SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
SF360.org represents a nearly six-year experiment in philanthropically funded film journalism, covering films and filmmaking in the Bay Area and beyond. Published by the San Francisco Film Society, the website debuted February 27, 2006 and was created in a unique collaboration between SFFS and Indiewire, with Susan Gerhard as editor. While SF360.org is no longer publishing feature stories, the SF360 Archive remains the most comprehensive collection of articles about the Bay Area film community, with more than 1,000 feature stories and reviews as well as Indie Toolkit's informative columns about the basics of creating a film and delivering it to audiences. Articles by some of the Bay Area’s most notable voices will remain at your fingertips for the foreseeable future.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Essential SF shines a light on the Bay Area’s legendary, idiosyncratic and multifaceted contributions to the filmmaking world at SF Film Society | New People Cinema, 7:00 pm. An outgrowth of SF360.org’s Essential SF column, the event this year also pays tribute to the half-decade-plus SF360.org project.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Susan Gerhard talks copy, critics and the 'there' we have here.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Leggat’s eventful six-year tenure with the San Francisco Film Society changed an institution as well as the filmmaking landscape in the Bay Area and beyond.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
Graham Leggat (b. March 12, 1960), executive director of the San Francisco Film Society, died at his San Francisco home on August 25, 2011, after an 18-month battle with cancer. He was 51.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
A former Bay Area filmmaker travels the world in search of the secrets of contentment.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Beginnings, endings and the dazzling cinema in between honored in SFFS's annual awards show.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
Richard Press and Philip Gefter pay tribute to a worker's devotion in making 'Bill Cunningham New York.'
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Film professor and farmer Melinda Stone tours San Francisco community centers with film and food for thought.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
The Ivory-Billed Woodpecker may have disappeared for good, but a film about its possible rebirth persists against all odds.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
SF360.org profiles the 2011 roster of Essential SF, an ongoing compendium of the film community’s vital figures and institutions.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
A film about the legendary band Fishbone brings California's past 25 years into close relief.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
The latest Deborah Scranton film takes another look at the Rwandan genocide.
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
Amir Bar-Lev follows a family's continuing fight in 'The Tillman Story.'
The stories of an assassinated soccer star and the nation's most notorious criminal merge in a portrait of '80s-'90s Colombia.
The stories of an assassinated soccer star and the nation's most notorious criminal merge in a portrait of '80s-'90s Colombia.
The stories of an assassinated soccer star and the nation's most notorious criminal merge in a portrait of '80s-'90s Colombia.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
San Francisco itself took a lead role at Film Society Awards Night, the dinner and awards program benefiting the Film Society s year-round Youth Education initiative.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
Films with Bay Area connections featured prominently in the 82nd Academy Award nominations announced yesterday.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
Not surprisingly, Bay Area critics, fans, exhibitors and filmmakers did not arrive at a consensus on the best films of the decade.
It was a big year for 3D, but Bay Area critics and film-industry folk found many other dimensions in the cinema of 2009.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Boston Phoenix film critic Gerald Peary's film tours the rise, fall and reorientation of film criticism in the United States.
Joe Berlinger speaks about the making of an environmental disaster in the Amazon, as seen in his new film, Crude.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Jarmel and Schneider's Speaking in Tongues follows the stories of four public school children studying Mandarin, Cantonese and Spanish along with their English.
Peter Bratt's La Mission focuses on conflict within a family and a neighborhood, exploring what happens when a single father named Che learns a secret about his son that tests his love for his family and his community's love for him.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Michael Jacobs talks about his documentary, which follows Pentecostal Pastor Richard Gazowsky engaged in the creation of an ambitious, multi-million dollar sci-fi-feature on God.
SF360.org joined in on a conversation about Cinematheque's past and present when Steven Jenkins lunched with Jonathan Marlow at Caffe Centro.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
Susan Gerhard blogs on what is strange and new about watching movies in these particular mountains.
Susan Gerhard reports on film and physique highlights at Sundance 2009.
Susan Gerhard reports on film and physique highlights at Sundance 2009.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Bay Area filmmakers, critics and industry pros list their favorite unreleased films of 2008.
The seventh San Francisco International Documentary Film Festival has the potential to be every bit as raucous as the other festivals under the organization's umbrella.
This year's Mill Valley Film Festival shows healthy signs of life for the independent film business.
SF360.org asked Bay Area filmmaker Elizabeth Farnsworth about her film, which follows Judge Juan Guzmán as he investigates General Pinochet's crimes.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
Food scents and film sensibilities mingled in a pungent party atmosphere at the California Culinary Academy.
