San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
California Company Town, blends the sights and sounds of the state's economically depressed towns, industrial wastelands and failed utopian communities.
When The English Surgeon had its U.S. premiere at the SFIFF this month, Geoffrey Smith and Henry Marsh received a standing ovation.
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
A self-described "cultural archeologist," the noir expert's debut short, The Grand Inquisitor, pays homage to the Dashiell Hammett-style detective story.