"John Lasseter, the chief creative officer of Walt Disney and Pixar Animation Studios, will receive the 2,453rd star on the Hollywood Walk of Fame today," reports Daily News Wire Services. More at dailynews.com.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
SF State professor Karl Cohen’s animation collection investigates the nature of pictorial movement itself.
Disney animation director John Musker, responsible for 'The Little Mermaid,' 'Aladdin' and a number of other contemporary favorites, appears at The Walt Disney Family Museum to give a short demonstration of the craft of animation to youth ages 8-12. Older aficionados of the director's work can head to PFA on Wednesday for a lecture and presentation by Musker. More info at sffs.org and bampfa.berkeley.edu.
The vivid mindscapes of Allen Ginsberg's poems come to radical life in Rob Epstein and Jeffrey Friedman's James Franco-fied 'Howl' via the art of Ginsberg collaborator Eric Drooker. The Cartoon Art Museum showcases 'The Art of Howl,' with Drooker's work, storyboards, photos and multimedia. More at cartoonart.org.
This popular Oakland Museum of California exhibition is an all encompassing look at the world’s leading animation studio and includes artwork from 'Ratatouille', 'Wall E', 'Up' and 'Toy Story 3.' More at museumca.org
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
SFIAF's Online Screening Room gives the festival's animation another dimension.
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
Animated stories from around the world gather at Landmark’s Embarcadero Center Cinema for the fifth SFIAF. Six wide-ranging shorts programs as well as features like Brent Green’s ‘Gravity Was Everywhere Back Then’ and Sunao Katabuchi’s ‘Mai Mai Miracle’ take the screen. Four diverse animators interpret folk rock band The Decemberists’ 2009 concept album in ‘Here Come the Waves: The Hazards of Love Visualized,’ which opens the festival. Opening Night party follows the screening at La Mar Cebichería Peruana at Pier One and One-Half on the Embarcadero. More at sffs.org.
The 35th Annual AIFF kicks off at Landmark’s Embarcadero Cinema. Armand Garnet Ruffo interweaves two stories inspired by Ojibway spiritualism in the opening night film, ‘A Windigo Tale.’ The festival also includes animation and shorts programs, as well a toy drive. More at aifisf.com.
VIZ Cinema hosts the U.S. premiere of this highly anticipated racing animation film the same day it opens in Japan. Five years in the making, ‘Redline’ is a collaboration between the creators of the 'Kill Bill Vol. 1' animation segments and 'The Animatrix.'
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
The NY/SF International Children's Film Festival offers a mix of animation, live action, fantasy, entertainment and insight.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
To be from the Bay Area and called The Butcher Brothers might mean you get mixed up with purveyors of grass fed meats.
Cementing its status as the preeminent animation company of the 00s, Pixar won the Oscar for Best Animated Feature for the third time in seven years.
Cementing its status as the preeminent animation company of the 00s, Pixar won the Oscar for Best Animated Feature for the third time in seven years.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
The release of Avatar puts a fitting capstone on a frenzied campaign by studios to reintroduce stereoscopic 3-D to audiences in 2009.
The release of Avatar puts a fitting capstone on a frenzied campaign by studios to reintroduce stereoscopic 3-D to audiences in 2009.
Dennis Harvey weighs in on the upcoming films of the holiday season.
A conversation on Walt Disney's Alice Comedies with a lively raconteur and Professor of Film Studies at UC Berkeley.
A conversation on Walt Disney's Alice Comedies with a lively raconteur and Professor of Film Studies at UC Berkeley.
Seiji Horibuchi, founder and chairman of VIZ Media, speaks about VIZ Cinema, a built-from-scratch venue located in the New People building in Japantown.
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
The Lost World, the 1925 silent fantasy
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
With a roster that sprawls from horror to softcore to verite-style drama and documentary, the only constant is that you won't be bored.
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
Martha Colburn's recent shorts plunge the interstices of Americana for a hidden history of fanaticism and double-faced hypocrisies.
Martha Colburn's recent shorts plunge the interstices of Americana for a hidden history of fanaticism and double-faced hypocrisies.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
It used to be standard for San Francisco to be portrayed in movies as a magical, mythical, and slightly mysterious catalyst for transformation.
A Telluride veteran gives a festival overview, and explains why film lovers and filmmakers travel to a remote corner of Colorado on blind faith.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
Galison, whose film is competing at Sundance '08, answers questions about the world of hidden national security policy.
The S.F. International Animation Festival experienced a major bounce, with a number of sold-out shows in its venue at the Embarcadero Center Cinema.
The S.F. International Animation Festival experienced a major bounce, with a number of sold-out shows in its venue at the Embarcadero Center Cinema.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
List: Most of us talk to our pets, but very few of us talk our Camrys or toasters. That's where animation fills our need to fantasize about our interactions with animals.
List: Most of us talk to our pets, but very few of us talk our Camrys or toasters. That's where animation fills our need to fantasize about our interactions with animals.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Five recommendations chosen from among the gore, ghouls, ghosts, gags, and animation at Indiefest's Holehead festival.
The 50th annual SF International Film Festival is as good a time to put forth an argument. Here’s one: The most compelling movie stars of the current era are athletes, and the most dynamic 21st-century cinema is sports cinema.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
Thinking about the upcoming SFIFF, music may not be the first thing that pops into your head. It may not even be the second.
SF IndieFest's founder/director Jeff Ross announced the ninth edition of the Bay Area's indie showcase festival
Mark Andrews and Andrew Jimenez co-wrote and co-directed the unexpected, surprisingly funny short about two musicians vying for a young girl's lone coin.
Mark Andrews and Andrew Jimenez co-wrote and co-directed the unexpected, surprisingly funny short about two musicians vying for a young girl's lone coin.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
By the youth-rhetoric standards of another era, this is the last year we can trust the Mill Valley Film Festival. Next year, it turns 30.
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
Rodney Ascher and Syd Garon are only two people whose works curator Danny Plotnick would show sight unseen.
Palestinian filmmaker Rashid Masharawi's Waiting intricately and ingeniously intertwines irony, humor, and pathos.
The producer talks about the barriers filmmakers have faced in bringing Philip K. Dick's novel to the screen.
The producer talks about the barriers filmmakers have faced in bringing Philip K. Dick's novel to the screen.