribute to Peter Bogdanovich"
    • "Paranoid Park"
    • Ira Sachs on "Married Life"
    • "Shelter"
    • SFMOMA's "Nonwestern Westerns" Series
    • Review: "Shotgun Stories"
    • The San Francisco Irish Film Festival
    • Cinequest's surprises
    • San Francisco International Asian American Film Festival 2008
    • Ten SFIAAFF Picks From Judy Stone
    • San Francisco International Asian American Film Festival
    • SFIAAFF's winners
    • "Girls Rock" with Arne Johnson & Shane King
    • Donnie Yen, "Flashpoint"
    • "2 Husbands," One Amazing Race?
    • Q&A: Brillante Mendoza
    • SFIAAFF's Taro Goto, Moving On
    • Jeff Nichols on "Shotgun Stories"

  • February
    2008

    • Review: "Taxi to the Dark Side"
    • "Shrooms" Screams Bloody Horror
    • Cinema, Israeli Style
    • Bollywood By the Bay
    • Undying Love for George A. Romero
    • Review: "The Signal"
    • Kiarostami Firsts, Plus "Five"
    • Danny Glover, "Honeydripper," and Us
    • 10 Reasons to See "Cinema Piemonte"
    • Sundance, In Stitches
    • SF Indiefest at 10
    • SF Indiefest, From Day One
    • Noise Pop Film Festival
    • Cristian Mungiu's 24 Hours of "4 Months, 3 Weeks"
    • SF Indiefest Opening Night: Riding "Shotgun" With Jeff Nichols
    • Carl D. Brown and Erin Beach of "2nd Verse"
    • Eran Kolirin and "The Band's Visit"
    • Emiko Omori and Wendy Slick's "Passion & Power"
    • L.Q. Jones Talks Dogs and Cult Movies

  • January
    2008

    • The Best Undistributed Films of 2007
    • SFMOMA's Emile de Antonio Series
    • Review: "The Violin"
    • "Joy Division" on Screen
    • Cassandra's Dreamer, Woody Allen
    • Art Stars of Sundance
    • Paradjanov and Godard on DVD
    • "The Medieval Remake" at the PFA
    • Berlin & Beyond at 13
    • Noir City 2008
    • Location Scouting at Sundance
    • Gail Silva's Sundance Primer
    • "Teeth" Actor Has a Sundance Flashback
    • Peter Galison, "Secrecy," and Sundance
    • Amanda Micheli Going for La Corona
    • Alan K. Rode on Noir and Charles McGraw
    • 'Be Kind Rewind' Brings Michel Gondry to SF
    • SF-Based Distributor Viz Pictures
    • Heath Ledger, a Loss

  • December
    2007

    • Review: "Diva"
    • Five Great Skate Features
    • Reviews: "Walk Hard"; "Charlie Wilson's War"
    • Les Blank's "All in this Tea"
    • Jesse Hawthorne Ficks's Midnight Movie Empire
    • Q&A with "Holly" Filmmakers
    • Christopher Coppola Wants You
    • Jessica Yu, "Protagonist"
    • "Starting Out in the Evening" With Andrew Wagner
    • Bollyhood, a Concept, a Cafe

  • November
    2007

    • Jumping the Shark
    • "Joe Strummer: The Future is Unwritten"
    • "Redacted"
    • Phil Chambliss, Arkansas Auteur
    • The Short Films of Big Ugly Review
    • The Many Faces of Dylan
    • "RKO Lost & Found" at the Roxie
    • "Hannah Takes the Stairs"
    • "Holly," an Unseasonably Sobering Drama
    • S.F. Silent Film Festival“s Third Annual Winter Event
    • The 32nd American Indian Film Festival
    • International Latino Film Festival and S.F. International Animation Festival
    • Second S.F. International Animation Festival
    • Connie Field, from Berkeley to Johannesburg
    • Sean Uyehara Talks S.F. International Animation Festival
    • Herzog, Docs, and Truth at AFI Fest
    • Reverend Billy on Missionary Mall Work
    • Robert Lepage, "Progress" Report
    • 'Her Name is Sabine' With SF360 Movie Night

  • October
    2007

    • "The Assassination of Jesse James by the Coward Robert Ford"
    • Joseph Cornell at SFMOMA
    • Your Al Gore, and More
    • "Lars and the Real Girl"
    • Mill Valley Film Festival at 30
    • Mill Valley Film Festival 30
    • The 11th Arab Film Festival
    • Anywhere Road's Robert Ogden Barnum
    • Nine Questions for Rob Nilsson
    • Jamie Meltzer on "Welcome to Nollywood"
    • Robert Arnold, in "The Key of G"
    • Shooting People's Ingrid Kopp
    • Aaron Woolf Seeding Doubt in "King Corn"
    • MobMov and the New-School Drive-In Movie
    • Mister Jalopy's Urban Guerrilla Movie House

