Founded in 2003, The San Francisco Irish Film Festival opens this Thursday at the Roxie. Highlights include Colm Meany's turn in the charming 'Parked,' a closing night screening of 'Once' follow-up 'Swell Season,' and revival screenings of 'In the Name of The Father' and 2008 Cannes Golden Camera winner 'Hunger.' More info sfirishfilm.com.
Founded in 2003, The San Francisco Irish Film Festival opens this Thursday at the Roxie. Highlights include Colm Meany's turn in the charming 'Parked,' a closing night screening of 'Once' follow-up 'Swell Season,' and revival screenings of 'In the Name of The Father' and 2008 Cannes Golden Camera winner 'Hunger.' More info sfirishfilm.com.
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Xavier Dolan’s ‘Heartbeats,’ the 2010 Winner of Un Certain Regard Youth Prize at Cannes International Film Festival, opens at Landmark Theatres in San Francisco and Landmark’s Shattuck Cinemas. The film follows two best friends and their attempt to attain the affection of a charming man they’ve just met. More at landmarktheatres.com.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
'The Strange Case of Angelica' finds Manoel de Oliveira, at 102 years old, in fine form.
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
The SFFS fall festival of French cinema continues at Landmark’s Embarcadero Center Cinema. Abbas Kiarostami’s ‘Certified Copy,’ starring Juliet Binoche (in a role that won her a best actress prize at Cannes) closes the festival. More at sffs.org.
A Greek film incriminates the viewer.
A Greek film incriminates the viewer.
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
A letter from Iranian filmmaker Abbas Kiarostami speaks out against Ministry of Guidance and Islamic Cutlure and in solidarity with detained director Jafar Panahi.
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
The release of Woodstock provides an opportunity to look back on Ang Lee and Schamus's very impressive, diverse screen resume.
An interview with Flynn Witmeyer about his debut feature Tweaker With an Axe, and the desire to make genre films—horror or sci-fi or fantasy—that incorporate gay and lesbian characters.
Turkey may be lonely, but it is indeed beautiful in Nuri Bilge Ceylan's Three Monkeys.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.
Davies' latest film recalls his earlier autobiographical narratives, but is also unlike anything he has done before, being nonfiction.
Fresh insight into the Iranian director is offered in a remarkable DVD featuring Five, an experimental, meditative film set on the shores of the Caspian.
The Romanian film takes place over 24 hours in a provincial town in 1987 before Ceaucescu was deposed.
The entire Bay Area is invited to watch a film simultaneously in the comfort of home, and the selection is a delicate and heartfelt depiction of the director's autistic sister.
An intimate four-day buffet of tributes, premieres, restorations, and revivals laid out in the Colorado mountains, Telluride is an oasis for film lovers.
Tirard takes an ingenious tack in conjuring the creative evolution of France's master of satiric comedy.
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
No sooner does the Festival de Cannes open than attendees start buzzing about the potential award-winners.
Not even widely released yet in the States, Philippe Parreno and Douglas Gordon's "ZidaneÉ" has already been considered a portrait of the century.
As Bruno Dumont's Flanders navigates festival waters, it's been leaving behind a noticeable wake.
A decade might be long enough in dog years, but in film festival terms it takes a bit more time to impress.
Tears of the Black Tiger is Thai eye candy, an exercise pastiche where color just about leaps off the screen, and a star-crossed love story.
The 1959 reworking of the Greek myth of Orpheus and Eurydice is a bossa nova adventure through Brazilian Carnival, with actor Breno Mello as the black Orpheus.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
By the youth-rhetoric standards of another era, this is the last year we can trust the Mill Valley Film Festival. Next year, it turns 30.
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
A longtime seasonal staffer recounts her experience and highlights at the '06 fest.
Arriaga, who authored Amores Perros, 21 Grams, and The Three Burials of Melquiades Estrada, discusses working in collaboration and across mediums.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
Film programmer Jesse Hawthrone Ficks talks about the enduring appeal of midnight movies.
You can sunbathe topless at Cannes and ski at Sundance, and drink your fill of fine wine at the Sonoma Valley Film Festival.
Filmmaker Carlos Reygadas discusses his life and work upon the release of his second film, Battle in Heaven.