For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
For 50 years, Canyon Cinema has provided crucial support for a fertile avant-garde film scene.
Dziga Vertov completed the epic documentary 'A Sixth Part of the World' after his ejection from the Cold War-era Soviet documentary film unit Sovkino. The breathtaking and broad-reaching doc, praised by revered experimentalist Chris Marker, screens Wednesday as part of PFA's annual avant-garde film program Alternative Visions. More info at bampfa.berkeley.edu.
Dziga Vertov completed the epic documentary 'A Sixth Part of the World' after his ejection from the Cold War-era Soviet documentary film unit Sovkino. The breathtaking and broad-reaching doc, praised by revered experimentalist Chris Marker, screens Wednesday as part of PFA's annual avant-garde film program Alternative Visions. More info at bampfa.berkeley.edu.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
A filmmaker delves deep into the process of embodying 'madness' in movie form.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
From 'Tongues Untied' to 'Black Is.....Black Ain't,' Marlon Riggs' art was a series of radical acts that were both overdue and ahead of their time. Two decades ago, in post-Reagan America, the arts were under fire—one lit by a very particular religious right match. Feeling the heat was the National Endowment for the Arts, a then 25-year-old institution already pretty pitifully funded by comparison with most other developed nations’ governmental arts support. But the small portion of NEA grants that helped avant-garde or otherwise edgy art—as opposed to, say, the local Gilbert & Sullivan society or annual craft fair—provided plenty of opportunities...
Frameline34 brought together a wide array of programs following the retrospective impulse.
With a new book, gallery exhibition, appearances on local radio and stages, John Waters is quickly becoming a Bay Area fixture, a welcome addition to the film and cultural landscape.
Bruce Conner, the sculptor, painter, photographer and filmmaker who loomed large in the Bay Area's shifting avant-garde currents for 50 years, resurfaces with Three Screen Ray.
Bruce Conner, the sculptor, painter, photographer and filmmaker who loomed large in the Bay Area's shifting avant-garde currents for 50 years, resurfaces with Three Screen Ray.
To be from the Bay Area and called The Butcher Brothers might mean you get mixed up with purveyors of grass fed meats.
The Statton era has begun. Kate and Chris Statton have officially assumed the positions of co-executive directors of the venerable Mission District cinema.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
If you imagine the S.F. International Film Festival as an circus tent, with Opening and Closing nights the main supports, the other tent poles are interactive live experiences.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
The spring edition of the Cinematheque calendar is making the rounds, and my copy is dog-eared with wishful thinking. Grab your datebook for a rundown.
The film historian looks back at Frank Stauffacher's seminal mid-century series, which hatched a Bay Area avant-garde.
The film historian looks back at Frank Stauffacher's seminal mid-century series, which hatched a Bay Area avant-garde.
The late, great Jack Smith was all about the strange sway classic Hollywood movies, particularly obscure stars and low-budget yet opulent art direction, have had on us.
Once known primarily as the co-founder and bassist of the influential punk band Siouxsie and the Banshees, Steven Severin now follows his muse in many directions.
The release of Avatar puts a fitting capstone on a frenzied campaign by studios to reintroduce stereoscopic 3-D to audiences in 2009.
Catherine Galasso talks about her performance piece Lightning Never Strikes the Same Place Twice, which features dance, theater and projected video.
A conversation on Walt Disney's Alice Comedies with a lively raconteur and Professor of Film Studies at UC Berkeley.
Chick Strand, a crucial pioneer of West Coast experimental cinema, died July 11 at 78.
Chick Strand, a crucial pioneer of West Coast experimental cinema, died July 11 at 78.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
A year after Jonathan Marlow took the helm as executive director, the organization is showing fresh signs of life.
A festival full of drama finds no more emotional screening than the homophobia-in-sports double bill of Training Rules and Claiming the Title: Gay Olympics on Trial.
Leading light of avant-garde cinema Lawrence Jordan speaks on the occasion of his Gallery Extraña show and his 75th birthday.
Leading light of avant-garde cinema Lawrence Jordan speaks on the occasion of his Gallery Extraña show and his 75th birthday.
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
Chris Felver traces the life of antiauthoritarian Lawrence Ferlinghetti, owner of City Lights Books, from his days as a Navy serviceman in World War II through the landmark First Amendment trial in Ferlinghetti.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Ben Rivers makes his Bay Area debut this week presenting in person two programs, both providing a slightly dislocative experience at once tranquil and sinister.
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
13 Most BeautifulÉSongs for Andy Warhol's Screen Tests offers a cherry-picking of the famous Warhol reels accompanied by live original-soundtracking.
The PFA's series of "essay films," a collection of diverse work, offers the viewer an opportunity to adapt to the peculiar tone of these films.
Michael Fox looks behind the scenes of a film on the maverick Seattle composer-performer-inventor Trimpin.
In this documentary, Walker tells the tale of his delayed popularity the ever-more adventurous music with which he feeds his latterday cult.
The forthcoming film Speaking in Tongues follows four diverse local public-school students enrolled in language-immersion programs.
Bay Area filmmaker Jennifer Kroot talks about her inspiration to make a documentary on legendary, underground filmmaking twins George and Mike Kuchar.
Scott McDonald's Canyon Cinema: The Life and Times of an Independent Film Distributor, details the formation of the revered Bay Area artists' collective in the early 1960s.
Wayne Coyne's Flaming Lips movie extends a long, lately rising number of narrative features made by musicians.
The PFA senior curator talks about her cinematic influences, curating in Canada and the U.S., and recent additions to the world of film.
Matt Wolf's biodoc is a remarkably affecting portrait that's a remembrance for those who knew the composer/vocalist/cellist and an introduction for potential fans.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
A conversation with the executive director of an experimental/avant-garde film distribution company, who both runs a profitable business and creates dynamic art.
A conversation with the executive director of an experimental/avant-garde film distribution company, who both runs a profitable business and creates dynamic art.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
Bodies of work have emerged from the intersections of performance, film and electronic art. Cinematograph 7ÑLive Cinema: A Contemporary Reader, edited by Thomas Beard's provides thoughtful writing on the subject.
Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
The Pacific Film Archive's standing as a cinema-centric educational institution brings the avant-garde into conversation with a broad program of film history.
The product of a true cinematic innovator and gloriously individual poet, Broughton's film work remains much too idiosyncratic to be deconstructed,
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
For close to a decade now, Miranda July has been exploring and often crossing the traditional boundaries between life and the movies.
When Brent Hoff was checking into a hotel for a film festival, the concierge thrust a business card into his hand, “Remember me next time you’re casting a film." So he asked the biggest directors he knows to cast the concierge in a series of short films.
When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.
Craig Baldwin and Noel Lawrence bring their brand of smart, quirky, avant-garde and political programming into the home.
The founder of the Madcat International Film Festival talks about the 2006 lineup.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
Memorize these words that supposedly can bring you under government scrutiny when said over the phone, or written in a text message or email.