John Turturro shares his passion for the Neapolitan songbook.
John Turturro shares his passion for the Neapolitan songbook.
John Turturro shares his passion for the Neapolitan songbook.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Steven Soderbergh's Spalding Gray tribute gives us the true beating heart of the artist instead of talking-head punditry.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
Elia Suleiman’s 'The Time That Remains' recalls his parents’ Nazareth.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
Frameline34 brought together a wide array of programs following the retrospective impulse.
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
The spring edition of the Cinematheque calendar is making the rounds, and my copy is dog-eared with wishful thinking. Grab your datebook for a rundown.
The film historian looks back at Frank Stauffacher's seminal mid-century series, which hatched a Bay Area avant-garde.
Chick Strand, a crucial pioneer of West Coast experimental cinema, died July 11 at 78.
Though often made for private reasons, home movies are treasure troves of culture ephemera and social history.
A year after Jonathan Marlow took the helm as executive director, the organization is showing fresh signs of life.
With the Netherlands-based filmmaker's latest portrait in resilience, Oblivion, opening Friday, it's a good time to celebrate one of documentary's most engaging storytellers.
The story of teenagers living like a savage, roaming pack of animals, The Beautiful Person locates a classic in a contemporary setting.
Sjogren threads her vexations with feminist film theory into a study of sound and voice in "women's film" touchstones like Letter from an Unknown Woman.
Hong Sang-soo's Night and Day is a comedic unraveling of a South Korean art student's gaffes throughout Paris.
Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.
Martha Colburn's recent shorts plunge the interstices of Americana for a hidden history of fanaticism and double-faced hypocrisies.
The SFFS has added a Gallic counterpart to its long-running New Italian Cinema series.
A Listener's Tale is a lovely if unclassifiable mixture of ethnography and poetic reverie which screened at last winter's Rotterdam Film Festival.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
Eric Rohmer's latest "moral tale," The Romance of Astrea and Cèladon, filled with evanescent beauty, plays as part of SFFS Screen.
Part Luis Bunuel parable, Artforum spread, Jonestown ballet and Warhol camp, Harmony Korine's latest is a prime, insomniac two hours of midnight-movie drifting.
Unlike most experimental filmmakers, Sonbert's collected works have had the benefit of full retrospectives at major museums (SFMOMA, NYMOMA, Guggenheim) and a strong preservation effort.
SFIAAFF has grown from a niche event to a major international festival - with more than enough voices to justify its unwieldy moniker.
"A Genuine Tribute to Peter Bogdanovich" is a major coup for Jesse Hawthorne Ficks, after all these years later, he's ready for a retrospective of his own.
Noir City 6 offers a spread of special guests, rare titles, and newly struck prints across ten nights of double-features.
Joseph Cornell: Navigating the Imagination comes to San Francisco for the first major west-coast exhibition of the artist's work in 40 years.
"In Search of Mozart" is a comprehensive overview of the composer's generous genius and one of the finest examples of the PBS-style, talking heads-and-cutaways documentaries in recent memory.
Max Goldberg on Jonathan Rosenbaum's critical survey of director Orson Welles.
Max Goldberg on Jonathan Rosenbaum's critical survey of director Orson Welles.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
“I Don’t Want to Sleep Alone” puts its melodrama and comedy within a Malaysian mattress. 1962’s “Mafioso” may be the mob-chronicle genre’s ground zero.
A look at critics' responses to Antonioni through the ages shows there is, and always was, plenty to say about his work.
James Longley's Fragments stands out amongst the crowded field of Iraqumentaries, while Others pulls back the Iron Curtain to powerful effect.
The alarm has been sounding for some time now that "indie" doesn't mean what it used to. Jeff Ross simply ignores the cranky clamor.
It would not seem to bode well for the stewardship of studio classics that Preston Sturges's indomitable comedies have been so slow to DVD.
MTV's boat has long since sailed, but music videos are as ubiquitous on YouTube and Myspace as YBCA brings music videos to its downstairs gallery.
Collector and archivist Rick Prelinger puts on a show at the Other Cinema to celebrate his new book, A Field Guide to Sponsored Films.
It doesn't seem like a stretch to group Janus with those American institutions which have represented a vision of what art is and can be.
After weeks of Western Europe, what better way for the young cineaste to crash the City of Light than a trip to the silver screen?
The provocative documentary filmmaker is recalled with a retrospective at Yerba Buena Center For the Arts.
This 2006 series of recent releases and restorations that played theaters for only a day or, at most, a week is exceptionally varied.
Film programmer Jesse Hawthrone Ficks talks about the enduring appeal of midnight movies.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.