International Film Festival Summit (December 4–6, 2011), held in Austin, Texas, is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards. This year's featured topics include Anatomy of a Festival: South by Southwest, Programming: The Fine Art of Film Selection, Marketing Strategies: Integrating Social Media and Technology, The Festival Mission, Sponsorship Strategy, Box Office Technology Solutions, among others. Notable speakers include Richard Linklater (Before Sunrise, Before Sunset), as well as SFFS' very own Steve Jenkins, Sarah Cathers, and Linda Butler. DEADLINE: Register by September 25, 2011 to receive discounted rate. WEBSITE: filmfestivalsummit.com/iffshome.html.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
Without marketing tie-ins, plastic toys or corn-syrup confections, a children’s film festival brings energy to the screen.
The Roxie Theater hosts a San Francisco Film Society special presentation: Hollywood 2.0 is a discussion with Ed Burns on the making, marketing and distributing of his new film, ‘Nice Guy Johnny,’ which screens after the event. More at sffs.org.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Every film needs one person devoted to the distribution and marketing of the film from the start, just as they have a line producer, assistant director, or editor.
Every film needs one person devoted to the distribution and marketing of the film from the start, just as they have a line producer, assistant director, or editor.
Every film needs one person devoted to the distribution and marketing of the film from the start, just as they have a line producer, assistant director, or editor.
Every film needs one person devoted to the distribution and marketing of the film from the start, just as they have a line producer, assistant director, or editor.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
From his modest start as a staff writer at 20th Century Fox, Sid Ganis has built an uncommonly long and successful career in Hollywood.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
William W. (Bill) McLeod, 59, one of the Bay Area's most respected film publicists died at his home on March 29th, 2009.
About as far from the ever-increasing corporatization of popular music as you can get is the annual dose from the Noise Pop Festival.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
The Sixth Screen: Senior Director of Marketing and Product Management and iFanboy producer and co-host Ron Richards talks about Revision3, the next generation of TV.
A newly restored print of Bergman's Monika, which deals with underage, guiltlessly unfaithful femininity, plays the Red Vic.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
The live-action film division of Viz Media has just marked its second year of bringing a broader range of Japanese film to the growing audience for Japanese pop culture.
Kopp's organization is helping filmmakers collaborate by accessing virtual communities, facilitating live gatherings, expanding into book publishing, and more.
Industy vets will identify Klores with his PR firm, but he's also produced and directed TV docs and Ring of Fire: The Emile Griffith Story.
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
Conference discusses the difficulties for lesbian features to get made and do well at the box office.
The List: How JT LeRoy went from fiction to fact in the media.