Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
San Francisco International Asian American Film Festival begins March 10 and runs for 11 days, celebrating Opening Night at the Castro Theatre with Andy De Emmony’s 2009 ‘West Is West,’ the sequel to the successful 1999 ‘East Is East.’ About 120 films will play at a variety of venues around San Francisco, Berkeley and San Jose. More at festival.asianamericanmedia.org.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
SF Chronicle: "Masashi Niwano, who most recently was executive director of the Austin Asian American Film Festival in Austin, Texas, has been named festival and exhibitions director for the San Francisco International Asian American Festival." More at SFGate.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
Deann Borshay Liem's 1999 doc First Person Plural recounted her experience as an orphaned Korean adoptee raised in an East Bay suburb.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
The retrospective offers fascinating, if not always exemplary, viewing of what could be called a cinema of disaster: characters face the worst, or are living in its aftermath, and like the audience, they are provided with no easy answers.
H.P. Mendoza talks about being a filmmaker in the Bay Area and the opening of his last musical, where he is both director and composer of the film 19 original songs.
As an Asian film fan, it's a miracle I keep my day job at this time of year.
As an Asian film fan, it's a miracle I keep my day job at this time of year.
Two top winners at the SFIAAFF focused on breakadancing, an art form taken up with vengeance by Asians, with Koran teams a particularly dominant force.
Outgoing SFIAAFF's Associate Director reflects on what made him happy during his last year of work.
SFIAAFF has grown from a niche event to a major international festival - with more than enough voices to justify its unwieldy moniker.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
The 26th annual SFIAAFF plays in San Francisco, Berkeley and San Jose, and kicks off with Wayne Wang's A Thousand Years of Good Prayers.
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
How did Kink.com make it to the Mission? How did Straight Outta Hunters Point get out of Hunters Point? How'd the Roxie get saved?
Director Grace Lee talks about the personal horror movie genre in American Zombie and the ethical dilemmas documentary filmmakers face.
Director Grace Lee talks about the personal horror movie genre in American Zombie and the ethical dilemmas documentary filmmakers face.
SF360.org checked in with actors and filmmakers roaming this year's festival to give props to their favorite Asian American artist, past or present.
SF360.org checked in with actors and filmmakers roaming this year's festival to give props to their favorite Asian American artist, past or present.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Vietnamese American filmmaker Ham Tran rights an historical wrong in his debut feature film on the Vietnam War.
The List: Taro Goto posits who will go on to superstardom from the 2006 San Francisco International Asian American Film Festival.
Transnational tales stand out at the 2006 San Francisco International Asian American Film Festival.
Six degrees of James Shigeta: an actor ahead of his time sustains a presence in American and Asian American cinema.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.