SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners and two honorable mentions of the fifth round of SFFS/KRF Filmmaking Grants. The grants are awarded twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. Between 2009 and 2013 the SFFS/KRF Filmmaking Grants will award nearly $2.5 million, including a total of $788,000 already awarded in the first five grant rounds.
Carlton Evans and Matthew Lessner (Ross), $50,000 for screenwriting; Aurora Guerrero (Mosquita y Mari), $88,000 for postproduction; Adam Keker (National Park), $35,000 for screenwriting; Timothy Kelly (The Cherokee Word for Water), $75,000 for production; Benh Zeitlin (Beasts of a Southern Wild), $55,000 for postproduction. Honorable Mentions went to: John Dilly (Rubbish), development and Ian Olds (The Western Habit), screenwriting. More at sffs.org.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
City College of San Francisco offers a best-of program in the one day, student-run City Shorts Film Festival. The festival is free to the public. More at cityshorts.tumblr.com.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Lisandro Alonso’s 2001 ‘La Libertad’ is the first film in Pacific Film Archive’s First Person Rural: The New Nonfiction series, which presents works that utilize documentary filmmaking techniques in fictional storytelling. More at bampfa.berkeley.edu.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
Press release: The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners of the fourth round of SFFS/KRF Filmmaking Grants: Debbie Brubaker, Lynn Hershman Leeson, Christopher Mason Johnson, Mike Ott and Morgan Wise. The grants are given twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. More at sffs.org.
Taking the legendary director of 'Rosemary's Baby,' 'Chinatown' and 'The Pianist' out of headlines and back to his filmmaking and geographic roots, this program pairs a live performance by Warsaw electro-acoustic duo Sza/Za with early Polanski shorts at Letterman Digital Arts Center’s Premier Theater. More at sffs.org.
SF360.org profiles the 2011 roster of Essential SF, an ongoing compendium of the film community’s vital figures and institutions.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
SFFS’s annual showcase of modern French filmmaking includes some of the country’s most important work from the past year, from Éléonore Faucher's 'Sisters' to Katell Quillévéré's 'Love Like Poison.' Mark Fitoussi's ‘Copacabana,’ starring Isabelle Huppert, opens the festival; it's followed by a reception at the Bubble Lounge, 714 Montgomery Street. All films play at Landmark’s Embarcadero Center Cinema. More at sffs.org.
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
New stories emerge from a storied cinema nation in the second year of the Taiwan Film Days showcase.
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
San Francisco narrative filmmakers offer nuanced visions of their city.
San Francisco narrative filmmakers offer nuanced visions of their city.
San Francisco narrative filmmakers offer nuanced visions of their city.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
A few simple ideas can help nervous fundraisers take the leap.
A few simple ideas can help nervous fundraisers take the leap.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
Memorable lines of dialogue are like the tips of icebergs, floating above vast, submerged mountains of character history, and more.
Memorable lines of dialogue are like the tips of icebergs, floating above vast, submerged mountains of character history, and more.
Memorable lines of dialogue are like the tips of icebergs, floating above vast, submerged mountains of character history, and more.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Scott Boswell’s marvelous debut feature, The Stranger In Us, plays out on Polk Street and in the Tenderloin, far from the oft-photographed glamour spots of San Francisco.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
Making a film called Stagecoach in the Sky as part of the 48 Hour Film Project requires planning, as well as a flying boat.
What s the difference between streaming and download rights? Here s a glossary of terms filmmakers should know before signing a contract or hiring a web developer.
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
Laura Poitras speaks during SFIFF53 about the process of creating The Oath from the stories of Osama Bin Laden's former bodyguard and driver.
If you re making a short narrative, foundations give you no respect. Financiers turn a cold shoulder. Government grantors snort. And festivals slot your film Sunday at midnight.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
You are awesome. Spectacular, incredible, interesting, accomplished and generally just way awesome. Everyone wants to hear every possible thing there is to know about you.
Ch‚ Sandoval of Chile, Kaspar Astrup Schroder of Denmark, Pedro Gonzal‚z-Rubio of Mexico, John Herschend and Claudia Gonson don t have much in common except stories to tell.
