Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Laws and treaties protect artists' rights overseas and make the permissions-gathering process all the more important for filmmakers.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
No matter what kind of film you’re making, eventually all filmmakers encounter the common legal problem of filming in a crowd.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
From chilling to dangerous to horrendous, local reactions to Judge Lewis A. Kaplan s ruling in favor of Chevron in New York on May 6 ran an unsurprisingly narrow gamut.
From chilling to dangerous to horrendous, local reactions to Judge Lewis A. Kaplan s ruling in favor of Chevron in New York on May 6 ran an unsurprisingly narrow gamut.
Documentary film footage is caught in the middle of a court battle between Chevron and Ecuadorian plaintiffs over pollution of the Amazon rain forest.
You are awesome. Spectacular, incredible, interesting, accomplished and generally just way awesome. Everyone wants to hear every possible thing there is to know about you.
People are fascinated by the lives of others. But can someone make a doc, biopic, historical or narrative film about a famous person without their permission?
People are fascinated by the lives of others. But can someone make a doc, biopic, historical or narrative film about a famous person without their permission?
The thing about titles is they re too short to receive copyright protection. For copyright purposes, a title is like a label of a copyrighted work.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
George Rush skips legal concerns and instead speaks to a larger issue: the lack of quality independent filmmaking today.
It’s hard to imagine a venue where the new documentary Holding On to Jah will sound better than it did at Mezzanine last Wednesday night.
Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.
Avoiding Disaster: Festivals are a good way to have your film discovered by distributors, to build buzz and to build an audience—if you're well prepared.
Oakland attorney Richard Lee speaks on the legal case surrounding the Swedish filmmakers of the hot-button documentary Bananas!.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
Avoiding Disaster: Clearing music is one of those horrible, arduous, frustrating tasks that needs to be done in order to show or sell a film.
The Roxie present Fear and Desire and Delinquents by Stanley Kubrick and Robert Altman
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
Avoiding Disaster: George Rush offers tips on bridging the worlds of creativity and business.
Founded in 1968, San Francisco-based Newsreel is the oldest nonprofit, social-issue documentary film center in the U.S.
Six features in the week-long series had not been seen in 50 (and in one case 70) years due to legal complications.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.