Rough Cuts is a series of work-in-progress documentary screenings that are produced at a variety of locations throughout San Francisco. The next event (November 14, 2011; 7:30 p.m.) features one rough cut of a feature-length documentary and then a conversation about the film. The post-screening discussion is designed to give the filmmaker a better, more objective sense of what is working and not working with the film, with particular attention paid to improving the film's structure and narrative clarity. ELIGIBILITY: Rough Cuts is currently accepting submissions for the next event. If you are editing a documentary that is over 40 minutes long and are seeking feedback, they encourage you to submit. Principal photography should have been completed, and filmmakers tare encouraged to submit films that are in the later stages of post-production. AWARDS: Invaluable feedback and constructive criticism. DEADLINE: November 1, 2011. Submissions must arrive by 5:00 p.m. WEBSITE: sfroughcuts.com/index.html.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners and two honorable mentions of the fifth round of SFFS/KRF Filmmaking Grants. The grants are awarded twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. Between 2009 and 2013 the SFFS/KRF Filmmaking Grants will award nearly $2.5 million, including a total of $788,000 already awarded in the first five grant rounds.
Carlton Evans and Matthew Lessner (Ross), $50,000 for screenwriting; Aurora Guerrero (Mosquita y Mari), $88,000 for postproduction; Adam Keker (National Park), $35,000 for screenwriting; Timothy Kelly (The Cherokee Word for Water), $75,000 for production; Benh Zeitlin (Beasts of a Southern Wild), $55,000 for postproduction. Honorable Mentions went to: John Dilly (Rubbish), development and Ian Olds (The Western Habit), screenwriting. More at sffs.org.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Whether in the foreground or background of your narrative feature, pieces of art require copyright consideration.
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
New technology and futuristic themes featured prominently at South by Southwest this year.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
Pacific Film Archive hosts ‘Film and Video Makers at Cal,’ which offers an array of short narratives, documentaries and music videos by UC Berkeley student filmmakers. More at bampfa.berkeley.edu.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Press Release: The Audience Award winners for the 13th San Francisco Independent Film Festival include ‘Kaboom,’ named as Best Narrative Feature, ‘Bathing and the Single Girl’ for Best Narrative Short, ‘Free Radicals’ for Best Documentary, ‘Burning Wigs of Sedition’ for Best Music Video and ‘Mars’ for Best Animated Film. More at sfindie.com.
Pacific Film Archive Theater hosts the African Film Festival 2011, presenting popular documentary and narrative films from eight African countries. The festival begins with Remi Vaughan-Richards’ 2010 ‘One Small Step.’
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
Director Andrew Jarecki revisits disquieting themes from his celebrated documentary ‘Capturing the Friedmans’ in his debut narrative feature, ‘All Good Things,’ which boasts riveting performances from actors Ryan Gosling and Kirsten Dunst. More at landmarktheatres.com.
Press release: The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners of the fourth round of SFFS/KRF Filmmaking Grants: Debbie Brubaker, Lynn Hershman Leeson, Christopher Mason Johnson, Mike Ott and Morgan Wise. The grants are given twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. More at sffs.org.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
Rob Epstein and Jeffrey Friedman offer insight into the making of 'Howl,' a movie about a poem and a time.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
When filming a public figure, the rights to privacy as well as publicity need to be considered.
Oakland's youth video-production collective The Factory showcases more than a dozen documentary, narrative, and experimental films made by students at the Pacific Film Archive on August 24. A panel discussion with student filmmakers follows.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Resnais remains elusive and detached, his films beautiful abstracts of intellectual rather than emotional impact.
Resnais remains elusive and detached, his films beautiful abstracts of intellectual rather than emotional impact.
Choosing and implementing the right motif can help convey a narrative documentary's theme.
Now…what exactly is a motif? And why would you want to edit one into a documentary film?
During one of my recent group coaching calls, we addressed these questions. . . .
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Frameline34 takes a fresh look at Andy Warhol's world while offering a view to the world of international LGBT cinema 2010.
Moving past genre distinctions may help some filmmakers find the best dramatic arc and the most powerful truths.
If you re making a short narrative, foundations give you no respect. Financiers turn a cold shoulder. Government grantors snort. And festivals slot your film Sunday at midnight.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
From Michael Powell to Carlos Saura to Sally Potter, a stratum of directors has progressively reimagined the relationship between dance and film.
Pedestrians have always propelled cinema narratives, but the bicycle has rarely had a starring role.
YBCA s month-long, six-part Human Rights and Film series closes with two documentaries on the Arab-Israeli conflict made 35 years apart.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
People are fascinated by the lives of others. But can someone make a doc, biopic, historical or narrative film about a famous person without their permission?
With its comfortable suburban setting, flashback structure and mystery-suspense framework, My Son, My Son is, by Herzogian standards, almost mainstream-conventional. I said almost.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
You might fare better in today's market with a character-driven story, the Doc Doctor advises.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Claire Denis proves her unpredictability and versatility as a director with the 2008 release 35 Shots of Rum.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
The 13th New Italian Cinema festival finds the political and personal mixing more frequently than you'd find in any assortment of U.S. narrative films.
After ripping it up at various genre fests, the Bay Area indie horror flick settles in for a theatrical run at the Red Vic.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.
