The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
Filmmakers, critics and fans celebrate their mothers’ unique, eccentric, foundational contributions to their movie-loving lives.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
The Red Lantern Meetup group brings Asian film fans together.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
The story of 17th-century ninja who makes the dangerous decision to run from his own clan, ‘Kamui Gaiden’ is one of Japan’s most expensive movies in history and brings Sampei Shirato’s celebrated '70s comic to the big screen as part of The Red Lantern: Bay Area Asian Cinephiles film series. More at newpeopleworld.com.
Judging from Saturday night s festivities, half the capacity Castro Theatre audience had worked on or otherwise invested in Joshua Grannell a.k.a. Peaches Christ s debut feature.
Few would argue that a good movie often starts with a good story. Yet it has been the screenwriter s lot to be underappreciated.
You know someone is well liked when they re used as the standard by which you fall short.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
Bay Area-made and Mission-inspired, Peter Bratt's La Mission joins Jennifer Kroot's wild and woolly It Came from Kuchar in Bay Area theaters this week.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
You could make a case for Tati as the last great silent comedian even if he didn't begin making features until two decades into the sound era.
The silver lining to a decade that saw traditional critics in conventional media dwindle? The explosion of socially networked citizen critics.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
It was a big year for 3D, but Bay Area critics and film-industry folk found many other dimensions in the cinema of 2009.
Claire Denis proves her unpredictability and versatility as a director with the 2008 release 35 Shots of Rum.
Dennis Harvey weighs in on the upcoming films of the holiday season.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
A year after Jonathan Marlow took the helm as executive director, the organization is showing fresh signs of life.
Chris Simon and Maureen Gosling's documentary-in-progress, tentatively titled No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records, pays tribute to an underappreciated artist.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
Bringing Rainer's work to a larger audience: Feelings Are Facts: The Life of Yvonne Rainer, a feature-length documentary about the choreographer and experimental filmmaker.
In Strand: A Natural History of Cinema, Christian Bruno pays homage to the pivotal and shifting role of movie theaters in San Francisco's cultural life.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
The forthcoming film Speaking in Tongues follows four diverse local public-school students enrolled in language-immersion programs.
Certain questions in 2008 endlessly plagued the film world, leading to outlandish predictions, flame-war mayhem and an outbreak of opinionated public speaking.
Bay Area filmmaker Jennifer Kroot talks about her inspiration to make a documentary on legendary, underground filmmaking twins George and Mike Kuchar.
The PFA senior curator talks about her cinematic influences, curating in Canada and the U.S., and recent additions to the world of film.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
The Legend of the Holy Net Potato, the first feature by Kerala-based filmmaker Vipin Vijay, concerns a cyborg, black magic, and a hacker.
The Jules Feiffer quote at the bottom of festival superfan Sue Jean Halvorsen's email reads, "Movies are better than real life."
Will "the Thrill" Viahro, impresario of East Bay cult movie extravaganza "Thrillville," discusses the difference between "trash" and "garbage" in film.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Filmmaking was just one among many creative outlets for Japanese multimedia artist Hiroshi Teshigahara.
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
Film journalist Cathleen Rountree's lists five categories and 27 films of an under-discussed genre: hip hop cinema.
Christian Bruno, Julie Lindow and R.A. McBride discuss their love of San Francisco and its theaters over beers at the Uptown.
You can sunbathe topless at Cannes and ski at Sundance, and drink your fill of fine wine at the Sonoma Valley Film Festival.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.