With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
The TFI Documentary Fund provides grants and guidance to exceptional filmmakers developing engaging feature-length documentaries which emphasize character and that allow audiences to consider history, culture and society through the experiences of extraordinary individuals. ELIGIBILITY: Submissions must be non-fiction motion pictures with an intended length of at least 70 minutes and should creatively document unique character(s); submissions can be in the advanced stages of development, production or post-production and must not have aired on any form. Foreign language documentaries are eligible, but must be subtitled and suitable for an American audience. Applicants must be over 18-years old. $25 entry fee. AWARDS: Grants of at least $10,000 will be awarded in 2012. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/tfi_documentary/.
John Turturro 's 'Passione' illuminates the history of Neapolitan music for a second week at SF Film Society | New People Cinema. Compared favorably to Wim Wenders' beloved 'Buena Vista Social Club,' the film is the actor-director's first foray into the documentary form. More info at sffs.org.
John Turturro 's 'Passione' illuminates the history of Neapolitan music for a second week at SF Film Society | New People Cinema. Compared favorably to Wim Wenders' beloved 'Buena Vista Social Club,' the film is the actor-director's first foray into the documentary form. More info at sffs.org.
John Turturro 's 'Passione' illuminates the history of Neapolitan music for a second week at SF Film Society | New People Cinema. Compared favorably to Wim Wenders' beloved 'Buena Vista Social Club,' the film is the actor-director's first foray into the documentary form. More info at sffs.org.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco Film Society | New People Cinema sets sail with Jean-Luc Godard's 2010 provocation, 'Film Socialisme.' As Robert Avila writes in SF360.org later this week, the "playful, somber meditation on where history has brought us is brimming with ideas and aesthetic pleasures." Screenings begin September 2. More info on the new SFFS venue at Post Street (between Webster and Buchanan) in sffs.org.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
The first feature to play SFFS | New People Cinema, Godard's ‘Film Socialisme’ is both poetic rumination and urgent intervention.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Canonized director John Huston's 'The African Queen,' now mostly remembered for its tumultuous production history, was also the director's biggest grossing film, securing Humphrey Bogart his first Oscar for acting. The Alameda Theatre screens this battle-of-the-sexes classic on film Wednesday and Thursday only. More info at alamedatheatres.com.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
The SF institution returns to the Castro Theatre with 18 rediscovered films and live musical accompaniment. Highlights include a collection of Disney's Laugh-O-Grams, a travelogue of an expedition to the Antarctic and a film once cited as "the single greatest masterwork in the history of cinema" by stately film journal Cahiers du Cinema. More info castrotheatre.com.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
YBCA digs a delightfully disturbing live Kinski document from the archives.
YBCA digs a delightfully disturbing live Kinski document from the archives.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
The Castro's Elizabeth Taylor retrospective brings the actress back to her most devoted fans. The first and last time I attended the now-defunct Taos Film Festival, it gave a tribute to Elizabeth Taylor (who lived in the area), allowing me to spend an hour sitting about ten feet from one of the most famous movie stars ever. Arriving by wheelchair with a little dog on her lap, she was petite and attractive, though infirmity had taken its own toll on her figure. She was also funny, candid, unpretentious, occasionally ribald, passionately serious about her causes (especially AIDS research and education), and a little dotty—occasionally she'd drift off on some strange...
The Castro's Elizabeth Taylor retrospective brings the actress back to her most devoted fans. The first and last time I attended the now-defunct Taos Film Festival, it gave a tribute to Elizabeth Taylor (who lived in the area), allowing me to spend an hour sitting about ten feet from one of the most famous movie stars ever. Arriving by wheelchair with a little dog on her lap, she was petite and attractive, though infirmity had taken its own toll on her figure. She was also funny, candid, unpretentious, occasionally ribald, passionately serious about her causes (especially AIDS research and education), and a little dotty—occasionally she'd drift off on some strange...
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
Director Claude Marks participates in a discussion following the screening of his film, ‘COINTELPRO 101,’ which presents the history and impact of the FBI Counter Intelligence Program. More at redvicmoviehouse.com.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
One of the greatest actor-director duos in history, Toshiro Mifune and Akira Kurosawa collaborated on 16 films during their careers. VIZ Cinema's series 'Mifune x Kurosawa: A Beautiful Man' includes classics 'Drunken Angel,' 'Red Beard,' 'Seven Samurai' and more. More at newpeopleworld.com.
