Catapult Film Fund provides early development funding to documentary filmmakers who have a compelling story to tell. It supports powerful stories, and moving storytelling, across a broad spectrum of issues and perspectives. ELIGIBILITY: Applicant must be 18 or older. Catapult Film Fund does not award grants for student films. Documentary projects must be 28 minutes or longer. Development funds must specifically be used to complete early writing, shooting and editing once story and characters are in place. Applicants must be independent producers. They must own the copyright of their production, and have artistic, budgetary and editorial control of their project. Applicants must have previous film or television production experience in a principal role as demonstrated by submitting previously completed work sample. Applicants must be able to demonstrate that they have successfully fund-raised for an independent documentary film, in line with its original budget. AWARDS: Catapult Film Fund development grants range from $5,000 to $20,000. DEADLINE: November 7, 2011. WEBSITE: catapultfilmfund.org/.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Dziga Vertov completed the epic documentary 'A Sixth Part of the World' after his ejection from the Cold War-era Soviet documentary film unit Sovkino. The breathtaking and broad-reaching doc, praised by revered experimentalist Chris Marker, screens Wednesday as part of PFA's annual avant-garde film program Alternative Visions. More info at bampfa.berkeley.edu.
Dziga Vertov completed the epic documentary 'A Sixth Part of the World' after his ejection from the Cold War-era Soviet documentary film unit Sovkino. The breathtaking and broad-reaching doc, praised by revered experimentalist Chris Marker, screens Wednesday as part of PFA's annual avant-garde film program Alternative Visions. More info at bampfa.berkeley.edu.
Press release: The San Francisco Film Society today announced the three winners of the inaugural SFFS Documentary Film Fund grants. The Fund was created to support the postproduction of singular feature-length nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach. Each year from 2011 to 2013, a total of $100,000 will be disbursed to further new work by documentary filmmakers nationwide. Winners are: Joe Brewster and Michèle Stephenson, An American Promise, $25,000; Priya Desai and Ann Kim, Match +, $25,000; Zachary Heinzerling, Cutie & the Boxe, $50,000. For more information go to: sffs.org/filmmaker-services.
Placing well-timed humor in a documentary film can be a great way to open minds.
Placing well-timed humor in a documentary film can be a great way to open minds.
Placing well-timed humor in a documentary film can be a great way to open minds.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
A film festival and conference offered audiences and makers opportunities to move forward.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
Press Release: The San Francisco Film Society announced the new SFFS Documentary Film Fund, which over the next three years will disburse a series of annual grants totaling $300,000 to support feature-length documentaries in postproduction. The SFFS Documentary Film Fund is created to support singular nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach. The first grant cycle application period opens June 17; the first winners will be announced September 30. More at sffs.org.
Reports Peter Knegt: "Academy Award-nominated documentary filmmaker Tim Hetherington has been killed in Libya, it is being reported by Vanity Fair (where Hetherington worked as a contributing photographer)." More at indieWIRE.com.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Yerba Buena Center for the Arts hosts and dGenerate Films and Fandor present ‘Fearless: Independent Chinese Documentaries,’ which features six independent Chinese political docs; continuing this week with 'Tape' (April 7), 'Ghost Town' (April 10) and '1428' (pictured, April 14). More at ybca.org.
Lisandro Alonso’s 2001 ‘La Libertad’ is the first film in Pacific Film Archive’s First Person Rural: The New Nonfiction series, which presents works that utilize documentary filmmaking techniques in fictional storytelling. More at bampfa.berkeley.edu.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
Press Release: Bay Area-based ro*co films announced that they will be distributing Jennifer Siebel Newsom’s documentary film, 'Miss Representation' in the North American educational market. ro*co will distribute the film to academic institutions, universities, and libraries for both classroom use and educational screenings. More at rocofilms.com.
Reports indieWIRE: "Oprah Winfrey Network has added another member to its Documentary Film Club with Yoav Potash’s “Crime After Crime,” which premiered at the Sundance Film Festival in the U.S. Documentary Competition." More at indiewire.com.
Press release: "...The new initiative, called JustFilms, will invest $10 million a year over the next five years to support and expand the community of filmmakers and mediamakers around the world focused on creating documentaries with passion and purpose, but who often lack funding to realize their visions or reach audiences." More at fordfoundation.org.
