Catapult Film Fund provides early development funding to documentary filmmakers who have a compelling story to tell. It supports powerful stories, and moving storytelling, across a broad spectrum of issues and perspectives. ELIGIBILITY: Applicant must be 18 or older. Catapult Film Fund does not award grants for student films. Documentary projects must be 28 minutes or longer. Development funds must specifically be used to complete early writing, shooting and editing once story and characters are in place. Applicants must be independent producers. They must own the copyright of their production, and have artistic, budgetary and editorial control of their project. Applicants must have previous film or television production experience in a principal role as demonstrated by submitting previously completed work sample. Applicants must be able to demonstrate that they have successfully fund-raised for an independent documentary film, in line with its original budget. AWARDS: Catapult Film Fund development grants range from $5,000 to $20,000. DEADLINE: November 7, 2011. WEBSITE: catapultfilmfund.org/.
"Bodega, a New York-based content creation/production company, has extended its reach Westward with the opening of a San Francisco shop headed by executive producer/partner Clint Goldman." More at shootonline.com.
Rough Cuts is a series of work-in-progress documentary screenings that are produced at a variety of locations throughout San Francisco. The next event (November 14, 2011; 7:30 p.m.) features one rough cut of a feature-length documentary and then a conversation about the film. The post-screening discussion is designed to give the filmmaker a better, more objective sense of what is working and not working with the film, with particular attention paid to improving the film's structure and narrative clarity. ELIGIBILITY: Rough Cuts is currently accepting submissions for the next event. If you are editing a documentary that is over 40 minutes long and are seeking feedback, they encourage you to submit. Principal photography should have been completed, and filmmakers tare encouraged to submit films that are in the later stages of post-production. AWARDS: Invaluable feedback and constructive criticism. DEADLINE: November 1, 2011. Submissions must arrive by 5:00 p.m. WEBSITE: sfroughcuts.com/index.html.
Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Can three film school grads from San Francisco break out without the help of Hollywood or New York connections?
Cinequest Screenwriting Competition, held in conjunction with the Cinequest Film Festival (February 28-March 11, 2012), is accepting submissions. ELIGIBILITY: The competition is open to screenplays of all genres and lengths up to 140 pages that have not been optioned, purchased, produced, or put into production. Scripts should be in English, properly formatted, and submitted in PDF format. Scripts written as adaptations of other works must have secured rights before being submitted. Entry fee $45-65. AWARDS: Finalists receive non-cash prizes, including exposure to literary agents, film studios, and producers. Top prize is $5,000. DEADLINE: September 26, 2011 (early); October 17, 2011 (late). WEBSITE: cinequest.org/sp_agent.php.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
The TFI Documentary Fund provides grants and guidance to exceptional filmmakers developing engaging feature-length documentaries which emphasize character and that allow audiences to consider history, culture and society through the experiences of extraordinary individuals. ELIGIBILITY: Submissions must be non-fiction motion pictures with an intended length of at least 70 minutes and should creatively document unique character(s); submissions can be in the advanced stages of development, production or post-production and must not have aired on any form. Foreign language documentaries are eligible, but must be subtitled and suitable for an American audience. Applicants must be over 18-years old. $25 entry fee. AWARDS: Grants of at least $10,000 will be awarded in 2012. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/tfi_documentary/.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
SFFS's bi-monthly forum and industry show-and-tell makes its first appearance at Film Society Cinema this Tuesday. Panel discussion will be moderated by music rights exec Brooke Wentz and feature Kim Aubry of Zoetrope Aubry productions alongside Academy Award-winning soundmen Michael Semanick and Richard Beggs. More info at sffs.org.
SFFS's bi-monthly forum and industry show-and-tell makes its first appearance at Film Society Cinema this Tuesday. Panel discussion will be moderated by music rights exec Brooke Wentz and feature Kim Aubry of Zoetrope Aubry productions alongside Academy Award-winning soundmen Michael Semanick and Richard Beggs. More info at sffs.org.
"San Francisco-based visual effects and post house SPY, a FotoKem company, recently contributed hundreds of visual effects shots, the digital intermediate and 3D conversion services for Francis Ford Coppola’s latest feature film, Twixt," reports Below the Line. More at btlnews.com.
