The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
Actor’s first documentary outing pays tribute to Quest’s influence.
The SF institution returns to the Castro Theatre with 18 rediscovered films and live musical accompaniment. Highlights include a collection of Disney's Laugh-O-Grams, a travelogue of an expedition to the Antarctic and a film once cited as "the single greatest masterwork in the history of cinema" by stately film journal Cahiers du Cinema. More info castrotheatre.com.
David Meiklejohn’s first feature-length documentary, ‘My Heart Is An Idiot,’ which follows Davy Rothbart as he travels and receives love-life advice from those he encounters, plays at Roxie Theater. Zooey Deschanel, Ira Glass, Newt Gingrich and Davy’s mom are among those contributing thoughts. More at roxie.com.
David Meiklejohn’s first feature-length documentary, ‘My Heart Is An Idiot,’ which follows Davy Rothbart as he travels and receives love-life advice from those he encounters, plays at Roxie Theater. Zooey Deschanel, Ira Glass, Newt Gingrich and Davy’s mom are among those contributing thoughts. More at roxie.com.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
'Nostalgia for the Light' may be the most optimistic film in Guzmán's oeuvre, but he still knows how to make us cry, mourn and remember.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Created in 2007 by Eric Slatkin and Carlton Evans to celebrate possibilities of media we might consider "throwaway" (devices like cell phones and pocket cameras), the Disposable Film Festival has grown into a popular one-day event and year-round traveling showcase. This year, it debuts at the Castro Theatre. More at castrotheatre.com.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Screens are getting smaller. From the cineplex to TV to the computer or iPhone screen, surfaces have shrunk but creativity and resourcefulness have expanded.
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a thing as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
With more than 25 documentaries to his credit, many on mathematicians and scientists, George Csicsery is arguably the most prolific filmmaker in the Bay Area.
It was a big year for 3D, but Bay Area critics and film-industry folk found many other dimensions in the cinema of 2009.
Though often made for private reasons, home movies are treasure troves of culture ephemera and social history.
A peripatetic childhood laid fertile ground for the heated imagination of Berkeley-based author Barry Gifford, who has written Wild at Heart and Lost Highway.
Iranian filmmaker Cyrus Omoomian documents post-Pinochet Chile in work-in-progress Pushing Towards Democracy.
The eight films in the San Francisco International Film Festival's Lightness of Being spotlight are Laila's Birthday, Small Crime, Mid-August Lunch, Every Little Step, (Untitled), In the Loop, Our Beloved Month of August and Still Walking.
His personal curiosity on family histories and some actual events, are behind this movie about complex families Ñthose in Mexican gangs and those traveling immigrants looking for a better life in the U.S.
The PFA's series of "essay films," a collection of diverse work, offers the viewer an opportunity to adapt to the peculiar tone of these films.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
Dennis Harvey reviews some of 2008's year-end sobering dramas.
Yun Suh's film City of Borders documents group dynamics and conflict through the doors of a Jerusalem's only gay bar: a locale where anyone can, "come, be themselves, and be accepted."
I confess that for a long while I had the misperception, based on almost no exposure to his work, that French essayist Chris Marker made dense, dry films steeped in political theory and inaccessible to anyone but a narrow strata of irrelevant European intellectuals.
A Telluride veteran gives a festival overview, and explains why film lovers and filmmakers travel to a remote corner of Colorado on blind faith.
Woody Allen's latest is a superb travel guide in addition to being an amusing, intelligent if not exactly profound meditation on fate, chance, and romance.
Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, speaks about the making of Lesh Sabreen?.
Eternally fascinated with extremes of location, Werner Herzog's latest documentary, Encounters at the End of the World, finds the filmmaker exploring life on the edge in Antarctica.
Woman on the Beach is a wonderful introduction to South Korean director Hong Sang Soo's films, in large part due to its subtle comedy.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
The Hole Head Festival takes audiences back to terrifying locales and dangerous situations that should be pleasantly familiar to horror aficionados.
Unlike most experimental filmmakers, Sonbert's collected works have had the benefit of full retrospectives at major museums (SFMOMA, NYMOMA, Guggenheim) and a strong preservation effort.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
"I suddenly found myself surrounded by a group of 15 little [Cambodian] girls aggressively soliciting me for prostitution," Guy Jacobson told a MVFF audience.
Woolf shares insights drawn from his disparate experiences as a filmmaker in Peru, a fisherman in Alaska, and a restauranteur in New York.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Sunshine tells the story of the eight astronauts aboard the ominously named "Icarus II," a vessel bound to kick-start the sun, Earth's last hope for survival.
Reviews: Dr. Bronner's Magic Soapbox and Ten Canoes
For some movies, Sprite and popcorn aren't enough. You need gin and vodka and a room of unruly bodies shouting when they're not supposed to,
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Brand is no short supply of Guy Maddin's usual firecrackers: apostrophe, hyperbole, and of course, catastrophe.
Walking in to interview John Carney and actors/musicians Glen Hansard and Marketa Irglova, the frenetic edge to their on-the-road exhaustion is apparent.
Changes in Hal Hartley's geography and work styles have put distance between his early films and also given the director a chance to experiment with form.
One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.
Hailed as one of the best films of 2005 without distribution, Becker's doc hits theaters nearly two years after it debuted at Sundance.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
The List: Ten to catch at the 9th annual United Nations Association Film Festival October 25 through 29 at Stanford University in Palo Alto.
Director Laura Poitras’ traveled to Iraq for her latest film, “My Country, My Country.”
There's one resource on the Net where some of the best travel videos have congregated, the Emervyille company aptly named TurnHere.
An appreciation of the great actress of cult and mainstream films, before her appearance at a Midnight Mass screening of Death Race 2000.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
A conversation with Pamela Yates, director of State of Fear, on Peru's 20-year war on terror, which bears an unsettling resemblance to U.S. current events.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Al Gore's documentary keeps the viewer thoroughly engaged while offering what may be the most comprehensive explanation of global warming for the layperson that exists.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
San Francisco International Film Festival announces lineup for the 49th annual festival.
Academy of Motion Picture Arts and Sciences (AMPAS) Foundation Film Scholars Program is stimulating and supporting new and significant works of film scholarship. ELIGIBILITY: Applicants must be established scholars, writers, historians or researchers possessing either a significant record of achievement, or exceptional promise and demonstrated accomplishments in their field. Applicants must have written and published at least one book or a comparable collection of articles or monographs. AWARDS: Two grants of $25,000 will be made to qualified and worthy applicants, as reviewed and selected by the Academy's Grants Committee and staff. The Academy will distribute the grant money in two parts: at the commencement and upon completion of the proposed project. The Academy will also cover travel, lodging and per diem expenses, if necessary, for the recipients to attend the Film Scholars awards luncheon and to make their lecture presentation. DEADLINE: Application materials must be received by October 3, 2011. WEBSITE: oscars.org/education-outreach/grants/filmscholars/apply.html.