The Jules Feiffer quote at the bottom of festival superfan Sue Jean Halvorsen's email reads, "Movies are better than real life."
You know a festival is working its way into your brain when, in a landscape of intersecting ideas, you begin to witness the collisions.
Touching Home by Bay Area-raised identical twins Logan and Noah Miller is a largely autobiographical coming-of-age film that radiates sincerity.
Dawn Logsdon and Lolis Eric Elie dig through the rubble of Hurricane Katrina to tell the story of Faubourg TremŽ, which was home to African Americans and fertile ground for political activism, music and literary life.
The SFIFF announced its 2008 program and the June 13 launch of its year-round programming on one screen at the Sundance Kabuki
Two top winners at the SFIAAFF focused on breakadancing, an art form taken up with vengeance by Asians, with Koran teams a particularly dominant force.
Longtime San Francisco Chronicle film critic Judy Stone offers her top ten picks from the 2008 San Francisco International Asian American Film Festival.
Girls Rock watches a few select 8-18 -year-olds overcome the obstacles to claim their rightful place on Earth and wail away.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
Susan Gerhard reflects on Sundance's program with particular attention to sense of place.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
Susan Gerhard enjoys an hour or so inside the wilds of Gondry's brain at the Apple Store, SF.
The entire Bay Area is invited to watch a film simultaneously in the comfort of home, and the selection is a delicate and heartfelt depiction of the director's autistic sister.
The List: We take the opportunity to link you to four short films from the Big Ugly Review, an online publication that includes fiction, nonfiction, poetry, and more.
The S.F. International Animation Festival experienced a major bounce, with a number of sold-out shows in its venue at the Embarcadero Center Cinema.
Kopp's organization is helping filmmakers collaborate by accessing virtual communities, facilitating live gatherings, expanding into book publishing, and more.
We spoke with the filmmaker about his own intersections with his award-winning film on a young man with Mowat-Wilson syndrome.
The List: SF360.org has compiled a short list of environmental filmmakers we hope will one day find a Peace Prize coming their way, too.
SF360.org spoke with Robert Ogden Barnum on guiding four future pop stars onto the big screen in Antonia and his new distribution company.
Let SF360 count the ways Penn can take on the President, the paparazzi, and the possibilities for peace in our time.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Here are a few quick takes on programs that look particularly worthwhile at Madcat.
SF360.org spoke with director Finn Taylor about ÔThe Darwin Awards' and all the films he's directed in a Bay Area that's offered him years of inspiration.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
The List: Frozen Film Festival is a small festival that hopes to capitalize on the fact that San Franciscans like to stay indoors in the summer.
Sicko's story of the mismanagement of U.S. healthcare takes Michael Moore from the U.S. to Canada to Europe, and most notably, to Cuba.
For some movies, Sprite and popcorn aren't enough. You need gin and vodka and a room of unruly bodies shouting when they're not supposed to,
Frameline directors Michael Lumpkin and Jennifer Morris speak about the programming, controversy and the landscape of LGBT films.
A week before the 27th festival, SF360.org spoke with the executive director on what Superfest gets about disability that the rest of the filmmaking world doesn't.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
Not even widely released yet in the States, Philippe Parreno and Douglas Gordon's "ZidaneÉ" has already been considered a portrait of the century.
Just a week out of the SFIFF50 press conference at the Westin St. Francis, and the buzz has already had a chance to build. SF360.org checked in with a few friends in the San Francisco filmmaking scene to see what they’re looking forward to in the 50th edition of the SF International Film Festival. Big winners: Guy Maddin’s “Brand Upon the Brain!” and, of course, the live and in-person tribute to Spike Lee, who — as Strand Releasing’s Marcus Hu reminds us — returns to the Bay Area to receive his Film Society Directing Award in spite of the fact the projector broke during the premiere of “She’s Gotta Have It” at the SFIFF more than 20 years ago.
I’m eager to see Camila Guzman Urzula’s documentary “The Sugar Curtain” for perspectives on life in Cuba from those in their twenties and thirties. I’m curious about how a savvy film critic like Wesley Morris will interview Spike Lee. It will be a welcome occurrence to see two Black men talking on a US festival stage about film.
Cornelius Moore
California Newsreel
“Audience of One:” I know this year the festival is honoring Lucas and Coppola and those guys as local heroes, but really. Hollywood North? What happened? Now here is a group of makers, Pentacostals no less, working on a gargantuan bible epic right down on Ocean Avenue in the old El Rey Theatre. Now that’s hot!
