YBCA screens five films by 27-year old Mexican auteur Nicolás Pereda in this lauded retrospective, justifiably making its San Francisco debut after playing earlier this year to acclaim in points east. Deadpan comedy 'Juntos' plays Thursday. More info ybca.org.
SFFS's Taiwan Film Days opens Friday with director Wang Chi-tsai's well modulated dark comedy 'Formosa Mambo' and an accompanying post-screening party at SF Film Society | New People Cinema. The now annual showcase closes Sunday evening with Chienn Hsiang's riveting 'Ranger.' More info at sffs.org.
SFFS's Taiwan Film Days opens Friday with director Wang Chi-tsai's well modulated dark comedy 'Formosa Mambo' and an accompanying post-screening party at SF Film Society | New People Cinema. The now annual showcase closes Sunday evening with Chienn Hsiang's riveting 'Ranger.' More info at sffs.org.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Up-and-comer Joseph Gordon-Levitt is so good he compensates for the cancer comedy's shortcomings, even if he can't erase them.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
Berkeley-programmed Festival is a favorite for cinephiles; features Caetano Veloso as 2011 Guest Director.
SF institution The Red Vic Movie House celebrates both its anniversary and its closure with screenings of house favorite 'Harold and Maude'—perhaps the quintessential quirky romantic comedy. Those who haven't seen 'Harold and Maude' since its release will delight to revisit its many Bay Area locations and Cat Stevens soundtrack. Red Vic promises a "special birthday treat" for Monday's attendees. More info redvicmoviehouse.com
PFA opens Hands Up! with a double-bill of Polish New Wave legend Jerzy Skolimowski's early European works, 'Deep End' and 'The Shout,' both featuring bleak comedy, dynamic camera work and soundtrack contributions by then-avant touchstones (Can and Genesis, respectively). The series runs through August 25, see Dennis Harvey's in-depth coverage here. More info bampfa.berkeley.edu.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
Prolific producer, art-house fave and proponent of "radical banality" Hong Sang-Soo juxtaposes moments from a young woman's relationships with two men, a year apart, in the formalist comedy/romance ‘Oki's Movie.’ Screens at Yerba Buena Center for the Arts. More at ybca.org.
Potent period nostalgia and Peter Sellers' impeccable comedic timing ignite this goofy ode to tuning in, turning on, and wondering... what now? This dippy comedy was an inspiration for Mike Meyer's 'Austin Powers' franchise. More at sfmoma.org.
Prolific producer, art-house fave and proponent of "radical banality" Hong Sang-Soo juxtaposes moments from a young woman's relationships with two men, a year apart, in the formalist comedy/romance ‘Oki's Movie.’ Screens at Yerba Buena Center for the Arts. More at ybca.org.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
The 1967 nearly dialogue-free comedy ‘Playtime,’ which is the fourth feature and the most notably boldest piece from late French filmmaker-actor Jacques Tati, plays at Castro Theatre. More at castrotheatre.com.
Josh Shelov’s comedy ‘The Best & The Brightest’ plays at Roxie Theater before its wide release this summer. The film features Neil Patrick Harris and Bonnie Somerville as yuppies from New York fighting to get their daughter into an elitist private kindergarten. More at roxie.com.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
Ozon's Deneuve vehicle, filled with comedy and politics, travels well.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
Mariana Chenillo’s comedy ‘Nora’s Will' (Cinco Dias Sin Nora), winner of seven Mexican Ariel Awards, including best picture, actor, supporting actress and screenplay opens at the Smith Rafael as well as Landmark's Bridge and Shattuck. More at cafilm.org and landmarktheatres.com.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
Writer-director Todd Solondz revisits familiar themes and characters in his latest offering, a sequel to 1998’s critically acclaimed ‘Happiness.’ In ‘Life During Wartime’ Solondz proves he is one dark comedy’s most serious players as he further dissects the struggles of the Jordan family. Plays at the Red Vic on $7 night. More at redvicmoviehouse.com.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
Lyes Salem’s dark comedy ‘Masquerades’ opens the Arab Film Festival at the Castro; it tells the story of Mounir, a young Algerian misfit who informs the whole town his narcoleptic sister Nim is engaged to a handsome, wealthy foreigner. The festival runs October 14–24. More at arabfilmfestival.org.
The preeminent voice of mainstream American comedy struggled long and hard as a standup before successes '40 Year Old Virgin,' 'Knocked Up' and 'Funny People.' Writer, producer and director Judd Apatow sits down to discuss his life and work with Bay Area author and screenwriter Dave Eggers at the Herbst.
Pacific Film Archive celebrates the iconoclastic Portuguese filmmaker João César Monteiro with a curated collection of his films. This week's programs offers Monteiro's figurative and literal journey through Portugal with 'Trails' (September 24) and an exaltation of sensual pleasure, 'God's Comedy' (September 25).
