Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Josef von Sternberg's The Salvation Hunters caused a small sensation within the industry when it appeared, and is visually assured time capsule of urban poverty.
An interview with Flynn Witmeyer about his debut feature Tweaker With an Axe, and the desire to make genre films—horror or sci-fi or fantasy—that incorporate gay and lesbian characters.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
A dose of self-affirmation arrives with Frameline33 (or, if you prefer, the multiple-breath-intake-requiring San Francisco International Lesbian Gay Bisexual Transgender Film Festival.)
Bay Area filmmakers represented at Sundance.
Sharma might never have made his film had he not felt guilty about causing unhappiness to his dying mother by telling her he was homosexual.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
The 2006 San Francisco International Arts Festival focuses on Latino culture across North and South America.