Hot Docs – Canadian International Documentary Festival (April 26–May 6, 2012) is a competitive event seeking Canadian and international documentaries of all lengths (feature length: 60 min. or longer; mid-length: 30 to 59 min.; short: under 30 min.) and subject matter. ELIGIBILITY: Submissions must have been completed after January 1, 2011; cannot have been screened publicly prior to January 1, 2011; must be Toronto premieres; must be in English, subtitled in English; must be exhibited in one of the following screening formats: 35mm film, DigiBeta (NTSC or PAL) and HDCAM. Entry fees: $33.90 CDN for short films; $67.80 CDN (before December 2, 2011) or $118.65 CDN (before January 13, 2012) for mid and feature length films. AWARDS: Hot Docs features two juried competition programs and several noncompetitive programs. DEADLINE: December 2, 2011 (early); January 13, 2012 (late). WEBSITE: hotdocs.ca/.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
The TFI Documentary Fund provides grants and guidance to exceptional filmmakers developing engaging feature-length documentaries which emphasize character and that allow audiences to consider history, culture and society through the experiences of extraordinary individuals. ELIGIBILITY: Submissions must be non-fiction motion pictures with an intended length of at least 70 minutes and should creatively document unique character(s); submissions can be in the advanced stages of development, production or post-production and must not have aired on any form. Foreign language documentaries are eligible, but must be subtitled and suitable for an American audience. Applicants must be over 18-years old. $25 entry fee. AWARDS: Grants of at least $10,000 will be awarded in 2012. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/tfi_documentary/.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
The Roy W. Dean Film and Writing Grants fund shorts, documentaries and low budget independent features. ELIGIBILITY: New film and video projects (including works-in-progress) that are unique and benefit the society. Student filmmakers, independent producers or independent production companies are all welcome. AWARDS: Winner gets a variety of awards including scholarships and cash prizes for different production fields. DEADLINE: August 30, 2011. WEBSITE: fromtheheartproductions.com/grant-lavideo.shtml.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
'Zoo' director Robinson Devor uncovers the strange history behind the Gerald Ford assassination attempt in ’70s San Francisco.
Press Release: The San Francisco Film Society announced the new SFFS Documentary Film Fund, which over the next three years will disburse a series of annual grants totaling $300,000 to support feature-length documentaries in postproduction. The SFFS Documentary Film Fund is created to support singular nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach. The first grant cycle application period opens June 17; the first winners will be announced September 30. More at sffs.org.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Yerba Buena Center for the Arts hosts and dGenerate Films and Fandor present ‘Fearless: Independent Chinese Documentaries,’ which features six independent Chinese political docs; continuing this week with 'Tape' (April 7), 'Ghost Town' (April 10) and '1428' (pictured, April 14). More at ybca.org.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
Pacific Film Archive hosts ‘Film and Video Makers at Cal,’ which offers an array of short narratives, documentaries and music videos by UC Berkeley student filmmakers. More at bampfa.berkeley.edu.
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
Press release: "...The new initiative, called JustFilms, will invest $10 million a year over the next five years to support and expand the community of filmmakers and mediamakers around the world focused on creating documentaries with passion and purpose, but who often lack funding to realize their visions or reach audiences." More at fordfoundation.org.
Castro Theatre hosts the German Gems Film Festival, a three day event showcasing recent German features, shorts and documentaries. It begins on Friday with ‘Mahler On The Couch,' a feature directed by father and son team Percy and Felix Adlon, with an Opening Night after party following. More at castrotheatre.com.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
Bay Area filmmaker Charles Ferguson's 'Inside Job' was among the 15 documentaries on the Academy Awards shortlist. Joshua Brunsting at Criterioncast offers the full roundup with trailers. More at criterioncast.com.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New. Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...
'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New. Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
Three decades of Robert Gardner films scrutinize the human condition.
The San Francisco Irish Film Festival offers Roxie audiences three days of contemporary Irish cinema, including features, documentaries and short films paired with free pints of Irish cider. Closing night film 'His & Hers' won the Cinematography Award at Sundance 2010.