Christian Bruno
Strand, A Natural History of Cinema
Although I’ve already seen it, I look forward to attending the one-off screening of Guy Maddin’s “Brand Upon the Brain!” since each live performance, by design, differs somewhat from the last. No self-respecting (or, for that matter, self-deprecating) cineaste should miss it. Beyond that, I’m particularly interested in Alain Resnais’ latest, “Coeurs” (i.e., “Private Fears in Public Places,” which, due to timing conflicts, I missed in Toronto), reuniting the director with the exceptional playwright Alan Ayckbourn. I remain quite fond of his recent films even if most folks in this country seem to disregard his work after “Mon oncle d’Amerique,” released over a quarter-century ago.
Jonathan Marlow
GreenCine
I love that SFIFF is honoring Spike Lee, I saw “She’s Gotta Have It” when it had its world premiere at SFIFF and remembered what an amazing experience that was when the projector broke!
Marcus Hu
Strand Releasing
I first started attending SFIFF in 1964 while still in high school. I saw the independent “The Luck of Ginger Coffey,” directed by Irvin Kershner and starring Robert Shaw, a fascinating documentary look at a country
The festival kicks off with Emanuele Crialese's Golden Door and closes with Olivier Dahan's Edith Piaf biopic, La vie en rose.
As this week's blanket coverage of David Fincher's Zodiac shows, it's axiomatic that nothing intrigues San Franciscans more than San Francisco. And why not?
It's a big week for Peter Morgan, partly because the SFFS announced he'll receive the Kanbar Award for excellence in screenwriting at the 50th SFIFF.
This year's 125 films follow the fest's growth from 13 films in 1982 in the wake of Wayne Wang's Chan is Missing.
We asked the collectively owned and operated theater to come up with a list of their five favorite screenings over the years.
"Not eating your friends after they have died is a relatively new invention."
The latest launch under the SF Film Society's SF360 banner premieres this week on ComcastSF, Channel 11.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Inteview with the artist and filmmaker on her work and her latest movie, presented at Sundance.
Miljenko Skoknic's list of favorites in Chilean Cinema.
The 1959 reworking of the Greek myth of Orpheus and Eurydice is a bossa nova adventure through Brazilian Carnival, with actor Breno Mello as the black Orpheus.
SF360.org ended the year the way we started it--asking enormous favors from some of our favorite filmmakers: Caveh Zahedi, Sam Green, and Danny Plotnick.
The language of film may be universal, as the Landmark trailer reminds us, but the critics in major U.S. cities speak their own dialects.
The group chose ;Little Children as its Best Picture of 2006 and Guillermo del Toro's Pan's Labyrinth the Best Foreign Language Film.
The group chose ;Little Children as its Best Picture of 2006 and Guillermo del Toro's Pan's Labyrinth the Best Foreign Language Film.
At least three Bay Area-based filmmakers will be making the trek to Park City this year, Jon Else, Steven Okazaki, and Jay Rosenblatt.
You can't imagine a critic like Cheryl Eddy,with her dazzlingly caustic skepticism, ever believed in Santa Claus.
Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.
The List: The impresario Ôs remarkable 11 years of A-to-Z-list celebrity-repurposing projects.
A visit to the 50th anniversary portion of San Francisco Film Society’s web site nets not just the real Truman Capote candidly essaying on life and the movies in a 1974 visit to the SF International Film Festival.
A visit to the 50th anniversary portion of San Francisco Film Society’s web site nets not just the real Truman Capote candidly essaying on life and the movies in a 1974 visit to the SF International Film Festival.
The veteran documentary maker describes the making of Jonestown: The Life and Death of Peoples Temple.
The List: 25 Bay Area landmarks, including the Roxie and the Fox Oakland, are vying for $1 million in preservation grants from American Express.
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
The real voter fraud is orchestrated under the radar, says the director of American Blackout.
Filmmaker Georgia Lee discusses her narrative feature with family member Frances Chang.
The Maquilapolis filmmakers talk about empowering their subjectsÑwomen factory workers in Tijuana.
The List: American Blackout director Ian Inaba names the top four Web sites.
Tributes to Helen Mirren and Tim Robbins highlight the 29th annual edition .
The founder of the Madcat International Film Festival talks about the 2006 lineup.
The List:10 local filmmakers describe what they love about shooting on the streets of San Francisco.
SF360 checks in with a few Bay Area festival insiders to see what they're excited about at upcoming festivals.
The Academy of Motion Picture Arts and Sciences' Academy Foundation bestowed a surprise grant of $150,000 over three years.