  • September
    2007

    • "Discovering Orson Welles"
    • SOFA, so good? "Straight outta Film Arts" (SOFA) shines a light on youth filmmaking
    • "Punk's Not Dead"
    • Tomo Uchida at the PFA
    • "In Search of Mozart"
    • A Sean Penn Top 10
    • Lucy Gray's Telluride
    • Five from Madcat
    • SF Docfest Report
    • Finn Taylor on Natural Selection and "The Darwin Awards"
    • George Kuchar, Neither Boil nor Blister
    • Lynn Hershman Leeson's "Culture" war
    • Ariella Ben-Dov, Madcat Mastermind

  • August
    2007

    • Jewish Humor, After Woody
    • Abbas Kiarostami: "Image Maker"
    • "Crossing the Line" and "Death at a Funeral"
    • Pier Paolo Pasolini
    • "This is England;" "Rocket Science"
    • Blood, Sweat, Tears
    • "The King of Kong;" "2 Days in Paris"
    • "Coffy" and Other Tales of Female Revenge
    • "From the Tsars to the Stars: A Journey Through Russian Fantastik Cinema"
    • Laurent Tirard on "Moliere"
    • "Arctic Tale" and the Melting of Hearts
    • "Revolution Summer"
    • Telluride in Transition
    • Bruce Fletcher, Dead Channels and the Living
    • Irina Leimbacher and Konrad Steiner on "kino21"
    • Jeffrey Blitz and Reece Thompson on "Rocket Science"
    • A Mighty Wurlitzer Player
    • Peaches Christ Superstar
    • "2 Days in Paris" with Julie Delpy
    • Off the Lot With Mateen Kemet

  • July
    2007

    • Parker Posey's return in "Broken English"
    • Rodents we love
    • "Dr. Bronner's Magic Soapbox;" "Ten Canoes"
    • Fabulous Fashion in Film
    • Saul Bass, "Phase IV"
    • "Private Property;" "One to Another"
    • International Stories Find Audiences at L.A. Film Fest
    • A Frozen Film Festival five
    • The San Francisco Jewish Film Festival
    • In the ring with Jewish boxers at SFJFF
    • Jasmine Dellal on her "Gypsy Caravan"
    • Stacey Wisnia, talking silent pictures
    • 'Joshua's' George Ratliff
    • Jennifer Baichwal and Edward Burtynsky on "Manufactured Landscapes"
    • "Sunshine" on my shoulders
    • Shonali Bose on "Amu"
    • Mateen Kemet, "On the Lot"
    • Marc Huestis on the Runway

  • June
    2007

    • Reviews: "La Vie en Rose;" "Crazy Love"
    • Reviews: "Brand Upon the Brain!", "Golden Door"
    • The art of Muppetry
    • "American Cannibal" and Reality TV
    • "Lover Other"
    • "SiCKO"-time
    • Macbeths we have known
    • San Francisco Black Film Festival
    • A Strandful at Frameline31
    • Lumpkin and Morris on Frameline's Big Picture
    • Jackson Hole Film Festival
    • Frameline31
    • Dennis Nyback and "Bad Bugs Bunny"
    • "Once" Again -- A Date With Carney, Hansard, and Irglova
    • Dan Klores and "Crazy Love"
    • Michael Winterbottom's "A Mighty Heart"
    • Richard Wong and H.P. Mendoza, reanimating "Colma: The Musical"
    • Andrea Sperling, powering up
    • Movies and Martinis, A Movement
    • Laura Albert, The Real J.T. Leroy, Charged With Fraud

  • May
    2007

    • A "Flanders" Reader
    • "Zidane: A 21st-Century Portrait"
    • Guillen's Top Five from Another Hole in the Head
    • Reviews: "Bamako" and "Angel-A"
    • "The Prodigy," The Roxie, Delirium, God
    • Fred Astaire, "Also Dances..."
    • Picturing Politics at SFIFF50
    • Digital Festival
    • Spike Lee
    • Film Society Awards Night
    • SFIFF50, Diving In
    • Live from Fog City
    • Golden Gate Award to "The Key of G"
    • Frameline, Scalped
    • Meet the Jury/A Palme d'Or 20
    • Frameline Announces 31st Program
    • 2007 Mendocino Film Festival
    • Liane Yasumoto and Superfest International Disability Film Festival
    • Hal Hartley, Not So simple
    • Hal Hartley, Not So Simple: Part II