VIZ screens a collection of documentaries that offer a variety of views on the events of September 11, 2001. 'Press For Truth' on opening night will be followed by a Q&A with director Ray Nowosielski.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
'Live with Honor, Die with Dignity' and 'Toyo's Camera,' two films by Bay Area filmmaker Junichi Suzuki that look at the war at home and abroad for Japanese Americans during WWII, play three final days August 17-19 at Viz Cinema.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
Moving past genre distinctions may help some filmmakers find the best dramatic arc and the most powerful truths.
Bay Area filmmakers report back from film festivals far (Cannes) and wide (Marfa).
The documentary Simonal: No One Knows How Tough it Was explores the polemic surrounding a man considered by many to be the greatest singer in Brazilian history.
YBCA s month-long, six-part Human Rights and Film series closes with two documentaries on the Arab-Israeli conflict made 35 years apart.
Tens of thousands of artists, aficionados and businesspeople flock to Austin for a festival that is part online conference, part film festival, and more than part music.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
With its comfortable suburban setting, flashback structure and mystery-suspense framework, My Son, My Son is, by Herzogian standards, almost mainstream-conventional. I said almost.
How long should your documentary be? If your audience begins to glaze over or feel restless, you've lost the opportunity to leave them wanting more.
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
You might fare better in today's market with a character-driven story, the Doc Doctor advises.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Nani Sahra Walker went to Nepal for seven months, and returned with a one-hour documentary. OK, a rough cut. No big deal? Enlightenment guaranteed, indeed.
With more than 25 documentaries to his credit, many on mathematicians and scientists, George Csicsery is arguably the most prolific filmmaker in the Bay Area.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Two films from Oakland filmmakers, Dhana & Indra and Family 2469, illuminate the changing face of the country as the 21st Century unfolds.
Shot in depressed burgs and 'burbs across the country, this documentary looks at the U.S. at its lowest economic ebb in generations.
Ellen Schneider speaks on the impact of social-issue documentaries and her San Francisco-based strategic communications company Active Voice.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
Ask the Documentary Doctor: Where does the filmmaker stop existing to give way to the reporter/activist/responsible citizen with camera in hand?
Jennifer Maytorena Taylor's documentary, New Muslim Cool, focuses on Hamza Perez, a Catholic hip hop artist, who converted to Islam; whose life is now a crucible of disparate urban influences.
Ask the Documentary Doctor: If my doc doesn't follow a fiction three-act model, will it fail in the market?
Tony Gerber and Jesse Moss's film candidly explores 'the ground truth' of Iraq without setting foot in the country.
Andy Abrahams Wilson talks about Under Our Skin, his elegantly crafted film on the underreported epidemic of Lyme disease.
In 'Crooked Beauty,' mental health is re-imagined and redefined.
Whether you dig jazz or not, O'Day's charisma and story make this movie riveting.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
Writer/director Jonah Markowitz's Shelter is a romantic gay surfer that more than earns its spurs in terms of real-world credibility and psychology.
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
The Goethe-Institut's festival offers a pointed reminder that Germany, Austria and Switzerland aren't just in the center of Europe, but in the middle of international cinema.
As this retrospective makes clear, de Antonio's documentaries are a different species entirely from the kind of celebrity-driven, headline chasing theatricals now in favor.
Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
Woolf shares insights drawn from his disparate experiences as a filmmaker in Peru, a fisherman in Alaska, and a restauranteur in New York.
The Arab Film Festival, now in its 11th year, is featuring not just 80 movies from 13 countries, but is also including screenings in LA, a first for a Bay Area-based fest.
"In Search of Mozart" is a comprehensive overview of the composer's generous genius and one of the finest examples of the PBS-style, talking heads-and-cutaways documentaries in recent memory.
Miles Matthew Montalbano's evocative and empathetic portrait of Bush-era dissatisfaction among the post-collegiate set.
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
Through a close examination of his own family, filmmaker Doug Block explores universal questions about our own mothers and fathers in 51 Birch Street.
With the midterm elections less than two weeks away, a crop of documentaries are collectively trying to get a message across that has largely been passed over by the mainstream media.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
The provocative documentary filmmaker is recalled with a retrospective at Yerba Buena Center For the Arts.
The founder of the Madcat International Film Festival talks about the 2006 lineup.
Executive director Bashir Anastas discusses this year's lineup.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
San Francisco filmmaker Terry Zwigoff, a former curmudgeon softened by success, discusses Art School Confidential.
The List: B. Ruby Rich picks her favorites for the 2006 San Francisco International Film Festival.