Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
It s not a laugh-out-loud film, but Looking for Eric can be considered a comedy…in comparison to just about any other Ken Loach movie you could name.
A literary adaptation filled with first-class actors in sumptuous settings, City doesn't fall too far from the familiar Merchant-Ivory tree.
Tragically underrepresented in the Bay Area's densely packed world of globally oriented film festivals is the land(s) of our erstwhile colonial rulers!
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
There's an advantage to being an insulated American while watching Tom Hooper's dramatization of an important part of the life of football coach Brian Clough.
Director Armando Iannucci's razor-sharp satire is about how the politics of spin can determine critical decisions on both sides of the Atlantic.
A festival full of drama finds no more emotional screening than the homophobia-in-sports double bill of Training Rules and Claiming the Title: Gay Olympics on Trial.
Franny Armstrong's The Age of Stupid is a documentary encased like a time capsule inside a fictive but science-based, frighteningly possible future
Davies' latest film recalls his earlier autobiographical narratives, but is also unlike anything he has done before, being nonfiction.
SF Film Society’s Founder’s Directing Award winner Mike Leigh's work has created a distinctive insider’s portrait of working-to-middle class English life.
The prolific British director, known for a large and eclectic body of work, has done something very unusual in the past half decade.
in Claude Chabrol's latest film, Isabelle Huppert plays a judge plunging headlong into a dangerous investigation of french corruption and gender dynamics.
A Western occupying power faces opposition from the locals and responds with brutal military suppression, spurring a countrywide resistance movement reaching down to the grassroots.
Daniel Burman's smartest play was casting Daniel Hendler as his onscreen alter ego. Michael Apted's worthy Grace, reminds that period pieces make effective message movies.
Though it won the Silver Bear at the Berlin Film Festival in 1975, Overlord is one of those movies that mostly slipped through the cracks.