Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
The Butcher Brothers The Violent Kind is a nightmare-with-bikers-in-the-woods fantasy shot in Petaluma and Cotati, and it fits their collaborative moniker.
The late, great Jack Smith was all about the strange sway classic Hollywood movies, particularly obscure stars and low-budget yet opulent art direction, have had on us.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
Manufactured Landscapes, the film, extends photographer Edward Burtynsky's vision into a new medium, the documentary, and engages a dialog about global capitalism's impact on Earth.
Manufactured Landscapes, the film, extends photographer Edward Burtynsky's vision into a new medium, the documentary, and engages a dialog about global capitalism's impact on Earth.
Benjamin Weil took time out from preparations for the upcoming Barney show to answer questions about the artist's "Drawing Restraint" series.
SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.