One of the greatest actor-director duos in history, Toshiro Mifune and Akira Kurosawa collaborated on 16 films during their careers. VIZ Cinema's series 'Mifune x Kurosawa: A Beautiful Man' includes classics 'Drunken Angel,' 'Red Beard,' 'Seven Samurai' and more. More at newpeopleworld.com.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Bay Area filmmaker Tom Wyrsch examines the history of San Francisco’s one-time seaside amusement park, Playland, whose origins dated back nearly a century before being torn down in 1972. Wyrsch appears in person at the Smith Rafael Film Center. More at cafilm.org.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The Mountain Goats offer an original score for Mauritz Stiller's rambunctious adventure-turned tragedy/morality tale of 1919.
The former Saturday Night Live player was an essential element to some of the most memorable moments in the show’s recent history. In 2009 the actress displayed her versatility in the Sam Mendes-directed ‘Away We Go,’ costarring with John Krasinski. Maya Rudolph discusses her career as a comedienne with Bay Area broadcasting veteran Paul Lancour at Herbst Theater. More at cityarts.net.
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
The story of 17th-century ninja who makes the dangerous decision to run from his own clan, ‘Kamui Gaiden’ is one of Japan’s most expensive movies in history and brings Sampei Shirato’s celebrated '70s comic to the big screen as part of The Red Lantern: Bay Area Asian Cinephiles film series. More at newpeopleworld.com.
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Akira Kurosawa was well into his 70s when he began shooting ‘Ran,’ the war epic that took over a year to film and was then Japan’s most expensive movie in history. The Castro Theater celebrates the 25th anniversary of Kurosawa’s 'King Lear' adaptation, which the iconic director considered his best film. More at castrotheatre.com.
SF360.org profiles the 2011 roster of Essential SF, an ongoing compendium of the film community’s vital figures and institutions.
Rick Prelinger’s efforts at preserving ephemeral films have made him indispensable to the cinema of San Francisco—and the world.
Rick Prelinger’s efforts at preserving ephemeral films have made him indispensable to the cinema of San Francisco—and the world.
Poet turned novelist Nicole Krauss, whose international bestseller ‘The History of Love’ was optioned before completion as a project for Alfonso Cuaron to direct, discusses art and process with bestselling author Andrew Sean Greer. More at cityarts.net.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
Judy Irving goes from parrots to pelicans with her new documentary.
Judy Irving goes from parrots to pelicans with her new documentary.
A series at the Roxie mines the fault lines in Robert Altman's varied oeuvre.
A series at the Roxie mines the fault lines in Robert Altman's varied oeuvre.
A series at the Roxie mines the fault lines in Robert Altman's varied oeuvre.
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
SFMOMA has mapped out a set of unique events in conjunction the upcoming release of Rebecca Solnit's new book, 'Infinite City: a San Francisco Atlas.' Thursday, September 9, 'Housing Shadows and Projecting Fog' screens Christian Bruno's work-in-progress film about the Strand movie theater as well as Andy Black and Sam Green's atmospheric 'Fog City.' Saturday, September 11, a Film Crawl through a variety of San Francisco moviehouses—from the Balboa (where Ernie Gehr's 'Cotton Candy,' right, plays at noon) to the Roxie—offers an historic tour of the city's cinema history. More at SFMOMA: http://www.sfmoma.org/events/1722.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
Think summer's almost over? In the Bay Area, think again: Outdoor screenings are just getting started.
The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.
The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
East Bay filmmaker Kristy Guevara-Flanagan muscles her way through her new documentary feature, The History of the Universe as Told by Wonder Woman.
East Bay filmmaker Kristy Guevara-Flanagan muscles her way through her new documentary feature, The History of the Universe as Told by Wonder Woman.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Frameline34 brought together a wide array of programs following the retrospective impulse.
Frameline34 brought together a wide array of programs following the retrospective impulse.
Frameline34 takes a fresh look at Andy Warhol's world while offering a view to the world of international LGBT cinema 2010.
Making a film called Stagecoach in the Sky as part of the 48 Hour Film Project requires planning, as well as a flying boat.
Former San Franciscan Jack Stevenson returns from Denmark to promote the U.S. publication of Scandinavian Blue: The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s.
The documentary Simonal: No One Knows How Tough it Was explores the polemic surrounding a man considered by many to be the greatest singer in Brazilian history.