There's one resource on the Net where some of the best travel videos have congregated, the Emervyille company aptly named TurnHere.
The List: Ten faves from Eva Sollberger's YouTube series, The Deadbeat Club, which revisits the decade she spent working in the Bay Area film community.
The List: ZeroOne San Jose Global Festival of Art on the Edge presents an array of = augmented realities, artificial intelligences, and interactive pieces.
Film journalist Cathleen Rountree's lists five categories and 27 films of an under-discussed genre: hip hop cinema.
Belic helped a group of youths learn about documentary filmmaking in a program designed to offer media skills to under-served Bay Area high schoolers.
A conversation with Pamela Yates, director of State of Fear, on Peru's 20-year war on terror, which bears an unsettling resemblance to U.S. current events.
A California Film Institute-procured class of 13somethings needed no help deciding their top ten list of surprise movie endings.
Leena Prasad talks about making a sci-fi comedy featuring a pillow and a character named Mark Pantagenet, Foreign Ambassador in just 48 hours.
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."
Danielle Beverly, director of Learning to Swallow, offers some backstory on her filmmaking relationship with artist Patsy Desmond.
SF360 talked to the director of Who Killed the Electric Car?, which opened last week, after his recent stop through the City.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
Bay Area soccer fans offer their takes on the best football films.
In The War Tapes, Deborah Scranton exposes war as an industry - for those who fight it and for those who don't.
Mat Whitecross talks about his documentary The Road to Guantanamo, which takes a look at the inhumanity of U.S. "detainment" camps in Cuba.
16 filmmakers from the Bay Area find at least 15 minutes of fame in the San Francisco International LGBT Film Festival this year.
Wong weighs in on the hardest song to bring to life in Colma: The Musical, a story about a city in which the dead outnumber the living.
Benjamin Morgan talks about his San Francisco-made drama, Quality of Life, and his favorite graffiti sites on the web.
Sheerly Avni talks about his book, Cinema by the Bay, a rich, visual history of San Francisco Bay Area filmmaking.
Marc Huestis talks about his latest film,
A conversation with John Peterson on his unusual farming practices, and the documentary that captures them.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
Four stories from familiar performers who once found themselves in the "formerly employed by" category, taken from Fired!, which plays Docfest 2006.
A list of the 24 reasons why to find yourself in the Mission this Sunday and the rest of the week for the 10th annual Music and Arts Festival.
Docfest founder Jeff Ross explains the S.F. Indie empire's definition of reality filmmaking.
A complete list of the winners of the Golden Gate Awards show, which was all about celebrating the city, with filmmakers of all genres saying a kind word or two about it.
Is it possible that Big Tilda in the real is bigger than Lucy Gray's larger-than-life projections of her onto City Hall?
The revolution will not be televised, but it may be digitized, run through Final Cut Pro, and projected on the screen near you.
The S.F. International Film Festival opened the gates this year to an accredited citizen press corps of bloggers and vloggers.
"I got a call out of the blue," Graham Leggat says, explaining how he left the Film Society of Lincoln Center for the left coast.
If you haven't yet found your repurpose in life, SFIFF's International Remix site might be of use.
George Bush Senior's thousand points of light may never have materialized, but Adam Werbach believes that millions of pixels can truly accomplish something.
Director Caveh Zahedi and his partner, Amanda Field, speak about turning their personal lives over to the public with I Am a Sex Addict.
The List: B. Ruby Rich picks her favorites for the 2006 San Francisco International Film Festival.
San Francisco International Film Festival announces lineup for the 49th annual festival.
Filmmaker Carlos Reygadas discusses his life and work upon the release of his second film, Battle in Heaven.
Sundance Cinemas buys the Kabuki 8 and announces plans to reopen as the Sundance Kabuki in early fall 2006.
The List: How JT LeRoy went from fiction to fact in the media.
A conversation with the filmmakers and one star of "Sentenced Home," about three Cambodian Americans in the process of being exiled.
Asian America everywhere: A talk with San Francisco International Asian American Film Festival directors Chi-hui Yang and Taro Goto.
Jeff Adachi, San Francisco public defender, adds filmmaker to the resume.
The List: In the aftermath of the Roxie resurrection, the five top-grossing films that screened there over the past two decades.
Direct cinema pioneers Richard Leacock and D.A. Pennebaker discuss seeing and believing.
A quick guide to measuring a city's taste in films by its critics' organizations.
With a Leacock-Pennebaker tribute, SF State's Documentary Film Institute proves there's no reason to "revive" cinema verite; it never died.