Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
Sentimental French film is no top-shelf vehicle, but Depardieu savors it as if it were the rarest vintage Bordeaux.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
George Hickenlooper’s final film, ‘Casino Jack,’ features Kevin Spacey in the true story of Jack Abramoff, a Washington D.C. lobbyist whose unabashed greed and reckless behavior throws him and his colleagues into a world of thugs and criminals who solve problems the old-fashioned way. More at landmarktheatres.com.
One man’s bridge is another man’s catwalk in this inspirational documentary about Chicago’s most eccentric fashion model, Vincent P. Falk, whose spectators aren’t industry icons but passing by boats. Director Jennifer Burns and star Vincent P. Falk in person at the Red Vic. More at redvicmoviehouse.com.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
Marc Huestis presents the '80s horror classic at the Castro Theatre with a tribute to star JoBeth Williams preceding the screening. This special event includes (of course) a live performance, and it's titled ‘Poltergayest, A Horrific Fashion Show.’ An autograph signing concludes the night’s otherworldly celebration. More at castrotheatre.com.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
For many, the mother of all brain-scrambling cinematic boondoggles is Troll 2; a documentary takes stock of the phenomenal success of this epic failure.
Today s fun fact: San Francisco has more nail salons per capita than any city in the country.
Judging from Saturday night s festivities, half the capacity Castro Theatre audience had worked on or otherwise invested in Joshua Grannell a.k.a. Peaches Christ s debut feature.
One of the heroes of South Korean cinema's recent renaissance wisely sticks to home terrain with his follow-up to The Host.
You might fare better in today's market with a character-driven story, the Doc Doctor advises.
The movies of William Klein are suffused with the same impudence, social commentary and aesthetic surprise found in his photos.
Seiji Horibuchi, founder and chairman of VIZ Media, speaks about VIZ Cinema, a built-from-scratch venue located in the New People building in Japantown.
Where would cinema be without good, old-fashioned youthfulness? Hence: Youth Bring the Truth, a showcase for promising pre-adult media-makers including several local teenagers from this year's San Francisco International Film Festival.
Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.
The title story of her Hemingway/Pen Award-winning collection of short stories, A Thousand Years of Good Prayers, has been adapted by Wayne Wang.
Eternally fascinated with extremes of location, Werner Herzog's latest documentary, Encounters at the End of the World, finds the filmmaker exploring life on the edge in Antarctica.
Critic Dennis Harvey reviews select films screened at the 32nd San Francisco International LGBT Film Festival.
Bodies of work have emerged from the intersections of performance, film and electronic art. Cinematograph 7ÑLive Cinema: A Contemporary Reader, edited by Thomas Beard's provides thoughtful writing on the subject.
Small-town "heartland" America that once held our majority populace is now seldom seen on screen. Jeff Nichols debut feature Shotgun Stories is an exception.
A series of films at SFMOMA present an outsiders take on the outmoded American staple, the Western.
An idea so vivid yet simple you've got to wonder why more movies haven't used it: Something happens that turns the populace into irrational maniacs.
The freshing thing about Susan Dynner's new documentary ÔPunk's Not Dead' Ñ beyond the fact that it's not the 9,482nd recap of The Early Years (circa 1976-85) Ñ is its unabashed if not uncritical acknowledgment that punk is here to stay.
Max Goldberg on Jonathan Rosenbaum's critical survey of director Orson Welles.
Max Goldberg on Jonathan Rosenbaum's critical survey of director Orson Welles.
Elegant screen sartorial highs and garishly campy lows alike will be well-represented in an eight-day series on fashion at the Castro.
Sunshine tells the story of the eight astronauts aboard the ominously named "Icarus II," a vessel bound to kick-start the sun, Earth's last hope for survival.
A masterful stroke by writer-director Abderrahmane Sissako; Luc Besson returns to American theaters after a nearly decade-long absence.
"Candy," an Australian film an accent-less Aussie Heath Ledger, follows the downward spiral of a Heroine addict - by now a time-tested narrative conceit.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.
The List: How JT LeRoy went from fiction to fact in the media.