International Film Festival Summit (December 4–6, 2011), held in Austin, Texas, is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards. This year's featured topics include Anatomy of a Festival: South by Southwest, Programming: The Fine Art of Film Selection, Marketing Strategies: Integrating Social Media and Technology, The Festival Mission, Sponsorship Strategy, Box Office Technology Solutions, among others. Notable speakers include Richard Linklater (Before Sunrise, Before Sunset), as well as SFFS' very own Steve Jenkins, Sarah Cathers, and Linda Butler. DEADLINE: Register by September 25, 2011 to receive discounted rate. WEBSITE: filmfestivalsummit.com/iffshome.html.
Press release: San Francisco Film Society announced the appointment of Bingham Ray as its executive director, effective November 7, 2011. Ray comes to the San Francisco Film Society from New York City, where he recently served as the first run programming consultant to the Film Society of Lincoln Center, executive consultant to the digital distribution company SnagFilms and adjunct professor at New York University's Tisch School of the Arts. More at sffs.org.
Nonfiction films offer view to revolutions. DocFest has a well-earned reputation for knocking the stuffiness out of a pretty sober word. The 10-year-old festival founded by IndieFest’s Jeff Ross has taken pride in equating “documentary” with the unconventional and idiosyncratic—fare that celebrates the offbeat, the weird, the wondrous. I’m thinking of wiener-dog races, yes, but that’s just the tip of the beast. This year’s festival (October 14–27), which opens at the Roxie with a profile of the creator of MDMA (Etienne Sauret’s Dirty Pictures) and ends with a look at a comic-book super-author (With Great Power: The Stan Lee Story), provides another...
Nonfiction films offer view to revolutions. DocFest has a well-earned reputation for knocking the stuffiness out of a pretty sober word. The 10-year-old festival founded by IndieFest’s Jeff Ross has taken pride in equating “documentary” with the unconventional and idiosyncratic—fare that celebrates the offbeat, the weird, the wondrous. I’m thinking of wiener-dog races, yes, but that’s just the tip of the beast. This year’s festival (October 14–27), which opens at the Roxie with a profile of the creator of MDMA (Etienne Sauret’s Dirty Pictures) and ends with a look at a comic-book super-author (With Great Power: The Stan Lee Story), provides another...
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
North Bay world, independent showcase ready to screen wide range of films in early October.
Viz Cinema, slated to begin programming as Film Society Cinema next month, continues its Classic Summer Weekends series with 35mm screenings of Akira Kurosawa's postwar lamentations 'Ikiru' and 'I Live In Fear,' playing on Friday and Saturday respectively. More info newpeopleworld.com.
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
'If Marius Watz programmed it, then it's going to be vivid. It's going to be crisp, spiky and angular. It will be fast, bright and noisy. And there's going to be a whole, whole lot of it.'
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
SFFS to offer daily, year-round programming, classes and events in dedicated state-of-the-art theater for the first time in its 54-year history. The San Francisco Film Society and New People today announced significant news for Bay Area filmgoers: the signing of a lease that brings the Film Society’s exhibition, education and filmmaker services programs and events to one primary theater on a daily, year-round basis, beginning in September. The San Francisco Film Society | New People Cinema opens its doors in September in the state-of-the art...
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
Press release: The San Francisco International Film Festival (April 21 - May 5) announced that the Festival has been invited to join Festival Scope, a new Internet platform that allows programming of selected film festivals to be viewed online by film professionals around the world. More at sffs.org.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
San Francisco Film Critics Circle winners for 2010 included 'Social Network,' 'Black Swan,' 'The Tillman Story' and Elliot Lavine.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Judging from Saturday night s festivities, half the capacity Castro Theatre audience had worked on or otherwise invested in Joshua Grannell a.k.a. Peaches Christ s debut feature.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
The spring edition of the Cinematheque calendar is making the rounds, and my copy is dog-eared with wishful thinking. Grab your datebook for a rundown.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
The PFA senior curator talks about her cinematic influences, curating in Canada and the U.S., and recent additions to the world of film.
YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
A Listener's Tale is a lovely if unclassifiable mixture of ethnography and poetic reverie which screened at last winter's Rotterdam Film Festival.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
The SFIFF announced its 2008 program and the June 13 launch of its year-round programming on one screen at the Sundance Kabuki
Despite the blanket of financial and technical doom constantly smothering Independent Filmdom, Indiefest serves as a satisfying reminder that great indie film isn't going anywhere.
Fletcher explains what will hopefully be an annual event that encompasses all kinds of worldwide cult-skewing fun.
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
Boasting dozens upon dozens of homegrown events anchored by the country's most visible festivals, San Francisco has evolved into the quintessential festival town.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
The latest launch under the SF Film Society's SF360 banner premieres this week on ComcastSF, Channel 11.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
San Francisco Film Society programming associate Sean Uyehara has pulled off a feat with the opening program for the first San Francisco International Animation Showcase.
Al Gore's fledgling S.F.--based cable and satellite channel, Current TV, generates cutting-edge content democratically, with a third of the programming created by viewers.
Film programmer Jesse Hawthrone Ficks talks about the enduring appeal of midnight movies.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
San Francisco International Film Festival announces lineup for the 49th annual festival.