San Francisco Film Society and the Presidio Trust present the 10th anniversary edition of Film in the Fog, with pre-show entertainments (’50s-era newsreel, classic cartoon, music) to precede an outdoor screening of San Francisco-shot Humphrey Bogart noir treasure 'Dark Passage.' Film program begins at 7:15 p.m. at the Presidio Main Post Theater; more info at sffs.org.
San Francisco Film Society and the Presidio Trust present the 10th anniversary edition of Film in the Fog, with pre-show entertainments (’50s-era newsreel, classic cartoon, music) to precede an outdoor screening of San Francisco-shot Humphrey Bogart noir treasure 'Dark Passage.' Film program begins at 7:15 p.m. at the Presidio Main Post Theater; more info at sffs.org.
Noir continues at the Roxie with Elliot Lavine's updated week-long program of star-studded classics and rediscovered TV noir rarities. More info at roxie.com.
Noir continues at the Roxie with Elliot Lavine's updated week-long program of star-studded classics and rediscovered TV noir rarities. More info at roxie.com.
SF's largest single screen shows a new restoration print of Martin Scorsese's grime classic, 'Taxi Driver.' Playing on the same double-bill is underseen noir 'Blast of Silence', an influence on filmmakers from Scorsese to Lars von Trier. More info at castrotheatre.com.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
Pacific Film Archive serves a full course of films by Marcel Pagnol.
PFA program Going South: American Noir in Mexico continues with Robert Mitchum's first starring role in the classic 'Out of the Past,' also featuring Kirk Douglas and a stunning Jane Greer. Going South runs through July 29. More info bampfa.berkeley.edu.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
The Historic Bal Theatre brings us a screening of Bay Area filmmaker Vincent Cortez’s latest feature, ‘The Hush,’ a 2011 Oakland International Film Festival selection and LA Festival honorable mention. The film is a locally shot supernatural film noir piece that has a hitman looking for redemption. More at mitchellstreetpictures.com.
The Historic Bal Theatre brings us a screening of Bay Area filmmaker Vincent Cortez’s latest feature, ‘The Hush,’ a 2011 Oakland International Film Festival selection and LA Festival honorable mention. The film is a locally shot supernatural film noir piece that has a hitman looking for redemption. More at mitchellstreetpictures.com.
Roxie Theater brings in two weeks of rare film noir in its I Wake Up Dreaming 2011: The Legendary and the Lost program. A full 14 double features, including ‘The Web’ and ‘711 Ocean Drive,’ are presented in 35mm prints. More at roxie.com.
Roxie Theater brings in two weeks of rare film noir in its I Wake Up Dreaming 2011: The Legendary and the Lost program. A full 14 double features, including ‘The Web’ and ‘711 Ocean Drive,’ are presented in 35mm prints. More at roxie.com.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
Director Robinson Devor and actor Patrick Warburton are in person at Roxie Theater to show their 1999 noir film, ‘The Woman Chaser,’ which tells the story of a used care salesman who strives to write and direct his own film in an attempt to find fame and fortune. More at roxie.com.
The final week of Noir City plays at Castro Theatre. Two Film Noir features play nightly through January 30, ending with 1952’s ‘Angel Face’ and 1948’s ‘The Hunted.’ More at castrotheatre.com.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Eddie Muller and Anita Monga bring 10 days of finely curated noir to the Castro Theatre, where it's promised "you'll find all kinds of crazy" in 24 films. We never doubted. The festival opens with 1947's ‘High Wall’ and 1940's ‘Stranger on the Third Floor.' More at castrotheatre.com and noircity.com.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Noir City 9's "madness" theme means a few more gothic titles and a fresh context to appreciate noir’s signature motifs.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
Notable Noir City enthusiast Patrick Marks, owner of the Green Arcade, offers thoughts on the genre as well as festival's 2011 selections.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
The pairing of 'Invasion of the Body Snatchers' and 'The Creeping Unknown'–the first of many double features with a "decidedly bent perspective on the human condition"– kicks off the Roxie's genre-busting series Not Necessarily Noir.
Elliot Lavine speaks of noir, noirishness, and the series of potent, paranoid, and often genre-busting classics he brings to the Roxie.
Elliot Lavine speaks of noir, noirishness, and the series of potent, paranoid, and often genre-busting classics he brings to the Roxie.
Elliot Lavine speaks of noir, noirishness, and the series of potent, paranoid, and often genre-busting classics he brings to the Roxie.
The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.
The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
The Roxie's Best of Columbia Noir seroes features great films capitalizing on a simple formula: a girl, a guy and a gun.
The Roxie's Best of Columbia Noir seroes features great films capitalizing on a simple formula: a girl, a guy and a gun.
Behind any narrative for the screen is the story that came before it—the life that shaped the central character, who arrives fully formed as your story opens
The Desert of the Tartars is a story in which the grim certainty that "Nothing will ever happen" is a slow poison that drives men to madness, suicide or other inglorious ends.
A peripatetic childhood laid fertile ground for the heated imagination of Berkeley-based author Barry Gifford, who has written Wild at Heart and Lost Highway.
During her tenure at the venerable Castro Theatre, film programmer Anita Monga made her mark shepherding the venue to international prominence.
Elliot Lavine, a Bay Area film scene fixture, returns to The Roxie to curate I Wake Up Dreaming: The Haunted World of the B Film Noir, a series of 28 lowdown and tawdry films.
Elliot Lavine, a Bay Area film scene fixture, returns to The Roxie to curate I Wake Up Dreaming: The Haunted World of the B Film Noir, a series of 28 lowdown and tawdry films.
A title like this is its own disclaimer, hinting there will be nothing "normal," or very loving, about this story.
A title like this is its own disclaimer, hinting there will be nothing "normal," or very loving, about this story.
The S.F. Silent Film Festival's Winter Event allows you to spend hours in the dark with the madcap movie entertainments of 80-plus years ago.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
Dennis Harvey reviews The Curious Case of Benjamin Button.
The Pacific Film Archive screens a survey of Goodis-related works from both the big and small screen, spanning nearly five decades.
The Pacific Film Archive screens a survey of Goodis-related works from both the big and small screen, spanning nearly five decades.
A self-described "cultural archeologist," the noir expert's debut short, The Grand Inquisitor, pays homage to the Dashiell Hammett-style detective story.
A self-described "cultural archeologist," the noir expert's debut short, The Grand Inquisitor, pays homage to the Dashiell Hammett-style detective story.
Ira Sachs' third feature Married Life is both a crime thriller and a satire of complacency and intrigue in the restless climate of Eisenhower-era suburbia.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
Noir City 6 offers a spread of special guests, rare titles, and newly struck prints across ten nights of double-features.
Noir City 6 offers a spread of special guests, rare titles, and newly struck prints across ten nights of double-features.
Lynn Hershman Leeson discusses her new project, ÔStrange Culture'.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
It's taken over two years for Police Beat to go from one of the most praised films at Sundance to a theatre near you.
A preview of the festival's rich program with festival's organizer Eddie Muller
A preview of the festival's rich program with festival's organizer Eddie Muller