Press release: The San Francisco Film Society today announced the three winners of the inaugural SFFS Documentary Film Fund grants. The Fund was created to support the postproduction of singular feature-length nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach. Each year from 2011 to 2013, a total of $100,000 will be disbursed to further new work by documentary filmmakers nationwide. Winners are: Joe Brewster and Michèle Stephenson, An American Promise, $25,000; Priya Desai and Ann Kim, Match +, $25,000; Zachary Heinzerling, Cutie & the Boxe, $50,000. For more information go to: sffs.org/filmmaker-services.
The Roy W. Dean Film and Writing Grants fund shorts, documentaries and low budget independent features. ELIGIBILITY: New film and video projects (including works-in-progress) that are unique and benefit the society. Student filmmakers, independent producers or independent production companies are all welcome. AWARDS: Winner gets a variety of awards including scholarships and cash prizes for different production fields. DEADLINE: August 30, 2011. WEBSITE: fromtheheartproductions.com/grant-lavideo.shtml.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
The San Francisco’s Film Commission's executive director offers notes on new incentives for production in the city.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Canonized director John Huston's 'The African Queen,' now mostly remembered for its tumultuous production history, was also the director's biggest grossing film, securing Humphrey Bogart his first Oscar for acting. The Alameda Theatre screens this battle-of-the-sexes classic on film Wednesday and Thursday only. More info at alamedatheatres.com.
The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winners and two honorable mentions of the fifth round of SFFS/KRF Filmmaking Grants. The grants are awarded twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. Between 2009 and 2013 the SFFS/KRF Filmmaking Grants will award nearly $2.5 million, including a total of $788,000 already awarded in the first five grant rounds.
Carlton Evans and Matthew Lessner (Ross), $50,000 for screenwriting; Aurora Guerrero (Mosquita y Mari), $88,000 for postproduction; Adam Keker (National Park), $35,000 for screenwriting; Timothy Kelly (The Cherokee Word for Water), $75,000 for production; Benh Zeitlin (Beasts of a Southern Wild), $55,000 for postproduction. Honorable Mentions went to: John Dilly (Rubbish), development and Ian Olds (The Western Habit), screenwriting. More at sffs.org.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
The second year of the Film Society's movie-making summer camp puts youth on location.
4 Star Theatre screens John Woo's sweeping, polarizing 'Red Cliff,' still Asia's largest production at $80 million, along with its sequel 'Red Cliff II', his most recent film. Both films play uncut, on the original celluloid. More info at lntsf.com.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
The planned "reversal" gives documentary filmmakers a means to build drama from otherwise anti-climactic moments.
Press release: The Ninth Street Independent Film Center announced today five new participants for the Center's Media Arts Incubator Program for 2011-2012. "This is a great group of participants," says Skye Christensen, Executive Director of the Ninth Street Independent Film Center. "Each brings a very dynamic project to the Program, and we're really looking forward to what they'll accomplish during their time here." Ninth Street’s Media Arts Incubator Program is designed to nurture socially relevant independent media projects at Ninth Street Independent Film Center. The Incubator Program supports independent filmmakers, start-up film festivals and small media nonprofits through access to workspace and shared resources, such as cross-promotional opportunities, co-productions, affordable meeting or exhibition space and community connections with established media arts partners (Center for Asian American Media, Frameline, San Francisco Jewish Film Festival, and others). Participants are: Rachel Caplan (CEO) and Daniela Rible (Deputy Director) of the annual SF Green Film Festival; Jennifer Tipton and Cary McQueen Morrow, the directors of Art with Impact, which is a platform for the creation of new media on critical social issues; David Evan Harris, Executive Director of the Global Lives Project, a media arts nonprofit that seeks to collaboratively build a video library of human life experience; Scarlett Shepard is Executive Director of the SF Women’s Film Festival; and J.R. Flemming, director and producer of Guarding Dogs, which is a documentary film with a crowd-sourcing model currently in production that makes the case for adopting a dog instead breeding/buying.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
Asking the right questions is an art; a consultant speaks on how to conduct documentary interviews that will help structure your film.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
Whalen speaks from experience on the importance of story and drama in nonfiction filmmaking.
