Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
Press release: San Francisco Film Society announced the appointment of Bingham Ray as its executive director, effective November 7, 2011. Ray comes to the San Francisco Film Society from New York City, where he recently served as the first run programming consultant to the Film Society of Lincoln Center, executive consultant to the digital distribution company SnagFilms and adjunct professor at New York University's Tisch School of the Arts. More at sffs.org.
Furthering CAAM's work to nurture Asian American media professionals and advance the field of Asian American media, the second annual CAAM Fellowship Program will connect young, talented individuals with leading professionals in the field. ELIGIBILITY: Participating fellows will have access to the leading Asian American talent in film, television and digital media. Each fellowship will be individually tailored to best fit the needs of the fellows and advisers. Fellowships will range from fully integrated collaborations to regular feedback on current projects to an ongoing dialogue about professional development. AWARDS: The CAAM Fellowship Program Retreat will allow the mentor-mentee pairs to spend two full days together in a quiet and peaceful environment where they can focus on the mentees' career, whether it is a script being developed or an acting career that needs some guidance. DEADLINE: October 17, 2011. WEBSITE: caamedia.org/filmmaker-resources/fellowship/caam-fellowship-program-2011/.
"San Francisco-based visual effects and post house SPY, a FotoKem company, recently contributed hundreds of visual effects shots, the digital intermediate and 3D conversion services for Francis Ford Coppola’s latest feature film, Twixt," reports Below the Line. More at btlnews.com.
"Discovery Communications Inc. said it believes its new deal to distribute its shows over Netflix Inc.'s content-streaming service is an 'economic win,'" reports Maxwell Murphy, "and Discovery will learn from the pact lessons that will help shape its digital strategy." More at online.wsj.com.
Recently rescued from obscurity via a new digital master, Fassbinder's high concept/high reward 1973 science-fiction epic 'World On A Wire' made a big impression on critics and viewers when it screened at SFIFF this past year. Roxie screens this wildly prescient, highly satisfying three-and-a-half-hour masterpiece beginning Friday. More info at roxie.com.
SFFS presents the work of pioneering software artist Marius Watz, who uses digital processes and authored algorithms to “automatically” produce numerous types of media including video, still imagery and sculpture through semi-autonomous software systems, as part of its KinoTek series. Look for sci-fi writer/theorist Bruce Sterling's essay on Watz in Thursday's SF360.org. Events: An exhibition in Super Frog Gallery at New People opens July 22; Artist Talk, July 26; Master Class, July 27. More at sffs.org.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
Press release: Fandor, a new on-demand provider of independent films, along with distributors Kino Lorber and Microcinema International, today announced it is pioneering the coordinated theatrical and digital premier, a first for the industry. The first film to be released under the coordinated theatrical and digital premier paradigm will be the June 15 re-release of 'David Holzman's Diary.' More at microcinema.com and fandor.com.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
'The Social Network' debate offered a moral for all of us: If you don't like this digital revolution, build one of your own.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
Taking the legendary director of 'Rosemary's Baby,' 'Chinatown' and 'The Pianist' out of headlines and back to his filmmaking and geographic roots, this program pairs a live performance by Warsaw electro-acoustic duo Sza/Za with early Polanski shorts at Letterman Digital Arts Center’s Premier Theater. More at sffs.org.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
After seeing one of Charles Ludlam's early plays, theater critic Brendan Gill famously remarked, "This isn't farce. This isn't absurd. This is absolutely ridiculous!" Yerba Buena Center for the Arts presents two of Ludlam's rarely seen films: a digitally remastered version of 'The Sorrows of Dolores' (September 24–25) and 'The Impostors' (September 26), where Ludlam stars as a gay magician.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
A new film/photography website offers compelling characters, bold artistry and innovative storylines.