  • April
    2007

    • Reviews: "Police Beat"; "The Page Turner"
    • Loach's Palme d'Or Winner
    • Reviews: "I Don't Want to Sleep Alone"; "Mafioso"
    • Reviews: 'Comedy of Power'
    • Dead Channels : The San Francisco Festival of Fantastic Film
    • S.F. International Announces Lineup for 50th
    • SFIFF50-philes
    • Sonoma Valley Film Festival
    • Uyehara Hits High Notes on Music of SFIFF50
    • A Festival, a Half Century
    • SFIFF50
    • SF360 Film Culture Confidential: Shhhhhh....
    • Amanda Micheli's Wonder Women
    • Weerasethakul Talks Hospitals, Aerobics, and a Boy From Mars
    • Paul Verhoeven and His "Black Book"
    • Mike White's Alter Egos
    • Jon Else On Acts of Creation
    • Kerry Laitala and Her New "Muse"
    • A Rob Nilsson 10
    • Daniel Wu, Heavenly King
    • Remembering Jim Lyons: 1960 - 2007

  • March
    2007

    • Reviews: "Color Me Kubrick" and "Pride"
    • Now and Zen and an Imperial Adventure
    • The Critics and Antonioni
    • Favorite Artists at the SFIAAFF
    • The SF International's GreenWorld contest turns a big issue over to the makers of shorts
    • Video-Diary Pioneer Spencer Nakasako
    • Grace Lee on the Zombie in You and Me
    • Phillip Haas on "The Situation"

  • February
    2007

    • 15 Minutes of YouTube
    • The Eye Candy of 'Tears of the Black Tiger'
    • "Iraq in Fragments, "The Lives of Others"
    • "Alternative Visions" at the PFA
    • Reviews: "Family Law"; "Amazing Grace"
    • The Countercultures of "Commune"
    • Reviews: "Black Snake Moan"; "Cinemachismo"
    • 'Seraphim Falls': Myth in the Western Canon
    • The Other Side of Indie at SF Indiefest's 9th
    • S.F. International Asian American Announces '07 Program
    • Film Arts Foundation's 'Bay Area Film Festivals'
    • A Royal Family
    • Cheryl Eddy, Behind the New "SF360 Movie Scene"
    • Von Donnersmarck's Oscar-nominated "The Lives of Others"
    • The Red Vic Movie House's Top 5
    • Rory Kennedy and 'The Ghosts of Abu Ghraib'
    • Michael Arndt, Little Mr. Sunshine
    • Food, Funding
    • 'The Departed' Wins Best Picture, Scorsese Best Director at 79th Oscars
    • Signs of the Zodiac

  • January
    2007

    • The Breno Mello of "Black Orpheus"
    • A "Backstage" Breakdown
    • "Absolute Wilson"; "Army of Shadows"
    • A Chilean Top Four
    • "Samoan Wedding"; "Romantico"
    • "The Lubitsch Touch"
    • Lynn Hershman Leeson and "Strange Culture"
    • Berlin & Beyond 2007
    • Indiefest Lineup Announcement
    • Key Events of 50th SFIFF Announced at Sundance
    • Noir City5, Fun with Dicks and Janes
    • A Superdance and a Superbowl
    • Tom Tykwer and the scent of a serial killer
    • Mark Becker's Mission-Inspired "Romantico"

  • December
    2006

    • Cheryl Eddy's Badder Santas
    • Nathaniel Dorsky's Secret World
    • "Radical Closure" at the PFA
    • Written and Directed by Preston Sturges
    • "Candy" keeps up with the Joneses
    • I, Spy
    • James Broughton, and a DVD Eden
    • A Whole Lotta Holiday Film
    • SF to Sundance
    • 2006, The Remix
    • "Man Push Cart" Director's New York-by-Way-of-Pakistan Story
    • Frank Lee on 4 Star Theatre's Second Life
    • James T. Hong on Heidegger, Hitler, and His New Film
    • SF Film Critics Circle Announces Awards
    • The Cities' Critics Speak

  • November
    2006

    • The Mafia Doc "Excellent Cadavers"
    • More Made Men
    • Reopening "Pandora's Box"
    • 50 Years of Janus Films
    • KQED's Wild West in "Truly CA"
    • Music Videos At the Museum
    • Teshigahara at The Castro
    • Otto Motives, A Preminger Perspective
    • Truman Capote , 1974
    • Cinema, New Italian Style
    • Second Look at 3rd I
    • A Cinequest 35
    • 51 Birch Street, Revisited
    • A Marc Huestis Presents 20
    • Mary Badham, On a "Mockingbird" Mission
    • InDplay and The New Art of Film Distribution
    • Killing My Lobster Gets Krunk With Andrew Bancroft
    • Robert Altman 1925-2006
    • Adrian Belic Goes 'Beyond the Call'
    • A Word From Our Sponsored Films
    • Case Studies in Indie Distribution at Digimart

