Deann Borshay Liem's 1999 doc First Person Plural recounted her experience as an orphaned Korean adoptee raised in an East Bay suburb.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Nani Sahra Walker went to Nepal for seven months, and returned with a one-hour documentary. OK, a rough cut. No big deal? Enlightenment guaranteed, indeed.
Claire Denis proves her unpredictability and versatility as a director with the 2008 release 35 Shots of Rum.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Two films from Oakland filmmakers, Dhana & Indra and Family 2469, illuminate the changing face of the country as the 21st Century unfolds.
The PFA is offering a rare overview of Bergman's European films in the series, A Woman's Face: Ingrid Bergman in Europe.
Aroy's film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s.
Ray Telles's ambitious two-hour film, The Storm that Swept Mexico, with a budget north of $1.2 million, reaches out to the world.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
Deborah Kaufman and Alan Snitow explore the customs and modernity of the next generation of Jews in their documentary Dis-Continuity.
The Goethe-Institut's festival offers a pointed reminder that Germany, Austria and Switzerland aren't just in the center of Europe, but in the middle of international cinema.
A delightfully funny movie on boy-men redeeming themselves from New Zealand, and Mark Becker's absorbing documentary on a musician in the Mission.
The List: 25 Bay Area landmarks, including the Roxie and the Fox Oakland, are vying for $1 million in preservation grants from American Express.
The Maquilapolis filmmakers talk about empowering their subjectsÑwomen factory workers in Tijuana.
Richard Glatzer and Wash Westmoreland's exploration of a teen's rite of passage is the warmhearted opposite of MTV's glorification of wasteful and selfish spending.