Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
Guy Maddin talks about movies, writing, himself—and the allure of the Osmonds, re-published on the occasion of Fandor's Maddin blogathon.
A look at the films in the 32nd San Francisco International LGBT FIlm Festival indicates the rise of Argentina's new wave.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
The 50th annual SF International Film Festival is as good a time to put forth an argument. Here’s one: The most compelling movie stars of the current era are athletes, and the most dynamic 21st-century cinema is sports cinema.
One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
For close to a decade now, Miranda July has been exploring and often crossing the traditional boundaries between life and the movies.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.
Craig Baldwin and Noel Lawrence bring their brand of smart, quirky, avant-garde and political programming into the home.
The Catharine Clark Gallery's new Video on Demand feature allows you to choose videos from the gallery's extensive library of video work.
Through Asphodel Records and RML, Humon pursues his fascination with sound's spatial properties.
Jeff Kreines and Joel DeMott's legendary and obscure 1982 documentary set in Muncie, Indiana, highlights the PFA series "Screenagers: Documents from the Teenage Years."
Richard Glatzer and Wash Westmoreland's exploration of a teen's rite of passage is the warmhearted opposite of MTV's glorification of wasteful and selfish spending.
Julián Hernández and João Pedro Rodrigues show their second features at the S.F. International LGBT Film Festival.
Christian Bruno, Julie Lindow and R.A. McBride discuss their love of San Francisco and its theaters over beers at the Uptown.
Transnational tales stand out at the 2006 San Francisco International Asian American Film Festival.