One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
In its 35th anniversary year, Frameline brings a vastly diverse selection of films to the world's largest LGBT showcase. It continues through June 26. More at Frameline.org.
In its 35th anniversary year, Frameline brings a vastly diverse selection of films to the world's largest LGBT showcase. It continues through June 26. More at Frameline.org.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Frameline34 takes a fresh look at Andy Warhol's world while offering a view to the world of international LGBT cinema 2010.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
A festival full of drama finds no more emotional screening than the homophobia-in-sports double bill of Training Rules and Claiming the Title: Gay Olympics on Trial.
In this year's Frameline Fest, as so often in life, it's all about the one(s) that got away.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
Michael Fox chats with Gus Van Sant and screenwriter Dustin Lance Black on the eve of Milk's much-anticipated theatrical release.
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
Jeff Iorillo on the fourth festival trailer that he's written and directed for the S.F. International LGBT Film Festival.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
16 filmmakers from the Bay Area find at least 15 minutes of fame in the San Francisco International LGBT Film Festival this year.
16 filmmakers from the Bay Area find at least 15 minutes of fame in the San Francisco International LGBT Film Festival this year.
S.F. International LGBT Film Festival celebrates its 30th anniversary as a forum for the LGBT community to celebrate its own hard-won survival and progress.
Julián Hernández and João Pedro Rodrigues show their second features at the S.F. International LGBT Film Festival.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.