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    Kuchar, Belson Bid Adieu

    Michael Fox
    Sep 8, 2011

    San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...

  • September 8 2011

    Kuchar, Belson Bid Adieu

    Michael Fox
    Sep 8, 2011

    San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...

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    Border Trouble Comes to Pacific Film Archive

    Max Goldberg
    Jun 30, 2011

    New series spotlights the fascination with Mexico in American noir.

  • June 30, 2011

    Border Trouble Comes to Pacific Film Archive

    Max Goldberg
    Jun 30, 2011

    New series spotlights the fascination with Mexico in American noir.

  • Reviews

    Border Trouble Comes to Pacific Film Archive

    Max Goldberg
    Jun 30, 2011

    New series spotlights the fascination with Mexico in American noir.

  • Home

    Soap-Operatic 'Bride Flight' Is an Entertaining Ride

    Dennis Harvey
    Jun 10, 2011

    An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.

  • June 16, 2011

    Soap-Operatic 'Bride Flight' Is an Entertaining Ride

    Dennis Harvey
    Jun 10, 2011

    An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.

  • Reviews

    Soap-Operatic 'Bride Flight' Is an Entertaining Ride

    Dennis Harvey
    Jun 10, 2011

    An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.

  • 03.31.11

    Haynes Reaches Mainstream with Thoroughly Modern ‘Mildred’

    Michael Fox
    Mar 27, 2011

    Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.

  • Home

    Haynes Reaches Mainstream with Thoroughly Modern ‘Mildred’

    Michael Fox
    Mar 27, 2011

    Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.

  • Q & A

    Haynes Reaches Mainstream with Thoroughly Modern ‘Mildred’

    Michael Fox
    Mar 27, 2011

    Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.

  • August 26 ,2010

    A Vampire Weekend at YBCA

    Max Goldberg
    Aug 26, 2010

    Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .

  • Home

    A Vampire Weekend at YBCA

    Max Goldberg
    Aug 26, 2010

    Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .

  • August 17, 2010

    Film on Film Foundation's 'Endless Love'

    Aug 22, 2010

    The second screening in Film on Film Foundation's Film Maudit program, a curated reconsideration of oft-maligned and misunderstood films, is Franco Zeffirelli's unabashed melodrama 'Endless Love.'

  • Home

    Observing Ordinary People in 'Everyone Else'

    Dennis Harvey
    Jul 2, 2010

    Maren Ade’s second feature is striking for what it doesn't do as it follows ordinary lives through a failing relationship.

  • Reviews

    Observing Ordinary People in 'Everyone Else'

    Dennis Harvey
    Jul 2, 2010

    Maren Ade’s second feature is striking for what it doesn't do as it follows ordinary lives through a failing relationship.

  • Festivals

    Wintering with the SF Silent Film Festival

    Dennis Harvey
    Dec 9, 2009

    Highlights from the 2009 San Francisco Silent Film Festival winter event.

  • Reviews

    Chilean Film 'The Maid' and the Liberation of a Genre

    Dennis Harvey
    Nov 13, 2009

    This little no-budget film has picked up a slew of festival prizes for its character depth, unpredictable storytelling, humor and warmth.

  • Festivals

    Kiyoshi Kurosawa and a Cinema of Disaster

    Matt Sussman
    Mar 11, 2009

    The retrospective offers fascinating, if not always exemplary, viewing of what could be called a cinema of disaster: characters face the worst, or are living in its aftermath, and like the audience, they are provided with no easy answers.

  • Reviews

    'Silent Light' and Shattered Landscapes

    Max Goldberg
    Feb 27, 2009

    Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.

  • Reviews

    'Discovering Teuvo Tulio'

    Dennis Harvey
    Dec 4, 2008

    The Pacific Film Archive shows Discovering Teuvo Tulio, a four-film retrospective of works from Finland's master of over-the-top melodrama in the 1930s and '40s.

  • Festivals

    In Other Words: Pacific Whims

    Laura Irvine
    May 8, 2008

    As an Asian film fan, it's a miracle I keep my day job at this time of year.

  • Reviews

    10 Reasons to See "Cinema Piemonte"

    Staff
    Feb 29, 2008

    The Associazone Piemontesi of Northern California, with the Italian Cultural Institute and Regione Piemonte, presents "Cinema Piemonte," four movies made in that beautiful region.

  • Q & A

    George Kuchar, Neither Boil nor Blister

    Michael Fox
    Sep 13, 2007

    Michael Fox interviews director and Mission District icon George Kuchar

  • Reviews

    "Private Property;" "One to Another"

    Dennis Harvey and Michael Koresky/indieWIRE
    Jul 31, 2007

    A non-rich family is torn apart by money matters, and young actors lie atop, next to, and around each other with youthful, sexual abandon.

  • Reviews

    Reviews: "I Don't Want to Sleep Alone"; "Mafioso"

    Max Goldberg
    Apr 10, 2007

    “I Don’t Want to Sleep Alone” puts its melodrama and comedy within a Malaysian mattress. 1962’s “Mafioso” may be the mob-chronicle genre’s ground zero.

  • Reviews

    Teshigahara at The Castro

    Dennis Harvey
    Nov 23, 2006

    Filmmaking was just one among many creative outlets for Japanese multimedia artist Hiroshi Teshigahara.

  • Reviews

    Francois Ozon, Mortal

    B. Ruby Rich
    Aug 2, 2006

    Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.

  • Festivals

    Overview of the S.F. Jewish Film Festival

    Michael Fox
    Jul 20, 2006

    The sudden climate change in the Middle East has had a tone-altering effect on the San Francisco Jewish Film Festival, where the war will be Topic A.


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