Local digital media artist Tim Roseborough presents a feature-length video in homage to Shirley Clarke's 1967 documentary, 'Portrait of Jason,' one last time at Scenius Gallery on 18th Street.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
Ken Russell's restored 'Tommy' brings Roger Daltry's traumatic youth back to digital life at the Castro.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
Scott Boswell’s marvelous debut feature, The Stranger In Us, plays out on Polk Street and in the Tenderloin, far from the oft-photographed glamour spots of San Francisco.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
What s the difference between streaming and download rights? Here s a glossary of terms filmmakers should know before signing a contract or hiring a web developer.
What s the difference between streaming and download rights? Here s a glossary of terms filmmakers should know before signing a contract or hiring a web developer.
Inuit peoples—the indigenous cultures rooted in Arctic regions from Alaska to Greenland—have an honored place in film history, dating to Flaherty's Nanook of the North.
ViewChange.org, a digital-media hub on global development, offers news about microeconomics and innovative web technology that enables users to contribute to the causes they re learning about.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
San Francisco has a variety of excellent soundstages, but one is trying to save the earth.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
Transformation, of any kind, an ephemeral, elusive thing to capture on film. One advisor told Nancy Kelly she'd never do it. Difficult, sure, but impossible?
How long should your documentary be? If your audience begins to glaze over or feel restless, you've lost the opportunity to leave them wanting more.
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
In the YouTube-Facebook-viral video era, it's hard to remember the time when youth-made media was rare.
When President Obama took office, CNN brought it online, allowing viewers to chat with friends and strangers, their conversation appearing next to the video.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
For handy access to your most valuable footage, here s a method of organizing sequences.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
The 6th Screen: Hannah Eaves compiles some questions about "convergence", the increasingly popular practice of combining television and computer usage.
The Edit Room: Karen Everett shares tips on how to track multiple versions of Final Cut Pro projects and sequences.
Marin County filmmaker John Antonelli talks about his documentary on influential late singer-songwriter Sam Cooke for PBS's "American Masters" series.
Aroy's film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
AnyClip and Clicker are standouts at TechCrunch's annual conference, where startups a chance to pitch to expert judges and investors.
The Edit Room: Learning how to organize saves you time and money in the editing process; a walk-through just how to do it.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
The Sixth Screen: Veteran journalists and filmmakers alike are polishing up their resumes, contemplating the hospitality industry, and wondering: Who stole my career?
Ask the Documentary Doctor: How do I choose the right crew for my story?
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
The Sixth Screen: Eaves analyzes the future of video in developing countries, specifically the proliferation of mobile communication.
A Wake for Analog honors analog experimental films like Patrolling the Ether, Bassline Baseline and Zuse Strip.
The Edit Room: How do you keep your audience engaged rather than putting them to sleep?
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Ask the Documentary Doctor: Fernanda Rossi advises on the distinction between repetition and reinforcement in documentary filmmaking.
The Professionals an ambitious array of panels, case studies and discussions, makes its debut as a forum for encouraging Bay Area moviemakers to engage with guests and colleagues.
Local filmmaker Jim Granato, whose movie D tour follows the band Rogue Wave and its ailing drummer Pat Spurgeon, on tour and on dialysis, is competing for the San Francisco International Film Festival's Golden Gate Award in Documentary.
The 6th Screen: Hannah Eaves recommends Twitter, Meebo, Facebook, Ning and eNewsletters as film promotion tools.
Fans, Friends & Followers, focuses on strategies artists can use to support their careers in the digital age.
Jennifer Maytorena Taylor's documentary, New Muslim Cool, focuses on Hamza Perez, a Catholic hip hop artist, who converted to Islam; whose life is now a crucible of disparate urban influences.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
Holly Million reviews some of the documentaries shown at this year's festival: It Came >From Kuchar, MIne and Motherland.
Sound design: in a documentary can be a great ally in bringing real life to the screen, and the dilemma is not whether to use this wonderful story device but rather how and in what context.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
First-Person: Larry Daressa provides helpful hints on distribution strategy.
The throughline of Micha Peled's film is a farmer in a village in Vibharba, in central India's cotton belt, over a farming season.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
When we're finally all watching movies on the most expedient of platforms–our mobile phone–Ellen Lake will be at the head of the parade.
