"San Francisco-based visual effects and post house SPY, a FotoKem company, recently contributed hundreds of visual effects shots, the digital intermediate and 3D conversion services for Francis Ford Coppola’s latest feature film, Twixt," reports Below the Line. More at btlnews.com.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners and two honorable mentions of the fifth round of SFFS/KRF Filmmaking Grants. The grants are awarded twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. Between 2009 and 2013 the SFFS/KRF Filmmaking Grants will award nearly $2.5 million, including a total of $788,000 already awarded in the first five grant rounds.
Carlton Evans and Matthew Lessner (Ross), $50,000 for screenwriting; Aurora Guerrero (Mosquita y Mari), $88,000 for postproduction; Adam Keker (National Park), $35,000 for screenwriting; Timothy Kelly (The Cherokee Word for Water), $75,000 for production; Benh Zeitlin (Beasts of a Southern Wild), $55,000 for postproduction. Honorable Mentions went to: John Dilly (Rubbish), development and Ian Olds (The Western Habit), screenwriting. More at sffs.org.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
Short and feature films completed over the previous year by the Scary Cow’s co-op members play at Castro Theater. Attendees vote on which filmmakers should receive funding for future projects. More at scarycow.com.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Press release: The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners of the fourth round of SFFS/KRF Filmmaking Grants: Debbie Brubaker, Lynn Hershman Leeson, Christopher Mason Johnson, Mike Ott and Morgan Wise. The grants are given twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. More at sffs.org.
This event marks the debut of an exciting new filmmaker-in-person series presented by BAM/PFA. Regarded as one of the most significant voices in contemporary American indie cinema, director Kelly Reichardt presents and discusses her work with professor, author (and SF360.org contributor) B. Ruby Rich at the Pacific Film Archive. Feature films include ‘Ode,’ ‘Old Joy,’ ‘River of Grass’ and ‘Wendy and Lucy,’ as well as two shorts, ‘Then a Year,’ and ‘Travis.’ More at bampfa.berkeley.edu.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
The Lebanon War of 1982 informs Samuel Maoz's 'Lebanon.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Johnnie To delivers on his trademark themes with 'Vengeance.'
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Writer/director Carmen Madden's writing reflects just how intimately she comes to see and know a screenplay's world and the characters that inhabit it.
After ripping it up at various genre fests, the Bay Area indie horror flick settles in for a theatrical run at the Red Vic.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
First Person: How can people respond in diametric and, at times, vitriolic opposition to the same film? Mine.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
Lourdes Portillo's partly autobiographical documentary Al Más Allá draws a laugh from the San Francisco International Film Festival crowd.
Michael Jacobs talks about his documentary, which follows Pentecostal Pastor Richard Gazowsky engaged in the creation of an ambitious, multi-million dollar sci-fi-feature on God.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
The Sixth Screen: Here are some browser-based legal zones for free online feature film viewing pleasure. No installation required.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
Filipino Director Brillante Mendoza discusses his aesthetic: a basic approach that resists facade and pretense and desires to depict to things as they really are.
The first-time filmmaker managed to build, for under half a million dollars, a relatable story and characters with substance rarely seen in mainstream film.
Susan Gerhard enjoys an hour or so inside the wilds of Gondry's brain at the Apple Store, SF.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
In the wake of Mexican cinema's triumphant showing at the 2007 Oscars, these films serve to confirm how some of the biggest surprises can come from the shortest of distances.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
Nine years' vintage makes the SFBFF a newcomer by Bay Area standards. In terms of programmatic diversity and premieres, it's got old-soul depth.
The List: An Amerindie helmer well before the term was invented, Nilsson names 10 films which deeply affected him.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
White's heroes and heroines are content with their mundane lives until some uninvited intruder or unforeseen event exposes their frustration and complacency.
One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.
It's taken over two years for Police Beat to go from one of the most praised films at Sundance to a theatre near you.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
Von Donnersmarck talks about his Lola-winning and Oscar-nominated debut during a visit to San Francisco.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Filmmaking was just one among many creative outlets for Japanese multimedia artist Hiroshi Teshigahara.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
After weeks of Western Europe, what better way for the young cineaste to crash the City of Light than a trip to the silver screen?
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Richard Glatzer and Wash Westmoreland's exploration of a teen's rite of passage is the warmhearted opposite of MTV's glorification of wasteful and selfish spending.
The director of The Business of Strangers talks about his second feature, starring Robin Williams.
The co-director talks about his provocative fictional documentary about conjoined twins groomed for rock Ôn' roll stardom.
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.
Bay Area soccer fans offer their takes on the best football films.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
Chuck Stephens shares his thoughts, existential and otherwise, on the Bangkok set of Citizen Dog.
Vietnamese American filmmaker Ham Tran rights an historical wrong in his debut feature film on the Vietnam War.
SFFS Press Release: "The San Francisco Film Society and the Kenneth Rainin Foundation announced the ten finalists for the fourth round of SFFS/KRF Filmmaking Grants of up to a total of $225,000, to be given to one or more feature films that through plot, character, theme or setting significantly explore human and civil rights, discrimination, gender and sexual identity and other urgent social justice issues of our time." More at sffs.org