The vivid mindscapes of Allen Ginsberg's poems come to radical life in Rob Epstein and Jeffrey Friedman's James Franco-fied 'Howl' via the art of Ginsberg collaborator Eric Drooker. The Cartoon Art Museum showcases 'The Art of Howl,' with Drooker's work, storyboards, photos and multimedia. More at cartoonart.org.
Press Release: The San Francisco Film Society announced the new SFFS Documentary Film Fund, which over the next three years will disburse a series of annual grants totaling $300,000 to support feature-length documentaries in postproduction. The SFFS Documentary Film Fund is created to support singular nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach. The first grant cycle application period opens June 17; the first winners will be announced September 30. More at sffs.org.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Christine Vachon examines her varied indie successes while offering notes on the world of change engulfing cinema.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Hester Schell’s ‘Casting Revealed’ helps filmmakers hire quality actors.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
Press release: The 54th San Francisco International Film Festival (April 21 - May 5) today announced its documentaries in competition for the Golden Gate Awards and films in competition for the New Directors Prize. The International will award close to $100,000 in total prizes this year. Sixty thousand dollars will be awarded to winners in three categories: investigative documentary feature ($25,000), documentary feature ($20,000) and Bay Area documentary feature ($15,000). The New Directors Prize of $15,000 is given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. Seventeen countries contributed to the production of the 11 films in this year's competition. Click through for titles or visit sffs.org.
Reports SFGate: “The HBO production ‘Hemingway & Gellhorn,’ starring Nicole Kidman and Clive Owen and being filmed almost entirely in San Francisco, needs some local extras. But the open call only welcomes 18- to 40-year-old, Spanish-looking, English-speaking men with fair to medium complexions, dark hair, eyes and lean physiques.” Open calls take place through Sunday, February 27 12:30 to 4:00 pm at Beau Bonneau Casting. More at sfgate.com and beaubonneaucasting.com.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
An early example of Jim Jarmusch’s thorough craftsmanship and characteristic sense of humor, ‘Stranger than Paradise’ stars John Lurie as a young New Yorker obligated to look after his visiting Hungarian cousin for ten days. This seminal ‘80s independent production plays at the Roxie Theater. More at roxie.com.
SF Chronicle: "To attract more motion pictures and commercials to shoot in the city, the Film Commission today launched the Scene in San Francisco Vendor Discount Program offering participating productions discounts at businesses from restaurants and hotels to fitness clubs and entertainment venues." More at SFGate.
YBCA’s ‘Go To Hell For The Holidays: Horror in December’ series continues with Kiwa Moethaisong’s ‘Meat Grinder,’ the story of a disturbed chef who increases her noodle soup sales by adding a simple and grotesque ingredient. More at ybca.org.
Simon Rumley’s low budget Texas-set horror film tells the story of a disconnected, promiscuous young woman who finds friendship in a mysterious Iraq veteran. ‘Red White & Blue’ kicks off YBCA’s Go To Hell For The Holidays: Horror in December series. More at ybca.org.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
A first-team non-fiction feature filmmaker hits it big with miniatures story.
Leah Mahan's 'Turkey Creek' finds a variety of disasters in Mississippi.
Leah Mahan's 'Turkey Creek' finds a variety of disasters in Mississippi.
Leah Mahan's 'Turkey Creek' finds a variety of disasters in Mississippi.
After seeing one of Charles Ludlam's early plays, theater critic Brendan Gill famously remarked, "This isn't farce. This isn't absurd. This is absolutely ridiculous!" Yerba Buena Center for the Arts presents two of Ludlam's rarely seen films: a digitally remastered version of 'The Sorrows of Dolores' (September 24–25) and 'The Impostors' (September 26), where Ludlam stars as a gay magician.
Edward Yang died too soon, but his work remains: An uncut and newly restored version of Yang's intense and epic portrait of life in '60s Taiwan plays at the Yerba Buena Center for the Arts.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
An animator collaborates over the ether to bring 'Them Greeks....!' to life.
The Yerba Buena Center for the Arts' design and architecture series, Something From Nothing, draws to a close with Faythe Levine's 'Handmade Nation,' a documentary about the politics, aesthetics, and ethos of D.I.Y craft in North America that played SF360 Film+Club this past year.