To be from the Bay Area and called The Butcher Brothers might mean you get mixed up with purveyors of grass fed meats.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
San Francisco has a variety of excellent soundstages, but one is trying to save the earth.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
There will probably never be a theatrical release for James Benning's landscape movies. Amazingly, Ilisa Barbash and Lucien Castaing-Taylor have scored distribution and made a splash.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
How long should your documentary be? If your audience begins to glaze over or feel restless, you've lost the opportunity to leave them wanting more.
In the YouTube-Facebook-viral video era, it's hard to remember the time when youth-made media was rare.
When President Obama took office, CNN brought it online, allowing viewers to chat with friends and strangers, their conversation appearing next to the video.
The Butcher Brothers The Violent Kind is a nightmare-with-bikers-in-the-woods fantasy shot in Petaluma and Cotati, and it fits their collaborative moniker.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
For handy access to your most valuable footage, here s a method of organizing sequences.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
The 6th Screen: Hannah Eaves compiles some questions about "convergence", the increasingly popular practice of combining television and computer usage.
The Edit Room: Karen Everett shares tips on how to track multiple versions of Final Cut Pro projects and sequences.
Marin County filmmaker John Antonelli talks about his documentary on influential late singer-songwriter Sam Cooke for PBS's "American Masters" series.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Reminiscent of Marcel Ophuls' fearless provocations in Hotel Terminus (1988), Yoav Shamir breaks every rule of polite documentary filmmaking in Defamation.
Shot in depressed burgs and 'burbs across the country, this documentary looks at the U.S. at its lowest economic ebb in generations.
Aroy's film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
After ripping it up at various genre fests, the Bay Area indie horror flick settles in for a theatrical run at the Red Vic.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
The Edit Room: Learning how to organize saves you time and money in the editing process; a walk-through just how to do it.
The movies of William Klein are suffused with the same impudence, social commentary and aesthetic surprise found in his photos.
Jager McConnell speaks about Scary Cow, a filmmakers' co-op that offers experience, people, money and equipment to aspiring filmmakers with ideas to burn.
The Sixth Screen: Veteran journalists and filmmakers alike are polishing up their resumes, contemplating the hospitality industry, and wondering: Who stole my career?
A revealing portrait of veteran local singer-songwriter-guitarist with a cult following investigates existential questions about fame with respect, empathy and self-reflection.
Ask the Documentary Doctor: How do I choose the right crew for my story?
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
Wild man of Italian cinema, Marco Ferreri left many films in need of rediscovery (or simply discovery) since his death in 1997.
Make them love it. Make? Oh, words of dread! How do you MAKE somebody love your film?
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
Leading light of avant-garde cinema Lawrence Jordan speaks on the occasion of his Gallery Extraña show and his 75th birthday.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
The Edit Room: How do you keep your audience engaged rather than putting them to sleep?
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
The Professionals an ambitious array of panels, case studies and discussions, makes its debut as a forum for encouraging Bay Area moviemakers to engage with guests and colleagues.
Ask the Documentary Doctor: Fernanda Rossi advises on the distinction between repetition and reinforcement in documentary filmmaking.
The Professionals an ambitious array of panels, case studies and discussions, makes its debut as a forum for encouraging Bay Area moviemakers to engage with guests and colleagues.
Jennifer Maytorena Taylor's documentary, New Muslim Cool, focuses on Hamza Perez, a Catholic hip hop artist, who converted to Islam; whose life is now a crucible of disparate urban influences.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
Holly Million reviews some of the documentaries shown at this year's festival: It Came >From Kuchar, MIne and Motherland.
Sound design: in a documentary can be a great ally in bringing real life to the screen, and the dilemma is not whether to use this wonderful story device but rather how and in what context.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
The throughline of Micha Peled's film is a farmer in a village in Vibharba, in central India's cotton belt, over a farming season.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
When we're finally all watching movies on the most expedient of platforms–our mobile phone–Ellen Lake will be at the head of the parade.
The PFA's series of "essay films," a collection of diverse work, offers the viewer an opportunity to adapt to the peculiar tone of these films.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
The forthcoming film Speaking in Tongues follows four diverse local public-school students enrolled in language-immersion programs.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Certain questions in 2008 endlessly plagued the film world, leading to outlandish predictions, flame-war mayhem and an outbreak of opinionated public speaking.
