Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Developing a style that sets your film apart is key to capturing audience attention in nonfiction.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
Rough-cut screenings can help you identify problems areas of your film—if you know how to listen.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
A night with Stanford’s Doc Film MFAs offers insight into a storied program.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
What to consider when you're considering hiring a producer.
Who's to say if it's a story problem or an audience problem?
Who's to say if it's a story problem or an audience problem?
Who's to say if it's a story problem or an audience problem?
A few simple ideas can help nervous fundraisers take the leap.
A few simple ideas can help nervous fundraisers take the leap.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The looming prospect of a two-tiered internet may compromise the ability of independent filmmakers to fund, exhibit and distribute their films.
The documentary Simonal: No One Knows How Tough it Was explores the polemic surrounding a man considered by many to be the greatest singer in Brazilian history.
I've asked people for all kinds of money for all kinds of reasons. Whether I'm asking for $1,000 or $100,000, I've found some key concepts rule.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Ask the Documentary Doctor: The Doc examines patience in filmmaking.
Here are a few ways to both entice and reward your donors, as well as some tips for thanking them when all's said and done.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
The Sixth Screen: Veteran journalists and filmmakers alike are polishing up their resumes, contemplating the hospitality industry, and wondering: Who stole my career?
Fear-Free Fundraising: Are Your "Friends" Worthless?
The Edit Room: I decided to set my New Doc Editing research team on a mission to find out what structural models are getting funded these days.
Local filmmaker Jim Granato, whose movie D tour follows the band Rogue Wave and its ailing drummer Pat Spurgeon, on tour and on dialysis, is competing for the San Francisco International Film Festival's Golden Gate Award in Documentary.
A mini-tutorial on story structure: in a character-driven documentary there are a few simple questions you have to answer in order to vet your story potential.
The 60th birthday of Israel is recognized in the festival via a slew of films examining the country from various perspectives, films that fight over how to tell the story.
Make: magazine gives tons of fascinating advice on how to do everything from turn two lengths of sewer pipe into a lens focuser to the proper way to mount a heat shield.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Austin's Alamo Drafthouse Cinema touring program brings classics to the locations they made famous, with a mobile outdoor projection unit and inflatable screen.
Christian Bruno, Julie Lindow and R.A. McBride discuss their love of San Francisco and its theaters over beers at the Uptown.
The second week of the 49th SFIFF was packed with tributes and special events, luring diverse crowds with honorees like Werner Herzog and Ed Harris.