Rare vampire films, including Kathryn Bigelow's Near Dark and Carl Dreyer's unsettling Vampyr, come out of the dark for a weekend at the Yerba Buena Center for the Arts.
Oakland's youth video-production collective The Factory showcases more than a dozen documentary, narrative, and experimental films made by students at the Pacific Film Archive on August 24. A panel discussion with student filmmakers follows.
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Drawing from reality, and yoga practice, an independent production team catalogues childhood's end.
Drawing from reality, and yoga practice, an independent production team catalogues childhood's end.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The maker of Bomb It offers hard-won advice on the marketing of film in the 2010s.
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
The San Francisco Silent Film Festival offers its now expected collection of rare finds, live music and early film amazements
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Frameline34 brought together a wide array of programs following the retrospective impulse.
Scott Boswell’s marvelous debut feature, The Stranger In Us, plays out on Polk Street and in the Tenderloin, far from the oft-photographed glamour spots of San Francisco.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
San Francisco-based video production company recognized for work for Adobe Systems and Izze Sparkling Juice.
Maria Breaux, deep in the heart of production on Mother Country talks about politics, process and her existential road movie.
Gary Hustwit s Helvetica turned a font into a fascination, and Justine Nagan's Typeface takes the topic of type one step further by moving into the past.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
When television first became a dire threat, Hollywood fought the small screen by making the big one really big with vast spectacles worth leaving home for.
San Francisco has a variety of excellent soundstages, but one is trying to save the earth.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
"I wish gay cinema would die", Joe Graham declares. It s not queer movies the San Francisco filmmaker hates, but categories and pigeonholing.
Riding the crest of the Tati tsunami hitting our shores is The Magnificent Tati by Michael House, who lived in S.F. for 12 years before moving to Paris.
With more than 25 documentaries to his credit, many on mathematicians and scientists, George Csicsery is arguably the most prolific filmmaker in the Bay Area.
For handy access to your most valuable footage, here s a method of organizing sequences.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
David Thomson's new book commemorates the golden anniversary of Hitchcock's "Psycho."
The Edit Room: Karen Everett shares tips on how to track multiple versions of Final Cut Pro projects and sequences.
Ask the Documentary Doctor: The Doc examines patience in filmmaking.
Writer/director Carmen Madden's writing reflects just how intimately she comes to see and know a screenplay's world and the characters that inhabit it.
East Bay filmmaker Miles Montalbano is in preproduction on dark coming-of-age story The Recondite Heart, his followup to his lauded debut, Revolution Summer.
The Roxie's Best of Columbia Noir seroes features great films capitalizing on a simple formula: a girl, a guy and a gun.
Ray Telles's ambitious two-hour film, The Storm that Swept Mexico, with a budget north of $1.2 million, reaches out to the world.
The Desert of the Tartars is a story in which the grim certainty that "Nothing will ever happen" is a slow poison that drives men to madness, suicide or other inglorious ends.
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
Katyn is a sizable period saga about a tragic, still-controversial chapter in Poland's 20th-century history, one with particular resonance for Andrzej Wadja.
Blood-soaked, darkly comic All About Evil has writer-director Joshua Grannell and editor Rick LeCompte on an express-train schedule rare for an independent feature.
Blood-soaked, darkly comic All About Evil has writer-director Joshua Grannell and editor Rick LeCompte on an express-train schedule rare for an independent feature.
Tom Shepard revisits the overachieving, hyper-ambitious world of science-obsessed high school seniors in his new film, Whiz Kids.
Wild man of Italian cinema, Marco Ferreri left many films in need of rediscovery (or simply discovery) since his death in 1997.
Berkeley-based filmmaking team Gary Weimberg and Catherine Ryan speak about social justice as a career and their film Soldiers of Conscience.
Iranian filmmaker Cyrus Omoomian documents post-Pinochet Chile in work-in-progress Pushing Towards Democracy.
Michael Fox reviews Brant Smith's In-World War, a dark sci-fi comedy about a beta tester trapped in a futuristic war on terror.
Bringing Rainer's work to a larger audience: Feelings Are Facts: The Life of Yvonne Rainer, a feature-length documentary about the choreographer and experimental filmmaker.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
Davies' latest film recalls his earlier autobiographical narratives, but is also unlike anything he has done before, being nonfiction.
