Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Canonized director John Huston's 'The African Queen,' now mostly remembered for its tumultuous production history, was also the director's biggest grossing film, securing Humphrey Bogart his first Oscar for acting. The Alameda Theatre screens this battle-of-the-sexes classic on film Wednesday and Thursday only. More info at alamedatheatres.com.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
Director Aaron Schock speaks at Landmark’s Lumiere Theatre San Francisco and Landmark’s Shattuck Cinemas in Berkeley following select opening weekend showings of his new film, ‘Circo,’ which tells the story of a family’s financial and emotional battles as they struggle to successfully run a circus in Mexico. More at landmarktheatres.com.
Keanu Reeves, James Caan and Vera Farmiga star in Malcolm Venvile’s ‘Henry’s Crime,’ which opens at Landmark’s Embarcadero Center Cinema in San Francisco, Landmark’s Shattuck Cinemas in Berkeley and other Bay Area theaters. The film was an official selection of the Toronto International Film Festival. More at landmarktheatres.com.
Xavier Dolan’s ‘Heartbeats,’ the 2010 Winner of Un Certain Regard Youth Prize at Cannes International Film Festival, opens at Landmark Theatres in San Francisco and Landmark’s Shattuck Cinemas. The film follows two best friends and their attempt to attain the affection of a charming man they’ve just met. More at landmarktheatres.com.
Abbas Kiarostami’s ‘Certified Copy,’ featuring Juliette Binoche, opens at Landmark's Clay and Shattuck as well as the Smith Rafael Film Center. The films tells the story of a man and woman who begin pretending they’re romantically involved and subsequently experience the dynamics of being in a couple. More at landmarktheatres.com and cafilm.org.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
Andrew O'Hehir called Gregg Araki's latest "trashy," "sweet," and "downright disturbing" in Salon. It opens this weekend at the Bridge with Araki in person at evening shows Friday and Saturday. More at landmarktheatres.com.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
The life story of Pakistani politician Benazir Bhutto, the first ever female leader in a Muslim nation, is examined in ‘Bhutto,’ which plays at the Smith Rafael, Clay and Shattuck, with in person filmmaker appearances at select screenings over the weekend. More at caflim.org and landmarktheatres.com.
David Lindsay-Abaire adapts his Pulitzer Prize-winning play for the big screen in director John Cameron Mitchell’s ‘Rabbit Hole,’ the story of a husband and wife struggling to gain control over their lives after a devastating accident. More at landmarktheatres.com.
George Hickenlooper’s final film, ‘Casino Jack,’ features Kevin Spacey in the true story of Jack Abramoff, a Washington D.C. lobbyist whose unabashed greed and reckless behavior throws him and his colleagues into a world of thugs and criminals who solve problems the old-fashioned way. More at landmarktheatres.com.
Director Andrew Jarecki revisits disquieting themes from his celebrated documentary ‘Capturing the Friedmans’ in his debut narrative feature, ‘All Good Things,’ which boasts riveting performances from actors Ryan Gosling and Kirsten Dunst. More at landmarktheatres.com.
Celebrations of photographer R.A. McBride’s and Julie Lindow's elegiac ‘Left in the Dark: Portraits of San Francisco Movie Theatres,' which features photographs cinemas of the past and present matched with scholarly essays on local industry themes, continue. Pacific Film Archive hosts a slide show presentation by McBride and readings by writers including Lindow, Katherine Petrin, Melinda Stone. More at bampfa.berkeley.edu.
Katie Aselton stars in her heartfelt and humorous directorial debut as one half of a married couple struggling with fading desire. They decide that a ‘freebie,’ a guilt-free night with a stranger, may serve as a sexual reawakening and help save their relationship. More at landmarktheatres.com.
Space Gallery hosts the official release of ‘Left in the Dark: Portraits of San Francisco Movie Theatres’ featuring over 50 full color photographs by R.A. McBride, who was granted access to many of the city’s vanished venues as well as its cinema survivors. Events continue all month, all over, from City Lights to Pacific Film Archive to the Exploratorium. More at leftinthedark.info.
The San Francisco movie theater landmark Clay Theatre hosts one last screening of The Rocky Horror Picture Show along with the Bawdy Caste before closing its doors for good this weekend.
SF Chronicle: "One of San Francisco's oldest movie houses plans to shut the lights for good this month. Landmark Theatres will walk away from the Clay on Sunday, leaving the Pacific Heights neighborhood without its single-screen theater. More at SFGate.
Bay Area-made and Mission-inspired, Peter Bratt's La Mission joins Jennifer Kroot's wild and woolly It Came from Kuchar in Bay Area theaters this week.
This little no-budget film has picked up a slew of festival prizes for its character depth, unpredictable storytelling, humor and warmth.
Flame & Citron, one of the most expensive Danish films ever made, is an historical drama that plays like an espionage thriller.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Troell keeps everything emotionally intimate in this lovely film full of grace moments, that chronicles the early 20th-century travails of the Larsson family.
In Strand: A Natural History of Cinema, Christian Bruno pays homage to the pivotal and shifting role of movie theaters in San Francisco's cultural life.
Every morning I wake up with Bollywood movie tunes going through my head. Every. Single. Morning.
The Irish flick might put the leper back in leprechaun, but it's still at heart a reassuringly formulaic hunk of bloody commercial horror.
How does Jean-Jacques Beineix's breakthrough hold up a quarter-century later, duly remastered and freshly subtitle-translated?
U.S.-Cambodian co-production Holly might easily have gone straight to DVD, which would be a pity because it's well worth rushing to the theatre for.
Six features in the week-long series had not been seen in 50 (and in one case 70) years due to legal complications.
For some movies, Sprite and popcorn aren't enough. You need gin and vodka and a room of unruly bodies shouting when they're not supposed to,
Movies are shifting at mach speed from the theater to the home. The future is at hand.
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
We asked the collectively owned and operated theater to come up with a list of their five favorite screenings over the years.
The director talks about his movie Perfume and his perspective as a filmmaker and artist.
Teenager Lucie's (Islid Le Besco) encounter with her idol, the pop diva Lauren Waks (Emmanuelle Seigner), turns into a twisted and creepy psychological relationship.
The language of film may be universal, as the Landmark trailer reminds us, but the critics in major U.S. cities speak their own dialects.
Last week, theater operators Frank and Lida Lee won the battle to save the 4 Star, and announced they'd purchased the building.
The List: The impresario Ôs remarkable 11 years of A-to-Z-list celebrity-repurposing projects.
The List: 25 Bay Area landmarks, including the Roxie and the Fox Oakland, are vying for $1 million in preservation grants from American Express.
Though it won the Silver Bear at the Berlin Film Festival in 1975, Overlord is one of those movies that mostly slipped through the cracks.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
The List: American Blackout director Ian Inaba names the top four Web sites.
Filmmaker Kirby Dick talks about censorship, and discrimination against independent films.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Sundance Cinemas buys the Kabuki 8 and announces plans to reopen as the Sundance Kabuki in early fall 2006.