Through most of its history, the Festival has featured revivals of restored classics and little-known gems. This year s selections run an unusually wide gamut.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
Inuit peoples—the indigenous cultures rooted in Arctic regions from Alaska to Greenland—have an honored place in film history, dating to Flaherty's Nanook of the North.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
With its comfortable suburban setting, flashback structure and mystery-suspense framework, My Son, My Son is, by Herzogian standards, almost mainstream-conventional. I said almost.
The Oscar nomination for The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers is a validation of the doc's right-now relevance.
Olga Samaroff, the path-breaking 20th-century concert pianist, critic and teacher, was born Lucy Hickenlooper in San Antonio, Texas. That's right, she reinvented herself.
The film historian looks back at Frank Stauffacher's seminal mid-century series, which hatched a Bay Area avant-garde.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
The thing about titles is they re too short to receive copyright protection. For copyright purposes, a title is like a label of a copyrighted work.
David Thomson's new book commemorates the golden anniversary of Hitchcock's "Psycho."
Highlights from the 2009 San Francisco Silent Film Festival winter event.
The San Francisco Museum of Modern Art honors the 40th anniversary of The Cockettes with a one-night-only program.
Marin County filmmaker John Antonelli talks about his documentary on influential late singer-songwriter Sam Cooke for PBS's "American Masters" series.
Boston Phoenix film critic Gerald Peary's film tours the rise, fall and reorientation of film criticism in the United States.
Aroy's film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s.
The documentary chronicles several large-scale pranks devised in the hopes of fooling corporate/government event attendees and/or the media.
It’s hard to imagine a venue where the new documentary Holding On to Jah will sound better than it did at Mezzanine last Wednesday night.
Ask the Documentary Doctor: I'm told the way to structure my doc is by adding narration. Others say voice-over will ruin the film.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Though often made for private reasons, home movies are treasure troves of culture ephemera and social history.
The movies of William Klein are suffused with the same impudence, social commentary and aesthetic surprise found in his photos.
Aaron Aites and Audrey Ewell's documnetary, Until the Light Takes Us examines the dark intersection of local Norwegian history and Death Metal.
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
The San Francisco Jewish Film Festival arrives with an expansive program spotlighting the Jewish tradition of social justice and human rights.
Tilda Swinton's edge of riskiness is on ample display in Julia, a new film by French director Erick Zonca.
Douglas Fairbanks in The Gaucho is one of the many highlights on screen during the three-day San Francisco Silent Film Festival.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
Katyn is a sizable period saga about a tragic, still-controversial chapter in Poland's 20th-century history, one with particular resonance for Andrzej Wadja.
A dose of self-affirmation arrives with Frameline33 (or, if you prefer, the multiple-breath-intake-requiring San Francisco International Lesbian Gay Bisexual Transgender Film Festival.)
Beyond Words: Linda Rosenberg explores the transformation of the contemporary film hero in Doubt and In Bruges.
Deborah Kaufman and Alan Snitow explore the customs and modernity of the next generation of Jews in their documentary Dis-Continuity.
Marc Capelle's ode to Westerns and Buddy films as well as noteworthy festival scores.
California Company Town, blends the sights and sounds of the state's economically depressed towns, industrial wastelands and failed utopian communities.
An Evening with Francis Ford Coppola & Friends honored Coppola with the Founder Directing Award and included a moderated discussion with editing/sound design genius Walter Murch, director Carroll Ballard, scenarist-turned-director Matthew Robbins, and George Lucas.
SF360.org interviews film critics about the changing landscape of film criticism. A panel discussion and screening of For the Love of Movies: The Story of American Film Criticism will take place on Sunday, May 3, at 6 p.m.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
Mark Kitchell current project is an ambitious summation of the environmental movement, from the protests of the 1960s, the '70s focus on pollution, the Greenpeace campaigns and the global climate change.
The Black Rock focuses on the African American prisoners and guards who lived on the island when it was a federal penitentiary.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
The S.F. Silent Film Festival's Winter Event allows you to spend hours in the dark with the madcap movie entertainments of 80-plus years ago.
In this fable-like movie, an indomitable young orphan finds friendship with a lonely flight attendant and a teen-age caretaker of elephants.
With a roster that sprawls from horror to softcore to verite-style drama and documentary, the only constant is that you won't be bored.
In Strand: A Natural History of Cinema, Christian Bruno pays homage to the pivotal and shifting role of movie theaters in San Francisco's cultural life.
The PFA's series of "essay films," a collection of diverse work, offers the viewer an opportunity to adapt to the peculiar tone of these films.
A look at Otto; or, Up with Dead People, from a late arrival in the New Queer Cinema wave.