While 'The Fighter' and 'Black Swan' duke it out at the multiplex, the Roxie offers its own take on male and female athletes via Frederick Wiseman's 'Boxing Gym.' Unexpected views of the American institution emerge in Wiseman's look at Lord's Gym in Austin, Texas. A master of his craft, Wiseman brings out the sport's hypnotic beauty without the aid of narration or interviews. More at roxie.com.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
The creator of award-winning documentary 'Last Train Home' speaks about the new China.
Choosing and implementing the right motif can help convey a narrative documentary's theme.
Now…what exactly is a motif? And why would you want to edit one into a documentary film?
During one of my recent group coaching calls, we addressed these questions. . . .
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
Two graduate students at Stanford University have won an Academy Award for their latest documentary short, "Dreams Awake," about a campus custodian.
Moving past genre distinctions may help some filmmakers find the best dramatic arc and the most powerful truths.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Films about our species enduring capacity to be inhumane toward its own are perennials at festivals, and will be so as long as wars are waged.
The documentary Simonal: No One Knows How Tough it Was explores the polemic surrounding a man considered by many to be the greatest singer in Brazilian history.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
Bay Area-made and Mission-inspired, Peter Bratt's La Mission joins Jennifer Kroot's wild and woolly It Came from Kuchar in Bay Area theaters this week.
Beware of Save the Day My Way Syndrome. Now, learn from your mistakes.
There's so much about this product called milk that we think we know everything about, declares Jed Riffe with his usual blend of enthusiasm and amazement.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
From his modest start as a staff writer at 20th Century Fox, Sid Ganis has built an uncommonly long and successful career in Hollywood.
Injured in a crash on the Golden Gate Bridge, Dr. Grace Dammann spent 45 days in a coma and 13 months in the hospital.
How long should your documentary be? If your audience begins to glaze over or feel restless, you've lost the opportunity to leave them wanting more.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
Filmmakers Justine Jacob And Alex da Silva release the documentary Ready, Set, Bag!, which follows competitive grocery baggers from across the country.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
Frederick Wiseman documents the frantic routine of choreographers for the Paris Opera Ballet as Frazer Bradshaw gives a more familiar portrayal of workplace satisfaction.
Marin County filmmaker John Antonelli talks about his documentary on influential late singer-songwriter Sam Cooke for PBS's "American Masters" series.
Dennis Harvey weighs in on the upcoming films of the holiday season.
Ask the Documentary Doctor: The Doc examines patience in filmmaking.
Reminiscent of Marcel Ophuls' fearless provocations in Hotel Terminus (1988), Yoav Shamir breaks every rule of polite documentary filmmaking in Defamation.
Reminiscent of Marcel Ophuls' fearless provocations in Hotel Terminus (1988), Yoav Shamir breaks every rule of polite documentary filmmaking in Defamation.
Two films from Oakland filmmakers, Dhana & Indra and Family 2469, illuminate the changing face of the country as the 21st Century unfolds.
Shot in depressed burgs and 'burbs across the country, this documentary looks at the U.S. at its lowest economic ebb in generations.
With the Netherlands-based filmmaker's latest portrait in resilience, Oblivion, opening Friday, it's a good time to celebrate one of documentary's most engaging storytellers.
A study in contrasts, Everyman and intellectual, Roy Andersson speaks about his career and new film, You, the Living.
Chris Simon and Maureen Gosling's documentary-in-progress, tentatively titled No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records, pays tribute to an underappreciated artist.
The Edit Room: Learning how to organize saves you time and money in the editing process; a walk-through just how to do it.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
East Bay documentary producer Pete Nicks places interactive storytelling booths in hospital waiting rooms.
A revealing portrait of veteran local singer-songwriter-guitarist with a cult following investigates existential questions about fame with respect, empathy and self-reflection.
Tom Shepard revisits the overachieving, hyper-ambitious world of science-obsessed high school seniors in his new film, Whiz Kids.
Make them love it. Make? Oh, words of dread! How do you MAKE somebody love your film?
Ask the Documentary Doctor: Where does the filmmaker stop existing to give way to the reporter/activist/responsible citizen with camera in hand?
California Company Town, blends the sights and sounds of the state's economically depressed towns, industrial wastelands and failed utopian communities.
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Lourdes Portillo's partly autobiographical documentary Al Más Allá draws a laugh from the San Francisco International Film Festival crowd.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
Lourdes Portillo's partly autobiographical documentary Al Más Allá draws a laugh from the San Francisco International Film Festival crowd.
Jarmel and Schneider's Speaking in Tongues follows the stories of four public school children studying Mandarin, Cantonese and Spanish along with their English.
