Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Riding the crest of the Tati tsunami hitting our shores is The Magnificent Tati by Michael House, who lived in S.F. for 12 years before moving to Paris.
Chilean director Pablo Larraín offers insight into his sophomore feature, Tony Manero, on a man obsessed with the idea of impersonating John Travolta.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
Hammer discusses his debut feature premiered at Sundance to resounding critical fanfare, winning prizes for best director and cinematography.
SF360 caught up with Ruby Yang during a recent Bay Area visit to discuss her "latest and most lyrical film yet," A Double Life.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
A conversation with the Oscar-nominated Jeffrey Blitz (Spellbound) on his new feature, which screened at the S.F. International Film Festival.
SF360.org speaks with Edward Millington Stout, III, who is undoubtedly the world's foremost theatrical organ restorationist.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Walking in to interview John Carney and actors/musicians Glen Hansard and Marketa Irglova, the frenetic edge to their on-the-road exhaustion is apparent.
San Franciscans have a poignant symbiotic relationship with William Kaufman's freshman feature, The Prodigy, which returns to the city this week.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
As Bruno Dumont's Flanders navigates festival waters, it's been leaving behind a noticeable wake.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
The S.F. International Film Festival opened the gates this year to an accredited citizen press corps of bloggers and vloggers.