When we're finally all watching movies on the most expedient of platforms–our mobile phone–Ellen Lake will be at the head of the parade.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
The forthcoming film Speaking in Tongues follows four diverse local public-school students enrolled in language-immersion programs.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Certain questions in 2008 endlessly plagued the film world, leading to outlandish predictions, flame-war mayhem and an outbreak of opinionated public speaking.
If you've been waiting for a punk-rock doc about sewage and wastewater treatment–admit it–it's in the pipeline and heading your way by year's end.
Oakland's Pamela Harris and Grantmakers in Film + Electronic Media are connecting media makers with financial resources.
The Sixth Screen: Senior Director of Marketing and Product Management and iFanboy producer and co-host Ron Richards talks about Revision3, the next generation of TV.
Fear-Free Fundraising: Holly Million advises filmmakers on where to get funding when the going gets tough.
Ask the Documentary Doctor: Fernanda Rossi weighs in on how many different pitches you really need for your documentary.
Global Film Initiative's Global Lens series offers a regular spot in your home theater for edgy world-cinema narratives don't often get a place at local multiplexes.
The Sixth Screen: If you're interested in the future of online technology, 'jaguar' is the evergreen example used to explain what's called The Semantic Web.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
Avoiding Disaster: George Rush offers tips on bridging the worlds of creativity and business.
Marilyn Mulford collaborated with Quique Cruz on the pensive, humanistic, and inspiring Archaeology of Memory: Villa Grimaldi.
Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.
In 'Crooked Beauty,' mental health is re-imagined and redefined.
The Sixth Screen: Here are some browser-based legal zones for free online feature film viewing pleasure. No installation required.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
The Sixth Screen: The first installment of a new, monthly column by filmmaker and journalist Hannah Eaves looks at just how "fair use" is being utilized.
The Sixth Screen: The first installment of a new, monthly column by filmmaker and journalist Hannah Eaves looks at just how "fair use" is being utilized.
Exhibitions in San Jose feature art drawn from and inspired by online social networking sites, Youtube, video games and blogs.
In 2008 the San Francisco Black Film Festival marks its 10th anniversary with the most expansive program yet, flagging the theme "10 Years, 10 Days, 100 Films."
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
"There are no movies without music," Kevin Kelly asserted last Saturday in his State of Cinema address.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
In honor of Gus Van Sant's new film, 'Paranoid Park,' five skate films that matter to the skate junkie, and three honorable mentions.
In honor of Gus Van Sant's new film, 'Paranoid Park,' five skate films that matter to the skate junkie, and three honorable mentions.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
A perfect example of the emerging genre of improv-based, digitally shot, minimally budgeted seriocomedies about twentysomethings stumbling through, you know, relationship stuff.
SFFS programmer Sean Uyehara gives some perspective on the shifting dimensions of animated filmmaking.
Jamie Meltzer talks about his new film on Nigeria, where the digital revolution enables entrepreneurs to churn out movies quickly and inexpensively.
SF360.org caught up with the filmmaker, who has been extraordinarily prolific since abandoning celluloid for the lighter, cheaper, more flexible digital realm.
Lucy Gray reports from the 35th Telluride Film Festival.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
James Longley's Fragments stands out amongst the crowded field of Iraqumentaries, while Others pulls back the Iron Curtain to powerful effect.
The List: A collection of individuals who caught my eye in an intense week of YouTube scouring. Most have gotten upwards of one million views.
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
The Redwood City-based startup InDplay is like an online dating service for the film industry.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
A panel discussion yields insights into the presentÑand futureÑof indie distribution.
Craig Baldwin and Noel Lawrence bring their brand of smart, quirky, avant-garde and political programming into the home.
There's one resource on the Net where some of the best travel videos have congregated, the Emervyille company aptly named TurnHere.
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
The List: Ten faves from Eva Sollberger's YouTube series, The Deadbeat Club, which revisits the decade she spent working in the Bay Area film community.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
Marc Huestis talks about his latest film,
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
If you haven't yet found your repurpose in life, SFIFF's International Remix site might be of use.
Michael Fox goes behind the scenes on Peaches Christs' slice-'em-up.