If you've been waiting for a punk-rock doc about sewage and wastewater treatment–admit it–it's in the pipeline and heading your way by year's end.
Oakland's Pamela Harris and Grantmakers in Film + Electronic Media are connecting media makers with financial resources.
Québec's thriving regional cinema is showcased in San Francisco Film Society's latest mini-festival addition to the annual Bay Area movie calendar.
The Sixth Screen: Senior Director of Marketing and Product Management and iFanboy producer and co-host Ron Richards talks about Revision3, the next generation of TV.
Fear-Free Fundraising: Holly Million advises filmmakers on where to get funding when the going gets tough.
Ask the Documentary Doctor: Fernanda Rossi weighs in on how many different pitches you really need for your documentary.
Ask the Documentary Doctor: Fernanda Rossi weighs in on how many different pitches you really need for your documentary.
Global Film Initiative's Global Lens series offers a regular spot in your home theater for edgy world-cinema narratives don't often get a place at local multiplexes.
If, in the ol' days, they were called "'toons," these days, some heavy-duty words are required to express the strength and breadth of contemporary animation.
The Sixth Screen: If you're interested in the future of online technology, 'jaguar' is the evergreen example used to explain what's called The Semantic Web.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
Marilyn Mulford collaborated with Quique Cruz on the pensive, humanistic, and inspiring Archaeology of Memory: Villa Grimaldi.
Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.
In 'Crooked Beauty,' mental health is re-imagined and redefined.
The Sixth Screen: Here are some browser-based legal zones for free online feature film viewing pleasure. No installation required.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
The Sixth Screen: The first installment of a new, monthly column by filmmaker and journalist Hannah Eaves looks at just how "fair use" is being utilized.
The first of SF360.org's In Production columns looks at two works-in-progress: Laura Lukitsch's film about beards and Lise Swenson's Salton Sea pic.
Exhibitions in San Jose feature art drawn from and inspired by online social networking sites, Youtube, video games and blogs.
In 2008 the San Francisco Black Film Festival marks its 10th anniversary with the most expansive program yet, flagging the theme "10 Years, 10 Days, 100 Films."
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
You know a festival is working its way into your brain when, in a landscape of intersecting ideas, you begin to witness the collisions.
Bodies of work have emerged from the intersections of performance, film and electronic art. Cinematograph 7ÑLive Cinema: A Contemporary Reader, edited by Thomas Beard's provides thoughtful writing on the subject.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.
Herzog's remarks challenged the audience to reconsider its views on non-fiction film at AFI Fest.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.
Matt Sussman looks at the final products of the talented young directors in TILT's Summer Film Camp showcase (screening as part of of Straight Outta Film Arts program at YBCA).
An impressive PFA series runs alongside an exhibition at the Berkeley Art Museum of Kiarostami's striking photographic work.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
The List: An Amerindie helmer well before the term was invented, Nilsson names 10 films which deeply affected him.
The List: An Amerindie helmer well before the term was invented, Nilsson names 10 films which deeply affected him.
Wonders Are Many: The Making of Doctor Atomic blends World War II history with composer John Adams and director Peter Sellars’ staging of a new opera on the subject.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
White's heroes and heroines are content with their mundane lives until some uninvited intruder or unforeseen event exposes their frustration and complacency.
Just a week out of the SFIFF50 press conference at the Westin St. Francis, and the buzz has already had a chance to build. SF360.org checked in with a few friends in the San Francisco filmmaking scene to see what they’re looking forward to in the 50th edition of the SF International Film Festival. Big winners: Guy Maddin’s “Brand Upon the Brain!” and, of course, the live and in-person tribute to Spike Lee, who — as Strand Releasing’s Marcus Hu reminds us — returns to the Bay Area to receive his Film Society Directing Award in spite of the fact the projector broke during the premiere of “She’s Gotta Have It” at the SFIFF more than 20 years ago.
I’m eager to see Camila Guzman Urzula’s documentary “The Sugar Curtain” for perspectives on life in Cuba from those in their twenties and thirties. I’m curious about how a savvy film critic like Wesley Morris will interview Spike Lee. It will be a welcome occurrence to see two Black men talking on a US festival stage about film.