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
'Change of Plans' charts an eventful year in the lives of a dozen or so disparate Parisians.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
Filmmakers working with Duvall, Murray and Spacek talk about humor, perseverance, and process.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
San Francisco filmmaker Jon Bowden brings a second comic feature, The Full Picture, to screens.
It s not a laugh-out-loud film, but Looking for Eric can be considered a comedy…in comparison to just about any other Ken Loach movie you could name.
It s not a laugh-out-loud film, but Looking for Eric can be considered a comedy…in comparison to just about any other Ken Loach movie you could name.
Director of Programming Rachel Rosen and programmers Rod Armstrong, Audrey Chang and Sean Uyehara shared thoughts on 177 films from 46 countries.
Steve Buscemi is one of those actors people are instantly happy to see on screen, even if their recall stretches no farther than, Hey, it's that guy!
As soon as the silent era hit sound circa 1927, musicals became a leading genre worldwide. How could their appeal possibly die out?
You could make a case for Tati as the last great silent comedian even if he didn't begin making features until two decades into the sound era.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Dennis Harvey weighs in on the upcoming films of the holiday season.
Francois Truffaut’s The 400 Blows is being revived as part of San Francisco Film Society’s second annual French Cinema Now festival, which runs the week of October 29 through November 4 at the city’s Clay Theatre.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
At their respective festival tributes, the actors gave entertaining and revealing onstage interviews.
First Person: How can people respond in diametric and, at times, vitriolic opposition to the same film? Mine.
High-concept cabaret-act favorite in the Bay Area who sidelines as a filmmaker, Cory McAbee (The American Astronaut) speaks about his latest, Stingray Sam.
Behind any narrative for the screen is the story that came before it—the life that shaped the central character, who arrives fully formed as your story opens
Bay Area favorite Bob Goldthwait, whose pop culture moment seemed to expire in the mid '80s, returns with comedic vengeance via World's Greatest Dad.
Bay Area favorite Bob Goldthwait, whose pop culture moment seemed to expire in the mid '80s, returns with comedic vengeance via World's Greatest Dad.
Director Armando Iannucci's razor-sharp satire is about how the politics of spin can determine critical decisions on both sides of the Atlantic.
What's the key to writing comedy that sticks with us, despite perhaps an overblown story line or how lost and low-down the characters seem at the time?
What's the key to writing comedy that sticks with us, despite perhaps an overblown story line or how lost and low-down the characters seem at the time?
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
At a film festival called Another Hole in the Head, dedicated to sci-fi, horror and fantasy, catastrophic carnage meets comedy more often than not.
Despite a few flaws in story and continuity, Drag Me to Hell offers the pleasures of a first-class entertainer thoroughly enjoying himself.
Michael Fox reviews Brant Smith's In-World War, a dark sci-fi comedy about a beta tester trapped in a futuristic war on terror.
Michael Fox reviews Brant Smith's In-World War, a dark sci-fi comedy about a beta tester trapped in a futuristic war on terror.
The eight films in the San Francisco International Film Festival's Lightness of Being spotlight are Laila's Birthday, Small Crime, Mid-August Lunch, Every Little Step, (Untitled), In the Loop, Our Beloved Month of August and Still Walking.
If it grows darker than one might expect, Observe still hesitates at becoming a true black comedy; it's more medium-gray, earning stripes for breaking from current comedy norms on a moment-to-moment basis without quite arriving at an original, fully-developed whole. But Hill has a good eye, ear (the soundtrack choices are notably sharp), sense of off-kilter pacing, and, most importantly, a firm grasp on character.
Oscar-nominated cinematographer César Charlone recently codirected his first theatrical feature film, a darkly comic farce about Pope John Paul II.
SF Sketchfest pays tribute to Bud Cort with a live Q&A and screening of Harold and Maude.
SF Sketchfest pays tribute to Bud Cort with a live Q&A and screening of Harold and Maude.
Matt Sussman draws conclusions about women and Hollywood from three big women-oriented films of 2008.
Tom E. Brown talks about producing and funding Pushing Dead, a film about an HIV-positive writer forced to give up his daily drug regimen.
Dennis Harvey reviews some of 2008's year-end sobering dramas.
Québec's thriving regional cinema is showcased in San Francisco Film Society's latest mini-festival addition to the annual Bay Area movie calendar.
Bay Area filmmaker Jennifer Kroot talks about her inspiration to make a documentary on legendary, underground filmmaking twins George and Mike Kuchar.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
Religulous is a desperately awaited and already vehemently decried film by Bill Maher and director Larry Charles.
Thomas Michael remembers well the birth of Hank and Mike, the titular blue-collar Easter bunnies in director Matthiew Klinck's absurdist workplace comedy.