Tom E. Brown talks about producing and funding Pushing Dead, a film about an HIV-positive writer forced to give up his daily drug regimen.
Bay Area filmmaker Jennifer Kroot talks about her inspiration to make a documentary on legendary, underground filmmaking twins George and Mike Kuchar.
In its 12th season, the country's first and largest independent exhibitor of Arab cinema has gotten to be one of the bigger small fests in the Bay Area.
Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.
In 'Crooked Beauty,' mental health is re-imagined and redefined.
YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.
The first of SF360.org's In Production columns looks at two works-in-progress: Laura Lukitsch's film about beards and Lise Swenson's Salton Sea pic.
A look at the films in the 32nd San Francisco International LGBT FIlm Festival indicates the rise of Argentina's new wave.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
In addition to bringing a host of worldwide performers to the Bay Area for the first time, the San Francisco International Arts Festival (May 2-June 8), now in its fifth year, has become an indispensable showcase for collaborative work by leading Bay Area artists and their peers across all manner of geographical, cultural and disciplinary borders. The more than 40 performances in this year’s lineup, taking place at 14 separate venues across the city and in Berkeley, span the worlds of dance, music, opera, theater, visual arts and multidisciplinary work. The following four highlights are all hybrid productions with strong film and/or video components.
Glass: A Portrait of Philip in Twelve Parts is a very close-quartered and loving documentary, a year in the life of the composer.
Medicine for Melancholy is a graceful and poignant film about fleeting urban connections, black identity and invisibility, cultural adventures and this gentrified city's lost soul.
Think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost.
First-time writer/director Jeff Nichols discusses the inspiration behind Shotgun Stories, the initial hurdles in making the film, and the noble nature of his characters.
The Associazone Piemontesi of Northern California, with the Italian Cultural Institute and Regione Piemonte, presents "Cinema Piemonte," four movies made in that beautiful region.
U.S.-Cambodian co-production Holly might easily have gone straight to DVD, which would be a pity because it's well worth rushing to the theatre for.
SF360.org sits down with a criminally little-known director of stage and screen who is arguably the most imaginative, talented multi-hyphenate of his generation.
The co-programmers discuss their newest endeavor, though those already from the Bay Area will be familiar with their work at S.F. Cinematheque.
Few people not employed as directors, producers, cinematographers, costume or production designers have had as much impact on the "look" of movies.
While reality television may have reduced Warhol's 15 minutes to a 15 second sound byte, Kemet is setting his sights well beyond his time.
List: American Cannibal documents two down on their luck television writers, Gil Ripley and Dave Roberts, as they sell their souls to the reality television circuit.
Strand Releasing can always be relied upon for some of the best art films and queer indies, and it has a strong festival presence,
How did Kink.com make it to the Mission? How did Straight Outta Hunters Point get out of Hunters Point? How'd the Roxie get saved?
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
James Longley's Fragments stands out amongst the crowded field of Iraqumentaries, while Others pulls back the Iron Curtain to powerful effect.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
One month ago today, the maverick filmmaker was at the Hamptons International Film Festival reflecting upon his career at a tribute in his honor.
Half of Illbilly Productions and 1/45th of Killing My Lobster, Bancroft has made claymation shorts and perhaps the quintessential rap video, Maximum Wage.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
Eric Steel's disturbing, controversial documentary, The Bridge, focuses on people who end their lives at the famous landmark at the edge of the continent.
Joseph McBride's What Ever Happened to Orson Welles?: A Portrait of An Independent Career catalogs the director's amazingly prolific final 15 years.
Leena Prasad talks about making a sci-fi comedy featuring a pillow and a character named Mark Pantagenet, Foreign Ambassador in just 48 hours.
Marc Huestis talks about his latest film,
Dominic Angerame describes the techniques he used while making Consume, and their surprising results.
George Bush Senior's thousand points of light may never have materialized, but Adam Werbach believes that millions of pixels can truly accomplish something.
Transnational tales stand out at the 2006 San Francisco International Asian American Film Festival.
Michael Fox goes behind the scenes on Peaches Christs' slice-'em-up.