Durfee Foundation Artists' Resource for Completion Grants give individual artists money to complete work for a specific, imminent opportunity that may significantly benefit their career. AWARDS: up to $3,500. ELIGIBILITY Artists must be Los Angeles County residents, 21 years or older and have secured an invitation from an established organization to present the work. Full-time students are ineligible. Current DEADLINE: Quarterly, current November 1, 2011. WEBSITE: durfee.org/programs/arc/index.html.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Smith Rafael presents a pre-release screening of 'Finding Joe,' a new doc centered around the teachings and discoveries of universal mythologist and screenwriter's savior Joseph Campbell, featuring appearances by artists and celebs, including Mick Fleetwood, Catherine Hardwicke, Deepak Chopra and others. Filmmaker Patrick Takaya Solomon and Joseph Campbell Foundation's Robert Walter will be in attendance for a discussion following the screening. More info at cafilm.org.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Award-winning 2010 doc 'Cultures of Resistance' captures the ways artists, musicians and other cultural producers create political change through art, from Iran to China to other points worldwide. The event features a live interview with director Iara Lee via Skype after screening; ticket sales benefit clean water efforts for children in Gaza. Plays at Berkeley City College. More at mecaforpeace.org.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
Matthew Barney talks art, sports and spectacle at the Sundance Kabuki.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
Lynn Hershman Leeson's decades-in-the-making documentary about women artists taking on the establishment debuts at the festival Saturday, April 23, with a San Francisco Museum of Modern Art screening, and plays again Monday, April 25, at the Pacific Film Archive. More at fest11.sffs.org.
Roxie Theater hosts Playback: ATA Film & Video Festival 2006-2010, a one-day event that showcases a selection of short films from the experimental media arts gallery. More at roxie.com.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
Pacific Film Archive offers the latest in their Alternative Visions series with Images of Nature, or The Nature of the Image: Canadian Artists at Work, which explores the techniques and strategies utilized by four decades of Canadian short films as they showcase images of nature and Canadian landscapes. More at bampfa.berkeley.edu.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
H.P. Mendoza (Colma: The Musical) has redirected his interests from the Peninsula to San Francisco with his latest, and we couldn't be happier: The cast from Fruit Fly, about a Filipina woman who arrives in the city and moves into a Mission District Artists’ commune, will be on stage for a Q & A at the Castro Theatre on Wednesday, August 11, at 8:30 p.m.
Emiko Omori s upcoming documentary, Ed Hardy: Tattoo the World, a collaboration of sorts between the two artists, grew out of a friendship that dates to 1974.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
The late, great Jack Smith was all about the strange sway classic Hollywood movies, particularly obscure stars and low-budget yet opulent art direction, have had on us.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Tangier has created an identity as a great fount of stories and light, complete with an independent cinema that opened in 2007.
Ask the Documentary Doctor: Where does the filmmaker stop existing to give way to the reporter/activist/responsible citizen with camera in hand?
A Wake for Analog honors analog experimental films like Patrolling the Ether, Bassline Baseline and Zuse Strip.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
Victor Fleming: An American Movie Master and Glenn Lovell's Escape Artist: The Life and Films of John Sturges are splendid biographies by critics with local ties.
Martha Colburn's recent shorts plunge the interstices of Americana for a hidden history of fanaticism and double-faced hypocrisies.
Scott McDonald's Canyon Cinema: The Life and Times of an Independent Film Distributor, details the formation of the revered Bay Area artists' collective in the early 1960s.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.
A film in a darkened theater commands our undivided attention, but a video installation in a museum doesn't have the same effect.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
A conversation with the executive director of an experimental/avant-garde film distribution company, who both runs a profitable business and creates dynamic art.
Bruce Conner, the great, irascible, and ever-evolving San Francisco-based artist known for his assemblages, films, drawings, and interdisciplinary works, passed away on July 7, 2008.
In addition to bringing a host of worldwide performers to the Bay Area for the first time, the San Francisco International Arts Festival (May 2-June 8), now in its fifth year, has become an indispensable showcase for collaborative work by leading Bay Area artists and their peers across all manner of geographical, cultural and disciplinary borders. The more than 40 performances in this year’s lineup, taking place at 14 separate venues across the city and in Berkeley, span the worlds of dance, music, opera, theater, visual arts and multidisciplinary work. The following four highlights are all hybrid productions with strong film and/or video components.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
Will "the Thrill" Viahro, impresario of East Bay cult movie extravaganza "Thrillville," discusses the difference between "trash" and "garbage" in film.
Bodies of work have emerged from the intersections of performance, film and electronic art. Cinematograph 7ÑLive Cinema: A Contemporary Reader, edited by Thomas Beard's provides thoughtful writing on the subject.
Even as the country has become a typically affluent Western society, its cinema has retained its status as a crucial component of the national dialogue.
Michael Fox reviews the release of a Sergei Paradjanov DVD boxed set and the arrival of a Jean-Luc Godard box spotlighting his underrated mid-'80s work.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
Sometimes even presumably good intentions can warp into artistic misdeeds most foul.
Joseph Cornell: Navigating the Imagination comes to San Francisco for the first major west-coast exhibition of the artist's work in 40 years.
Jamie Meltzer talks about his new film on Nigeria, where the digital revolution enables entrepreneurs to churn out movies quickly and inexpensively.
Here are a few quick takes on programs that look particularly worthwhile at Madcat.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
Brand is no short supply of Guy Maddin's usual firecrackers: apostrophe, hyperbole, and of course, catastrophe.
While the SF International Film Festival has always had celebrity guests, the 50th edition featured a particular concentration of unique one-offs.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
Robert Avila reviews A Zen Life: D.T. Suzuki and The Situation.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
SF360.org checked in with actors and filmmakers roaming this year's festival to give props to their favorite Asian American artist, past or present.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
The Redwood City-based startup InDplay is like an online dating service for the film industry.
The Catharine Clark Gallery's new Video on Demand feature allows you to choose videos from the gallery's extensive library of video work.
The List:10 local filmmakers describe what they love about shooting on the streets of San Francisco.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Rodney Ascher and Syd Garon are only two people whose works curator Danny Plotnick would show sight unseen.
The S.F. International Film Festival opened the gates this year to an accredited citizen press corps of bloggers and vloggers.
Audio and visual collide when Noise Pop hits the silver screen at the Noise Pop Film Festival.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.