San Francisco Film Society | New People Cinema sets sail with Jean-Luc Godard's 2010 provocation, 'Film Socialisme.' As Robert Avila writes in SF360.org later this week, the "playful, somber meditation on where history has brought us is brimming with ideas and aesthetic pleasures." Screenings begin September 2. More info on the new SFFS venue at Post Street (between Webster and Buchanan) in sffs.org.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Waters’ live Christmas show at the Roxie raised money for San Francisco’s oldest continuously operating theater as it moves full-steam into its second century.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Writer Jim Harrison offers thoughts about his relationship to Gary Snyder and his contributions to 'The Practice of the Wild.'
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Fans of the San Francisco festival, now in its eighth year, have developed a well-honed appreciation for the eccentric.
The Lost World, the 1925 silent fantasy
The San Francisco-based and internationally acclaimed documentarian Lourdes Portillo speaks about her work; she wins the 52nd San Francisco International Film Festival Persistence of Vision Award.
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
SF Sketchfest pays tribute to Bud Cort with a live Q&A and screening of Harold and Maude.
Robb Moss and Peter Galison's deliberative, atmospheric and engrossing documentary, Secrecy, puts democratic transparency to the test.
In its 12th season, the country's first and largest independent exhibitor of Arab cinema has gotten to be one of the bigger small fests in the Bay Area.
The Legend of the Holy Net Potato, the first feature by Kerala-based filmmaker Vipin Vijay, concerns a cyborg, black magic, and a hacker.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, speaks about the making of Lesh Sabreen?.
The Edge of Heaven weaves two stories together across geopolitical, cultural, and generational lines.
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
In addition to bringing a host of worldwide performers to the Bay Area for the first time, the San Francisco International Arts Festival (May 2-June 8), now in its fifth year, has become an indispensable showcase for collaborative work by leading Bay Area artists and their peers across all manner of geographical, cultural and disciplinary borders. The more than 40 performances in this year’s lineup, taking place at 14 separate venues across the city and in Berkeley, span the worlds of dance, music, opera, theater, visual arts and multidisciplinary work. The following four highlights are all hybrid productions with strong film and/or video components.
Think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost.
Two films at the Arab Film Festival's program Palestine: Interior/Exterior map physical, personal and ideological terrain.
The fifth annual EarthDance Short-Attention-Span Environmental Film Festival screens a juried compilation of 20 short films in two 90-minute installments.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
The List: A commentary-filled list of the lineup at the silent film festival, which consists of three separate programs and an evening mixer with live music.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.
The Arab Film Festival, now in its 11th year, is featuring not just 80 movies from 13 countries, but is also including screenings in LA, a first for a Bay Area-based fest.
Reality, generally considered over-rated by the moving-going public, is the unapologetic core of SF DocFest.
An impressive PFA series runs alongside an exhibition at the Berkeley Art Museum of Kiarostami's striking photographic work.
A masterful stroke by writer-director Abderrahmane Sissako; Luc Besson returns to American theaters after a nearly decade-long absence.
The four-day festival offered over 100 films, with an emphasis on documentaries, and attracted some 60 filmmakers, including Albert Maysles.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
The Unbelievable Truth helped jumpstart the independent film movement in the U.S. in 1989, followed by eight more Hartley features in the next decade.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
in Claude Chabrol's latest film, Isabelle Huppert plays a judge plunging headlong into a dangerous investigation of french corruption and gender dynamics.
A Western occupying power faces opposition from the locals and responds with brutal military suppression, spurring a countrywide resistance movement reaching down to the grassroots.
Robert Avila reviews A Zen Life: D.T. Suzuki and The Situation.
The cinematic image of the Ô60s commune is normally as two-dimensional as the screen it's projected on, and rarely very kind.
A preview of the festival's rich program with festival's organizer Eddie Muller
A delightfully funny movie on boy-men redeeming themselves from New Zealand, and Mark Becker's absorbing documentary on a musician in the Mission.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
The product of a true cinematic innovator and gloriously individual poet, Broughton's film work remains much too idiosyncratic to be deconstructed,
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
The List: Ten to catch at the 9th annual United Nations Association Film Festival October 25 through 29 at Stanford University in Palo Alto.
Executive director Bashir Anastas discusses this year's lineup.
SF Shorts and the SF Underground Short Film Festival provide a big-screen showcase for oft-overlooked short subjects.
The 2006 San Francisco International Arts Festival focuses on Latino culture across North and South America.
After 35 years of underground success, veteran indie filmmaker William Farley still hovers just off the shore of mainstream respectability.
The 2006 recipient of the Film Society Directing Award was full of raised-finger pronouncements, self-effacing demurrals, and unsolicited rebuttals at a Q&A preceding his film.
Memorize these words that supposedly can bring you under government scrutiny when said over the phone, or written in a text message or email.
Palestinian filmmaker Rashid Masharawi's Waiting intricately and ingeniously intertwines irony, humor, and pathos.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.