Rough Cuts is a series of work-in-progress documentary screenings that are produced at a variety of locations throughout San Francisco. The next event (November 14, 2011; 7:30 p.m.) features one rough cut of a feature-length documentary and then a conversation about the film. The post-screening discussion is designed to give the filmmaker a better, more objective sense of what is working and not working with the film, with particular attention paid to improving the film's structure and narrative clarity. ELIGIBILITY: Rough Cuts is currently accepting submissions for the next event. If you are editing a documentary that is over 40 minutes long and are seeking feedback, they encourage you to submit. Principal photography should have been completed, and filmmakers tare encouraged to submit films that are in the later stages of post-production. AWARDS: Invaluable feedback and constructive criticism. DEADLINE: November 1, 2011. Submissions must arrive by 5:00 p.m. WEBSITE: sfroughcuts.com/index.html.
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
The 34th Mill Valley Film Festival continues at a number of locations, with a number of notable guests, including directors Gaston Kaboré and Luc Besson. See Dennis Harvey's extended preview on SF360 for the full story. More info and film schedule at mvff.com.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
Britta Sjogren gets a second chance to make a film about how people rebound from trauma.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The Golden Gate Bridge remains in heavy rotation in sci-fi, action genres.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
Film fans willing to make the trek to El Cerrito's Rialto Cinemas will be rewarded with a screening of Terrence Malick classic (and 'Badlands' companion-piece) 'Days of Heaven.' Concerning the desperate lives of a farm laborer and his lady love, Malick's bleak gem screens only once on Thursday, on the original celluloid. More info rialtocinemas.com.
SF institution The Red Vic Movie House celebrates both its anniversary and its closure with screenings of house favorite 'Harold and Maude'—perhaps the quintessential quirky romantic comedy. Those who haven't seen 'Harold and Maude' since its release will delight to revisit its many Bay Area locations and Cat Stevens soundtrack. Red Vic promises a "special birthday treat" for Monday's attendees. More info redvicmoviehouse.com
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
As the San Francisco International Film Festival opens, key films consider the value of place.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
Ed Burns offers ideas about art and marketing as he releases his new film, 'Nice Guy Johnny,' into the world.
San Francisco narrative filmmakers offer nuanced visions of their city.
San Francisco narrative filmmakers offer nuanced visions of their city.
San Francisco narrative filmmakers offer nuanced visions of their city.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
A festival transforms itself and transports audiences with a visionary new theater.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Making a film called Stagecoach in the Sky as part of the 48 Hour Film Project requires planning, as well as a flying boat.
Maria Breaux, deep in the heart of production on Mother Country talks about politics, process and her existential road movie.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
Iranian filmmaker Cyrus Omoomian documents post-Pinochet Chile in work-in-progress Pushing Towards Democracy.
Hong Sang-soo's Night and Day is a comedic unraveling of a South Korean art student's gaffes throughout Paris.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
Not many movies call for a celebration of their anniversaries, but one exception is what many have called 'the ultimate San Francisco film.'
The Gits offers both an appreciation of a unique quartet's too-brief career and consideration of Mia Zapata's death.
Eternally fascinated with extremes of location, Werner Herzog's latest documentary, Encounters at the End of the World, finds the filmmaker exploring life on the edge in Antarctica.
The Romanian film takes place over 24 hours in a provincial town in 1987 before Ceaucescu was deposed.
Susan Gerhard reflects on Sundance's program with particular attention to sense of place.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Although it's too early to write Allen off, it's also clear that he hasn't connected with younger audiences in a long time, so who's the next Woody Allen?
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
The new western isn't really about violence, it's about Myth, in a symbolic, sort of Old Testament-meets-Sergio Leone way.
The List: 25 Bay Area landmarks, including the Roxie and the Fox Oakland, are vying for $1 million in preservation grants from American Express.
The founder of the Madcat International Film Festival talks about the 2006 lineup.
Austin's Alamo Drafthouse Cinema touring program brings classics to the locations they made famous, with a mobile outdoor projection unit and inflatable screen.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
Sundance Cinemas buys the Kabuki 8 and announces plans to reopen as the Sundance Kabuki in early fall 2006.