  • October
    2006

    • Fighting for Freedom: Exploring Vachon's "Killer Life"
    • A War Movie Lost to Time
    • City Poet Bruce Baillie Returns
    • Found: 'Marie Antoinette' in Paris
    • Things You May or May Not Know About Miranda July
    • A U.N. Ten
    • Stand Up, Be Counted: Grassroots Docs Warn of Electronic Voting
    • Mill Valley Film Festival 2006
    • Dog Day Afternoon in the Castro
    • San Francisco International Animation Showcase
    • John Cameron Mitchell's long "Shortbus" ride
    • "One Man Band," two Pixar geniuses, and "The Iron Giant" revisited
    • Joseph McBride: All is Welles
    • Poetic Terrorism and Wholphin #2
    • Amy Berg's "Deliver Us From Evil"
    • Crossing That Bridge
    • Stanley Nelson on the Jonestown Tragedy
    • Arnold On the Auction Block
    • Roxie, The Vote

  • September
    2006

    • Gallery on Demand
    • Peter Whitehead's '60s
    • Another Other Cinema, Now on DVD
    • The "remake," re-made
    • Jack Stevenson's vault of vice
    • Two Wheels, Five Films
    • Telluride Film Festival 2006
    • Arab Film Festival 2006
    • Ariella Ben-Dov on View-Mastery and "Women's Work"
    • Mill Valley Film Festival 2006 Announcement
    • Global Lens 2006
    • Bernal Heights Outdoor Cinema 2006
    • David Thomson on Nicole Kidman
    • MPAA in Sights of This Film Is Not Yet Rated
    • Vicky Funari and Sergio De La Torre on Border Life
    • Opening "Red Doors" in Asian American Family
    • Ian Inaba on Stolen and Influenced Elections
    • Indie Distributors Strategize for Fall 2006 Releases
    • Voting Protection-Related Sites
    • Netflix 101, a Dispatch from IFP's Filmmaker Conference

  • August
    2006

    • Francois Ozon, Mortal
    • All About Eva
    • Sweet "Quinceañera" vs. MTV's greedy "My Super Sweet 16"
    • "Seventeen" Might be Greatest Movie Ever About Teenagers: 17 Reasons Why
    • Bukowski By the Bunch
    • Pacific Film Archive's "A Theater Near You"
    • ZeroOne Through Ten
    • A Tale of Two Shorts Festivals
    • Academy Grant Jump Starts SF International's 50th
    • Fall 2006 Festival Season
    • Netflix Rolling Roadshow: Return to Alcatraz
    • Amos Gitai's Reality
    • Mary Woronov Visits Midnight Mass
    • Stephen Parr In the Home-Movie Archives
    • Keith Fulton and "Brothers of the Head"
    • Night Listening with Patrick Stettner
    • TurnHere's Travel Videos
    • Ryan Fleck: Wrestling with 'Half Nelson'
    • Naut Humon, Recombinant Media Labs Explore Limits of Sight, Sound
    • Laura Poitras" "My Country, My Country"
    • Morpho Power at SIGGRAPH
    • Current TV and the Audience as Auteur

  • July
    2006

    • Celebrating "Beyond the Valley of the Dolls"
    • Visconti's Signature Features
    • The San Francisco Silent Film Festival
    • Overview of the S.F. Jewish Film Festival
    • Chris Metzler and Jeff Springer, from the Salton Sea to San Francisco
    • SFMOMA Curator on Matthew Barney
    • Tracy Flannigan Watches Tribe 8 "Rise Above"
    • Larry Clark's New Kids on the Block
    • Best of Balboa
    • Car Talk with Chris Paine
    • Patsy Desmond, Survivor on Screen
    • 25 Years of Sundance at the CFI's Rafael
    • Filmmaking in 48 Hours
    • Preteens on Surprise Endings
    • Screenwriter Guillermo Arriaga on the Weight of Words
    • A Documentary on Peru's Terror War
    • Adrian Belic and Just Think Youth Media Educators
    • Hip Hop Cinema

