Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
Mission Cultural Center presents Catherine Murphy’s ‘Maestra,’ a 30-minute documentary that follows female literacy workers in Cuba. Murphy and former literacy campaign teacher Norma Guillard participate in a Q&A with film critic B. Ruby Rich following the film. More at missionculturalcenter.org.
This event marks the debut of an exciting new filmmaker-in-person series presented by BAM/PFA. Regarded as one of the most significant voices in contemporary American indie cinema, director Kelly Reichardt presents and discusses her work with professor, author (and SF360.org contributor) B. Ruby Rich at the Pacific Film Archive. Feature films include ‘Ode,’ ‘Old Joy,’ ‘River of Grass’ and ‘Wendy and Lucy,’ as well as two shorts, ‘Then a Year,’ and ‘Travis.’ More at bampfa.berkeley.edu.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
Few would argue that a good movie often starts with a good story. Yet it has been the screenwriter s lot to be underappreciated.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
Joan Didion famously said, "We tell ourselves stories in order to live." We've internalized the American narrative of Abu Ghraib and accepted its implications.
Errol Morris has a giant brain. Anybody who wants to argue against that thesis does not have a giant brain. So let's move on.
Joan Didion famously said, "We tell ourselves stories in order to live." We have internalized the narrative of Abu Ghraib and accepted its implications.
As this retrospective makes clear, de Antonio's documentaries are a different species entirely from the kind of celebrity-driven, headline chasing theatricals now in favor.
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
The List: B. Ruby Rich picks her favorites for the 2006 San Francisco International Film Festival.