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
50 California students talk about their problems with gender in the new documentary Straightlaced–How Gender's Got Us All Tied Up.
Martha Colburn's recent shorts plunge the interstices of Americana for a hidden history of fanaticism and double-faced hypocrisies.
Former San Francisco Examiner film critic Michael Sragow talks about his newly released book Victor Fleming: An American Movie Master.
Michael Fox chats with Gus Van Sant and screenwriter Dustin Lance Black on the eve of Milk's much-anticipated theatrical release.
Scott McDonald's Canyon Cinema: The Life and Times of an Independent Film Distributor, details the formation of the revered Bay Area artists' collective in the early 1960s.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
Every year, people grumble. Every year, someone points out how much worse it is than before. And every year, there are films that pull everyone out of the doldrums and guarantee it all continues. Welcome to this season’s Toronto International Film Festival.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
Not many movies call for a celebration of their anniversaries, but one exception is what many have called 'the ultimate San Francisco film.'
Dyspeptic rather than tragic, Jacques Nolot's Before I Forget may be the best gay feel-bad movie ever.
Dennis Harvey reviews Sergei Bodrov's Mongol, a distinctive look at the early life of the conqueror.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
Dawn Logsdon and Lolis Eric Elie dig through the rubble of Hurricane Katrina to tell the story of Faubourg TremŽ, which was home to African Americans and fertile ground for political activism, music and literary life.
The Associazone Piemontesi of Northern California, with the Italian Cultural Institute and Regione Piemonte, presents "Cinema Piemonte," four movies made in that beautiful region.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
As this retrospective makes clear, de Antonio's documentaries are a different species entirely from the kind of celebrity-driven, headline chasing theatricals now in favor.
The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.
The freshing thing about Susan Dynner's new documentary ÔPunk's Not Dead' Ñ beyond the fact that it's not the 9,482nd recap of The Early Years (circa 1976-85) Ñ is its unabashed if not uncritical acknowledgment that punk is here to stay.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
If the Bay Area oozed self-regard last night, it couldn't exactly be blamed.
Is there anyone who doesn't know that the San Francisco International Film Festival is turning 50 this month?
When Bay Area filmmaker Amanda Micheli approaches, you can see that she is an athlete. She's sure of herself.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
It's a big week for Peter Morgan, partly because the SFFS announced he'll receive the Kanbar Award for excellence in screenwriting at the 50th SFIFF.
Filmmaker Rory Kennedy talks about her process and approach with making her new chilling documentary Ghosts of Abu Ghraib.
Collector and archivist Rick Prelinger puts on a show at the Other Cinema to celebrate his new book, A Field Guide to Sponsored Films.
The relationship between intellectualism and passion, a distinctly Italian concern, propels the 2006 edition of New Italian Cinema.
A visit to the 50th anniversary portion of San Francisco Film Society’s web site nets not just the real Truman Capote candidly essaying on life and the movies in a 1974 visit to the SF International Film Festival.
The expat archivist and writer makes his near-annual pilgrimage to San Francisco with a flurry of shows teeming with goodies from his personal collection.
The real voter fraud is orchestrated under the radar, says the director of American Blackout.
The San Francisco Media Archive director talks about the weirdness and normality revealed on Home Movie Day.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Sheerly Avni talks about his book, Cinema by the Bay, a rich, visual history of San Francisco Bay Area filmmaking.
San Francisco Cinematheque guest curator Jenni Olson reflects on her show, Kees Kino: The Film Work of Weldon Kees.
Film programmer Jesse Hawthrone Ficks talks about the enduring appeal of midnight movies.
Rodney Ascher and Syd Garon are only two people whose works curator Danny Plotnick would show sight unseen.
Christian Bruno, Julie Lindow and R.A. McBride discuss their love of San Francisco and its theaters over beers at the Uptown.
This English comedy, the second feature made by the guys behind that genius horror spoof, 'Shaun of the Dead,' satirizes fake cinematic testosterone.
Until the 1960s, Hollywood cast S.F. as a city where everyone was too busy brawling, floozing,and plotting intrigue to exclaim,"Look at that view!"
For people who know their rock trivia, or saw Gimme Shelter, Altamont represents one of the most infamous moments in Bay Area cultural history.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
Direct cinema pioneers Richard Leacock and D.A. Pennebaker discuss seeing and believing.
A conversation with David Kipen about his book, The Schreiber Theory, which reclaims the contribution of screenwriters to motion pictures.
A quick guide to measuring a city's taste in films by its critics' organizations.