Jarmel and Schneider's Speaking in Tongues follows the stories of four public school children studying Mandarin, Cantonese and Spanish along with their English.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Fans, Friends & Followers, focuses on strategies artists can use to support their careers in the digital age.
Mark Kitchell current project is an ambitious summation of the environmental movement, from the protests of the 1960s, the '70s focus on pollution, the Greenpeace campaigns and the global climate change.
Holly Million reviews some of the documentaries shown at this year's festival: It Came >From Kuchar, MIne and Motherland.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
When we're finally all watching movies on the most expedient of platforms–our mobile phone–Ellen Lake will be at the head of the parade.
Ask the Documentary Doctor: If my doc doesn't follow a fiction three-act model, will it fail in the market?
Ask the Documentary Doctor: If my doc doesn't follow a fiction three-act model, will it fail in the market?
On January 24 the San Francisco film and arts community lost Ave Montague, who was well known for her hard work, creativity and passion for the arts.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
The forthcoming film Speaking in Tongues follows four diverse local public-school students enrolled in language-immersion programs.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
50 California students talk about their problems with gender in the new documentary Straightlaced–How Gender's Got Us All Tied Up.
Gini Reiticker's fine documentary Pray the Devil Back to Hell, opens at SF's Red Vic Movie House and Berkeley's Shattuck Cinemas.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
The PFA senior curator talks about her cinematic influences, curating in Canada and the U.S., and recent additions to the world of film.
Tony Gerber and Jesse Moss's film candidly explores 'the ground truth' of Iraq without setting foot in the country.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
The Doc Doctor prescribes cures for common pitfalls of demo reels.
Religulous is a desperately awaited and already vehemently decried film by Bill Maher and director Larry Charles.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
'It takes your guts and your entrails and your soul to make a film,' Mikels once proclaimed. 'It takes everything you possess within you!'
YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.
A local filmmaker looks at Mimi Weddell, a perennial bit part-player with a jaw-dropping collection of hats and endless show biz energy.
Sharma might never have made his film had he not felt guilty about causing unhappiness to his dying mother by telling her he was homosexual.
The Legend of the Holy Net Potato, the first feature by Kerala-based filmmaker Vipin Vijay, concerns a cyborg, black magic, and a hacker.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
Empress Hotel looks at residents of a hotel turned homeless people's residence through San Francisco's Access to Housing program.
Strand Releasing President Marcus Hu speaks with Frameline Artistic Director Lumpkin about Frameline, queer cinema and the future of this niche festival.]
When The English Surgeon had its U.S. premiere at the SFIFF this month, Geoffrey Smith and Henry Marsh received a standing ovation.
Founded in 1968, San Francisco-based Newsreel is the oldest nonprofit, social-issue documentary film center in the U.S.
Cachao: Uno Mas documents acclaimed bassist and cuban music innovator Israel "Cachao" Lopez's work and San Francisco concert at Bimbo's
Cachao: Uno Mas documents acclaimed bassist and cuban music innovator Israel "Cachao" Lopez's work and San Francisco concert at Bimbo's
Herzog's remarks challenged the audience to reconsider its views on non-fiction film at AFI Fest.
Wonders Are Many: The Making of Doctor Atomic blends World War II history with composer John Adams and director Peter Sellars’ staging of a new opera on the subject.
James Longley's Fragments stands out amongst the crowded field of Iraqumentaries, while Others pulls back the Iron Curtain to powerful effect.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
Eric Steel's disturbing, controversial documentary, The Bridge, focuses on people who end their lives at the famous landmark at the edge of the continent.
The provocative documentary filmmaker is recalled with a retrospective at Yerba Buena Center For the Arts.
SF Shorts and the SF Underground Short Film Festival provide a big-screen showcase for oft-overlooked short subjects.
Chris Metzler and Jeff Springer talk about their acclaimed debut Plagues and Pleasures on the Salton Sea, their influences, and making films in San Francisco.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
Mat Whitecross talks about his documentary The Road to Guantanamo, which takes a look at the inhumanity of U.S. "detainment" camps in Cuba.
Four stories from familiar performers who once found themselves in the "formerly employed by" category, taken from Fired!, which plays Docfest 2006.
Jeff Adachi, San Francisco public defender, adds filmmaker to the resume.
Direct cinema pioneers Richard Leacock and D.A. Pennebaker discuss seeing and believing.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.
With a Leacock-Pennebaker tribute, SF State's Documentary Film Institute proves there's no reason to "revive" cinema verite; it never died.
With a Leacock-Pennebaker tribute, SF State's Documentary Film Institute proves there's no reason to "revive" cinema verite; it never died.