Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
You are awesome. Spectacular, incredible, interesting, accomplished and generally just way awesome. Everyone wants to hear every possible thing there is to know about you.
People are fascinated by the lives of others. But can someone make a doc, biopic, historical or narrative film about a famous person without their permission?
The thing about titles is they re too short to receive copyright protection. For copyright purposes, a title is like a label of a copyrighted work.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Avoiding Disaster: Clearing music is one of those horrible, arduous, frustrating tasks that needs to be done in order to show or sell a film.
Avoiding Disaster: George Rush advises on how to secure funding for your film and protect yourself along the way.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Avoiding Disaster: George Rush offers tips on bridging the worlds of creativity and business.