Cornelius Moore
California Newsreel
“Audience of One:” I know this year the festival is honoring Lucas and Coppola and those guys as local heroes, but really. Hollywood North? What happened? Now here is a group of makers, Pentacostals no less, working on a gargantuan bible epic right down on Ocean Avenue in the old El Rey Theatre. Now that’s hot!
Christian Bruno
Strand, A Natural History of Cinema
Although I’ve already seen it, I look forward to attending the one-off screening of Guy Maddin’s “Brand Upon the Brain!” since each live performance, by design, differs somewhat from the last. No self-respecting (or, for that matter, self-deprecating) cineaste should miss it. Beyond that, I’m particularly interested in Alain Resnais’ latest, “Coeurs” (i.e., “Private Fears in Public Places,” which, due to timing conflicts, I missed in Toronto), reuniting the director with the exceptional playwright Alan Ayckbourn. I remain quite fond of his recent films even if most folks in this country seem to disregard his work after “Mon oncle d’Amerique,” released over a quarter-century ago.
Jonathan Marlow
GreenCine
I love that SFIFF is honoring Spike Lee, I saw “She’s Gotta Have It” when it had its world premiere at SFIFF and remembered what an amazing experience that was when the projector broke!
Marcus Hu
Strand Releasing
I first started attending SFIFF in 1964 while still in high school. I saw the independent “The Luck of Ginger Coffey,” directed by Irvin Kershner and starring Robert Shaw, a fascinating documentary look at a country
One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.
It's taken over two years for Police Beat to go from one of the most praised films at Sundance to a theatre near you.
When Bay Area filmmaker Amanda Micheli approaches, you can see that she is an athlete. She's sure of herself.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
Von Donnersmarck talks about his Lola-winning and Oscar-nominated debut during a visit to San Francisco.
Tears of the Black Tiger is Thai eye candy, an exercise pastiche where color just about leaps off the screen, and a star-crossed love story.
The List: A collection of individuals who caught my eye in an intense week of YouTube scouring. Most have gotten upwards of one million views.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Collector and archivist Rick Prelinger puts on a show at the Other Cinema to celebrate his new book, A Field Guide to Sponsored Films.
Filmmaking was just one among many creative outlets for Japanese multimedia artist Hiroshi Teshigahara.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
After weeks of Western Europe, what better way for the young cineaste to crash the City of Light than a trip to the silver screen?
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
The renowned local critic and historian talks about his book about the iconic Hollywood beauty.
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
Richard Glatzer and Wash Westmoreland's exploration of a teen's rite of passage is the warmhearted opposite of MTV's glorification of wasteful and selfish spending.
The director of The Business of Strangers talks about his second feature, starring Robin Williams.
The co-director talks about his provocative fictional documentary about conjoined twins groomed for rock Ôn' roll stardom.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
Leena Prasad talks about making a sci-fi comedy featuring a pillow and a character named Mark Pantagenet, Foreign Ambassador in just 48 hours.
Sheerly Avni talks about his book, Cinema by the Bay, a rich, visual history of San Francisco Bay Area filmmaking.
Marc Huestis talks about his latest film,
The third annual Icelandic Film Festival offers just two features and one short, but it's all very, very good.
Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
If you haven't yet found your repurpose in life, SFIFF's International Remix site might be of use.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
This English comedy, the second feature made by the guys behind that genius horror spoof, 'Shaun of the Dead,' satirizes fake cinematic testosterone.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.
With a Leacock-Pennebaker tribute, SF State's Documentary Film Institute proves there's no reason to "revive" cinema verite; it never died.
SFFS Press Release: "The San Francisco Film Society and the Kenneth Rainin Foundation announced the ten finalists for the fourth round of SFFS/KRF Filmmaking Grants of up to a total of $225,000, to be given to one or more feature films that through plot, character, theme or setting significantly explore human and civil rights, discrimination, gender and sexual identity and other urgent social justice issues of our time." More at sffs.org
Michael Fox goes behind the scenes on Peaches Christs' slice-'em-up.