  • June
    2006

    • "Songbirds" New Tune
    • "An Inconvenient Truth" Strikes a Nerve
    • "Kees Kino: The Film Work of Weldon Kees"
    • "Broken Sky" and "Two Drifters" at the San Francisco LGBT Film Festival
    • Bay Area Filmmakers at SF International LGBT Film Festival
    • Army of Shadows and France's Soul
    • We Want Our "Dykeback Mountain"
    • Would Football By Any Other Name Smell As Sweet?
    • Zack Bazzi, War Correspondent
    • Rare Horror
    • The San Francisco Black Film Festival
    • San Francisco International LGBT Film Festival
    • Critic's Notebook, Frameline30
    • Jesse Ficks and "Midnites for Maniacs"
    • Marc Huestis and a Wrinkle in Time
    • The Outsiders
    • Benjamin Morgan's "Quality of Life" out on DVD
    • Matthew Barney, "Drawing Restraint"
    • By the Numbers -- The Making of "Colma: The Musical"
    • Mat Whitecross and the Rough "Road to Guantanamo"
    • Zero Hour

  • May
    2006

    • Kidlat Tahimik's "Perfumed Nightmare" Remains an Unlikely Masterpiece
    • Showstopping Filmmakers Rodney Ascher and Syd Garon
    • Four Performers on Getting "Fired!"
    • Ten Near Masterpieces Rescued from the Dustbin
    • Words on work with Michael Glawogger
    • San Francisco International Film Festival, Week Two
    • Addictive TV's VJ-style "Eye of the Pilot" at the Kabuki
    • Tilda Swinton: The 2006 SFIFF "State of Cinema" Address
    • San Francisco International Film Festival's Award Winners
    • Werner Herzog, Setting the Record Straight
    • Docfest: Not to Be Believed?
    • 24 Reasons Why
    • Creative Offerings at the Icelandic Film Festival
    • Frameline's 30th San Francisco International LGBT Film Festival
    • 2006 San Francisco International Arts Festival
    • Terry Zwigoff, "Confidential" and Uncensored
    • A Writer and Filmmaker Bring "Alice" to the Screen
    • One Screen, Three San Francisco Cinephiles
    • Filmmaker William Farley's Peripheral Vision
    • New Executive Director of S.F. Cinematheque on Experimental Film
    • A Conversation with Farmer John (Peterson)
    • Dominic Angerame on Making "Consume"

  • April
    2006

    • "Reel SF" Finds a Tough, Moody Kinda Town
    • Masharawi Finds Palestinians In States of Suspended Animation
    • 'Hot Fuzz' a Cheeky Riposte to H-wood
    • Cinephiles and Oenophiles: Sommelier Pairings for Sonoma Valley Fest
    • International REMIX
    • Graham Leggat, SFIFF Executive Director, Indexed
    • Unleash the Blogs
    • From Here to Iberia at SFIFF
    • The Revolution Will Be Digitized?
    • Unleash the Blogs, II
    • Zahedi and Field on I Am a Sex Addict
    • Happiness Is...Finding a Film Club? Adam Werbach Riffs
    • Totally, Tenderly 20th-Century: Lopate Curates Critics
    • "Full Grown Men" On the Road
    • Tommy Pallotta's Reanimation of "A Scanner Darkly"
    • Andy Lau, The Magic Man
    • Choose Your Words
    • Sam Green's Tour Through "Lot 63, Grave C"
    • Five Moments on Market Street, 1905-2006

  • March
    2006

    • Tehran Contemporary Art Exhibit On Tour
    • Human Rights Watch Film Festival: More Than "Watching"
    • Tiburon Film Festival Turns a Tourist Town Around
    • A Talk with SFIAAFF Directors Chi-hui Yang and Taro Goto
    • Shigeta's Presence at the SFIAAFF
    • Transnational Tales at This Year's SFIAAFF
    • Future Stars of SFIAAFF
    • 49th Annual SFIFF Lineup
    • Noise Pop: The Movie
    • Picks for the San Francisco International Film Festival
    • David Kipen Posits New Auteur Theory
    • The Roxie, Resurrected
    • Interview With Richard Leacock and D.A. Pennebaker
    • Public Defender Jeff Adachi Adds Filmmaker to Resume
    • Cambodian Americans Exiled in New Film, Sentenced Home
    • Filmmaker Ham Tran Rights an Historical Wrong
    • Nothing and Everything Sacred in Reygadas' Films
    • Measuring Cities By Their Taste in Film
    • Garrett Scott, Filmmaker, 1968-2006
    • A JT LeRoy Reader
    • Sundance Cinemas Buys Kabuki 8
    • Chuck Stephens on the Set of "Citizen Dog"

  • February
    2006

    • Leacock-Pennebaker Tribute at SF State's Documentary Film Institute


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