Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Pacific Film Archive’s ‘Hands Up! Essential Skolimowski’ surveys the Polish director’s confounding oeuvre.
Press release: Fandor, a new on-demand provider of independent films, along with distributors Kino Lorber and Microcinema International, today announced it is pioneering the coordinated theatrical and digital premier, a first for the industry. The first film to be released under the coordinated theatrical and digital premier paradigm will be the June 15 re-release of 'David Holzman's Diary.' More at microcinema.com and fandor.com.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
What s the difference between streaming and download rights? Here s a glossary of terms filmmakers should know before signing a contract or hiring a web developer.
We caught up with several Bay Area makers, fresh off their high-energy screenings at SFIFF53 and primed to keep the momentum rolling.
San Francisco itself took a lead role at Film Society Awards Night, the dinner and awards program benefiting the Film Society s year-round Youth Education initiative.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
You are awesome. Spectacular, incredible, interesting, accomplished and generally just way awesome. Everyone wants to hear every possible thing there is to know about you.
Bay Area-made and Mission-inspired, Peter Bratt's La Mission joins Jennifer Kroot's wild and woolly It Came from Kuchar in Bay Area theaters this week.
Inuit peoples—the indigenous cultures rooted in Arctic regions from Alaska to Greenland—have an honored place in film history, dating to Flaherty's Nanook of the North.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Filmmakers Justine Jacob And Alex da Silva release the documentary Ready, Set, Bag!, which follows competitive grocery baggers from across the country.
Dennis Harvey weighs in on the upcoming films of the holiday season.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
The program offers a surprisingly potent mainstream industry presence, with tributes to A-list types more frequently seen at the multiplex than at the art house.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
Fear-Free Fundraising: Notes on assembling the basic ingredients for a great foundation funding proposal.
Ellen Schneider speaks on the impact of social-issue documentaries and her San Francisco-based strategic communications company Active Voice.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
The Edit Room: I knew the right thing to do was to turn the project over to an editor. The problem was that I didn't have the $45,000 a good editor would require.
The Sixth Screen: Veteran journalists and filmmakers alike are polishing up their resumes, contemplating the hospitality industry, and wondering: Who stole my career?
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
Davies' latest film recalls his earlier autobiographical narratives, but is also unlike anything he has done before, being nonfiction.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Global Film Initiative's Global Lens series offers a regular spot in your home theater for edgy world-cinema narratives don't often get a place at local multiplexes.
Scott McDonald's Canyon Cinema: The Life and Times of an Independent Film Distributor, details the formation of the revered Bay Area artists' collective in the early 1960s.
The Sixth Screen: If you're interested in the future of online technology, 'jaguar' is the evergreen example used to explain what's called The Semantic Web.
Hammer discusses his debut feature premiered at Sundance to resounding critical fanfare, winning prizes for best director and cinematography.
The Sixth Screen: Here are some browser-based legal zones for free online feature film viewing pleasure. No installation required.
"Horror films can hold a lot of crazy ideas and political ideas and no one blinks," says Pig Hunt writer and producer Robert Mailer Anderson, "and that serves our purposes."
First Person: Jonathan Marlow rehashes commentary on film that has caused a kerfuffle of late.
The first of SF360.org's In Production columns looks at two works-in-progress: Laura Lukitsch's film about beards and Lise Swenson's Salton Sea pic.
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
Founded in 1968, San Francisco-based Newsreel is the oldest nonprofit, social-issue documentary film center in the U.S.
Warts & All: The Films of Danny Plotnick: 10 short comic narratives are exemplars of an unpolished, unpretentious school of moviemaking that aims at every moment to be audience-friendly.
The live-action film division of Viz Media has just marked its second year of bringing a broader range of Japanese film to the growing audience for Japanese pop culture.
If they don't get the chance to beguile the world in theaters, maybe, at the very least, they'll find their way to audiences via digital download.
Mill Valley retains its genuinely alterna-vibe and local (rather than professional outta-towner) audience after 30 years.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
Collector and archivist Rick Prelinger puts on a show at the Other Cinema to celebrate his new book, A Field Guide to Sponsored Films.
The Redwood City-based startup InDplay is like an online dating service for the film industry.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
When Brent Hoff was checking into a hotel for a film festival, the concierge thrust a business card into his hand, “Remember me next time you’re casting a film." So he asked the biggest directors he knows to cast the concierge in a series of short films.
A panel discussion yields insights into the presentÑand futureÑof indie distribution.
Distributors of independent films reveal their strategies and assessment of the market heading into the all-important fall season.
Distributors of independent films reveal their strategies and assessment of the market heading into the all-important fall season.
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."
Sundance Cinemas buys the Kabuki 8 and announces plans to reopen as the Sundance Kabuki in early fall 2006.