Tangier has created an identity as a great fount of stories and light, complete with an independent cinema that opened in 2007.
The release of Woodstock provides an opportunity to look back on Ang Lee and Schamus's very impressive, diverse screen resume.
Behind any narrative for the screen is the story that came before it—the life that shaped the central character, who arrives fully formed as your story opens
Dina Ciraulo's debut feature reconsiders the curious case of nature writer Opal Whiteley, who burst to prominence—and controversy— in the 1920s.
The Edit Room: I knew the right thing to do was to turn the project over to an editor. The problem was that I didn't have the $45,000 a good editor would require.
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
Fear-Free Fundraising: Are Your "Friends" Worthless?
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
Avoiding Disaster: George Rush advises on how to secure funding for your film and protect yourself along the way.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Local filmmaker Jim Granato, whose movie D tour follows the band Rogue Wave and its ailing drummer Pat Spurgeon, on tour and on dialysis, is competing for the San Francisco International Film Festival's Golden Gate Award in Documentary.
Ramin Bahrani's Goodbye Solo prompted Roger Ebert to pronounce him "the new great American directorâ" a couple weeks ago. The film is definitely the writer-helmer's most accessible work to date, one that might very well provide him with an arthouse breakthrough.
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
A mini-tutorial on story structure: in a character-driven documentary there are a few simple questions you have to answer in order to vet your story potential.
For many narrative filmmakers, hiring a lawyer is either an afterthought or not a financial reality, but moving forward with a film without considering legal is a huge mistake.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Waltz with Bashir is another animated feature that embraces a more grown-up story and audience than anything in the long history of "cartoons."
Bay Area filmmakers represented at Sundance.
Global Film Initiative's Global Lens series offers a regular spot in your home theater for edgy world-cinema narratives don't often get a place at local multiplexes.
The controversial Cargo 200, a take-down of the Soviet era, makes its U.S. theatrical debut at Yerba Buena Center for the Arts.
Beyond Words: Skillful dialogue on film can achieve a structural dimension that shapes the narrative as surely as plot does.
A director who lives in both Switzerland and New York leads a Swiss-German coproduction about two women from former Yugoslavian territories who meet in Zurich.
Avoiding Disaster: George Rush offers tips on bridging the worlds of creativity and business.
A series of films at SFMOMA present an outsiders take on the outmoded American staple, the Western.
Two top winners at the SFIAAFF focused on breakadancing, an art form taken up with vengeance by Asians, with Koran teams a particularly dominant force.
Just when Gus Van Sant seemed on the verge of turning into just another Hollywood selloutÑhe did a total about-face. His four features since have been true art films
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
Warts & All: The Films of Danny Plotnick: 10 short comic narratives are exemplars of an unpolished, unpretentious school of moviemaking that aims at every moment to be audience-friendly.
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
The List: While Rob Stewart's film is winning awards around the world, he offered his thoughts on the five films that have done the most damage to sharks' reputation.
Woolf shares insights drawn from his disparate experiences as a filmmaker in Peru, a fisherman in Alaska, and a restauranteur in New York.
SF360.org reviews Shane Meadows' finest directorial effort yet and an offbeat coming-of-age comic-drama.
A non-rich family is torn apart by money matters, and young actors lie atop, next to, and around each other with youthful, sexual abandon.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
The List: An Amerindie helmer well before the term was invented, Nilsson names 10 films which deeply affected him.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
White's heroes and heroines are content with their mundane lives until some uninvited intruder or unforeseen event exposes their frustration and complacency.
One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.
It's taken over two years for Police Beat to go from one of the most praised films at Sundance to a theatre near you.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
Von Donnersmarck talks about his Lola-winning and Oscar-nominated debut during a visit to San Francisco.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Filmmaking was just one among many creative outlets for Japanese multimedia artist Hiroshi Teshigahara.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
After weeks of Western Europe, what better way for the young cineaste to crash the City of Light than a trip to the silver screen?
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
Director Laura Poitras’ traveled to Iraq for her latest film, “My Country, My Country.”
Richard Glatzer and Wash Westmoreland's exploration of a teen's rite of passage is the warmhearted opposite of MTV's glorification of wasteful and selfish spending.
The director of The Business of Strangers talks about his second feature, starring Robin Williams.
The co-director talks about his provocative fictional documentary about conjoined twins groomed for rock Ôn' roll stardom.
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
Highlights of San Francisco Black Film Festival's eighth annual edition.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
San Francisco filmmaker Terry Zwigoff, a former curmudgeon softened by success, discusses Art School Confidential.
A conversation with director Michael Glawogger on his film, Workingman's Death, which screens at the 2006 SFIFF.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
The Oppenheimer Cine Rental New Filmmaker Equipment Grant Program supports new filmmakers in producing their first serious film project. The grant awards the use of Grant Program Arriflex 16SR2 camera package to senior and graduate thesis students and to independent filmmakers for a scheduled period of time. ELIGIBILITY: Students, media arts center members and unaffiliated independents are encouraged to apply. Proposed projects may be of any noncommercial nature: dramatic, narrative, documentary, experimental, etc. (Commercial projects, music videos and PSAs will not be considered.) DEADLINE: Ongoing. WEBSITE: oppenheimercinerental.com/grant.html.