Thomas Michael remembers well the birth of Hank and Mike, the titular blue-collar Easter bunnies in director Matthiew Klinck's absurdist workplace comedy.
For all his lasting wholesome appeal, Stewart was an oddity: Gangly, stammering, Pennsylvania-drawling and not particularly attractive by 1930s studio standards.
Think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost.
The 26th annual SFIAAFF plays in San Francisco, Berkeley and San Jose, and kicks off with Wayne Wang's A Thousand Years of Good Prayers.
The Associazone Piemontesi of Northern California, with the Italian Cultural Institute and Regione Piemonte, presents "Cinema Piemonte," four movies made in that beautiful region.
In addition to practically every extant band you’d want to see, an art exhibit, and comedy shows, there are movies at Noise Pop.
Underneath The Band's Visit's poignant humor, the film subtly reflects the director's attempt to comprehend Israel's pull between the Middle East and the West.
Underneath The Band's Visit's poignant humor, the film subtly reflects the director's attempt to comprehend Israel's pull between the Middle East and the West.
Even when just stringing gags together in his early comedies, Woody raised the level of the game, making humor intellectual and the intellectual humorous.
Judd Apatow has come to so dominate American comedy that I often find myself thinking, "If only this movie had been written by Apatow..."
Judd Apatow has come to so dominate American comedy that I often find myself thinking, "If only this movie had been written by Apatow..."
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
The Arab Film Festival, now in its 11th year, is featuring not just 80 movies from 13 countries, but is also including screenings in LA, a first for a Bay Area-based fest.
The Mill Valley Film Festival turns 30 years young this year, sporting none of the girth and wobbly ankles suffered by other way-out-west fests that began life in 1978.
SF360.org spoke with director Finn Taylor about ÔThe Darwin Awards' and all the films he's directed in a Bay Area that's offered him years of inspiration.
Delpy, who studied film at NYU in the early '90s, spoke fluent, rapid-fire English during a late-July visit to San Francisco.
Although it's too early to write Allen off, it's also clear that he hasn't connected with younger audiences in a long time, so who's the next Woody Allen?
SF360.org reviews Shane Meadows' finest directorial effort yet and an offbeat coming-of-age comic-drama.
in Claude Chabrol's latest film, Isabelle Huppert plays a judge plunging headlong into a dangerous investigation of french corruption and gender dynamics.
in Claude Chabrol's latest film, Isabelle Huppert plays a judge plunging headlong into a dangerous investigation of french corruption and gender dynamics.
White's heroes and heroines are content with their mundane lives until some uninvited intruder or unforeseen event exposes their frustration and complacency.
“I Don’t Want to Sleep Alone” puts its melodrama and comedy within a Malaysian mattress. 1962’s “Mafioso” may be the mob-chronicle genre’s ground zero.
Daniel Burman's smartest play was casting Daniel Hendler as his onscreen alter ego. Michael Apted's worthy Grace, reminds that period pieces make effective message movies.
SF IndieFest's founder/director Jeff Ross announced the ninth edition of the Bay Area's indie showcase festival
A delightfully funny movie on boy-men redeeming themselves from New Zealand, and Mark Becker's absorbing documentary on a musician in the Mission.
Rock&Roll, romantic comedy, fantasy and adventure, among the themes of this year's festival.
Rock&Roll, romantic comedy, fantasy and adventure, among the themes of this year's festival.
The product of a true cinematic innovator and gloriously individual poet, Broughton's film work remains much too idiosyncratic to be deconstructed,
It would not seem to bode well for the stewardship of studio classics that Preston Sturges's indomitable comedies have been so slow to DVD.
You can't imagine a critic like Cheryl Eddy,with her dazzlingly caustic skepticism, ever believed in Santa Claus.
Half of Illbilly Productions and 1/45th of Killing My Lobster, Bancroft has made claymation shorts and perhaps the quintessential rap video, Maximum Wage.
Why do updates of Jerry Lewis flicks get more slack from critics than Zailian's "All the King's Men" and Demme's "The Manchurian Candidate?"
The founder of the Madcat International Film Festival talks about the 2006 lineup.
Leena Prasad talks about making a sci-fi comedy featuring a pillow and a character named Mark Pantagenet, Foreign Ambassador in just 48 hours.
Four stories from familiar performers who once found themselves in the "formerly employed by" category, taken from Fired!, which plays Docfest 2006.
Four stories from familiar performers who once found themselves in the "formerly employed by" category, taken from Fired!, which plays Docfest 2006.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
Until the 1960s, Hollywood cast S.F. as a city where everyone was too busy brawling, floozing,and plotting intrigue to exclaim,"Look at that view!"
The newest film festival on the dock, Tiburon International, turns a tourist town around.