Rough Cuts is a series of work-in-progress documentary screenings that are produced at a variety of locations throughout San Francisco. The next event (November 14, 2011; 7:30 p.m.) features one rough cut of a feature-length documentary and then a conversation about the film. The post-screening discussion is designed to give the filmmaker a better, more objective sense of what is working and not working with the film, with particular attention paid to improving the film's structure and narrative clarity. ELIGIBILITY: Rough Cuts is currently accepting submissions for the next event. If you are editing a documentary that is over 40 minutes long and are seeking feedback, they encourage you to submit. Principal photography should have been completed, and filmmakers tare encouraged to submit films that are in the later stages of post-production. AWARDS: Invaluable feedback and constructive criticism. DEADLINE: November 1, 2011. Submissions must arrive by 5:00 p.m. WEBSITE: sfroughcuts.com/index.html.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
SFMOMA's Eadweard Muybridge exhibit is essential viewing for Bay Area film lovers. More than 150 years after Eadweard Muybridge set up shop on Montgomery Street, San Francisco Museum Modern Art is featuring a splendid retrospective of the photographer’s work just a few blocks away. A tireless self-promoter with chutzpah enough to adapt “Helios” as a nom de plume early in his career (this after already having left “Muggeridge” behind in England), Muybridge would surely have been pleased by this showcase. From A Trip Down Market Street
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
Riding the crest of the Tati tsunami hitting our shores is The Magnificent Tati by Michael House, who lived in S.F. for 12 years before moving to Paris.
The movies of William Klein are suffused with the same impudence, social commentary and aesthetic surprise found in his photos.
The movies of William Klein are suffused with the same impudence, social commentary and aesthetic surprise found in his photos.
Chris Felver traces the life of antiauthoritarian Lawrence Ferlinghetti, owner of City Lights Books, from his days as a Navy serviceman in World War II through the landmark First Amendment trial in Ferlinghetti.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, speaks about the making of Lesh Sabreen?.
Lucy Gray reports from the 35th Telluride Film Festival.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.