With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Accompanied by a program of solar system shorts, Travis Wilkerson’s 2003 look at ruthless union-busting and the rise and fall of Butte, Montana, offers eerie resonance.
Expectations defied in Taiwan Film Days. It could be argued that Taiwanese cinema, best known through the work of three auteurs, Edward Yang, Hou Hsiao-hsien and Tsai Ming-liang, is not tied to audience-generating genres. It’s certainly been able to travel more diverse cinematic avenues than some of its neighbors. San Francisco Film Society's Taiwan Film Days running from October 14–16, however, offers evidence for any number of arguments you’d like to make about Asian cinema and Taiwan in particular. On the docket this year are ...
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
San Rafael’s Indigo Films makes fascinating crime fare for cable on a DIY-sized budget.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
Mill Valley amps up the star wattage in its annual mix of local, international titles.
The Booksmith and Berkeley Arts & Letters join forces to bring celebrated actor John Lithgow to the Sundance Kabuki for an evening in discussion of his new autobiography, 'Drama: An Actor's Education.' More info/tickets at brownpapertickets.com.
The Booksmith and Berkeley Arts & Letters join forces to bring celebrated actor John Lithgow to the Sundance Kabuki for an evening in discussion of his new autobiography, 'Drama: An Actor's Education.' More info/tickets at brownpapertickets.com.
Noir continues at the Roxie with Elliot Lavine's updated week-long program of star-studded classics and rediscovered TV noir rarities. More info at roxie.com.
Noir continues at the Roxie with Elliot Lavine's updated week-long program of star-studded classics and rediscovered TV noir rarities. More info at roxie.com.
YBCA screens Brillante Mendoza's 'Lola,' a drama tracking the consequences of a crime on two grandmothers, one related to the victim, another the suspect. Infrequently seen on western screens, Mendoza is regarded in his native Philippines as a cinematic master and the leading light of Kapampangan film. More info at ybca.org.
YBCA screens Brillante Mendoza's 'Lola,' a drama tracking the consequences of a crime on two grandmothers, one related to the victim, another the suspect. Infrequently seen on western screens, Mendoza is regarded in his native Philippines as a cinematic master and the leading light of Kapampangan film. More info at ybca.org.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Audience-engaging stories in a variety of genres highlight SFFS's inaugural Hong Kong Cinema weekend.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Pacific Film Archive screens 'The Makioka Sisters,' Kon Ichikawa's gorgeous and understated women's drama based on Tanizaki's novel of the same name. Lush color sequences of beautiful kimonos and cherry blossoms falling make this subtle masterpiece a joy to view on the large screen. New 35mm print shows Wednesday and Friday only. More info at bampfa.berkeley.edu.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Jesse Hawthorne Ficks celebrates his M4M series' tenth anniversary with another unique triple bill: beloved cheesy dance dramas 'Flashdance,' 'Dirty Dancing' and rare Golan/Globus gem 'The Apple,' which manages to out-flash even 'Flash Gordon' both in spectacle and senselessness. More info at castrotheatre.com.
The 31st San Francisco Jewish Film Festival, world's largest showcase of Jewish films, continues this week, opening at Berkeley's Roda Theatre on Saturday with a screening of historical drama 'Sarah's Key' starring Kristin Scott Thomas. The festival screens at a number of Bay Area venues. More info at sfjff.org.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
'Cameraman: The Life and Work of Jack Cardiff' is a lovely portrait of an innovator and consummate craftsman.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Fassbinder's retro-chic, thought-provoking 'World on a Wire' finds the 'future' is now.
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
Filmmaker talks about Chicago, identity, music and the making of ‘Polish Bar.’
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
The 31st San Francisco Jewish Film Festival, the world's largest showcase of Jewish film, opens at the Castro Theatre on Thursday with Israeli drama 'Mabul' (The Flood, nominated for six of Israel's 'Oscars'), and runs through August 8 at a number of Bay Area venues. An Opening Night bash follows at the Swedish American Hall. More info sfjff.org.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
SF filmmakers Peter Adair and Ellen Bruno created classics on religious intensity.
The Modern Lovers frontman and man-about-town Jonathan Richman presents Tony Gatlif's 'Vengo', a Spanish gitano drama/musical featuring performances by noteworthy modern flamenco fixtures. Richman and flamenco master Kenny Parker will perform at screening. More at redvic.com.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
New series spotlights the fascination with Mexico in American noir.
YBCA screens a North Korean drama about a young soccer player and the lengths he'll go to for team and country. Considered a classic in its homeland and helmed by famed director Pak Chong-song, infrequently seen 'Centre Forward' shows Thursday. More at ybca.org.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
Ben Sombogaart’s ‘Bride Flight’ opens at Smith Rafael Film Center. The Dutch feature pursues drama in the stories of three women taking a plane flight to meet their awaiting fiancés. More at cafilm.org.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The devil is in the details of I Wake Up Screaming, the Roxie's annual two-week spring celebration of noir's shadiest titles.
The best advice for creating the perfect Act III? Surprise yourself.
The best advice for creating the perfect Act III? Surprise yourself.
The best advice for creating the perfect Act III? Surprise yourself.
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
Oliver Stone reflects on his own heated past, and the world’s, as he accepts the Founder’s Directing Award onstage at the Castro Theatre during SFIFF54.
‘She Monkeys,’ a coming-of-age psychological drama about the friendship and competitiveness of two teenage females fighting for a spot on the local equestrian vaulting team, plays at Sundance Kabuki Cinemas on April 25 and 26, with director Lisa Aschan in attendance. More at fest11.sffs.org.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
Mike Mills and Ewan McGregor lit up the Castro on San Francisco International's opening night.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Films in the 54th SFIFF immerse viewers in distant times, unique places.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
SF International's 54th wide-ranging program is announced.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
Rosenblatt’s meditative essay on the difficult subject of suicide finds its way to HBO. Narrative films may occasionally conjure the shock of a suicide—last year’s The Father of My Children is a fine example—but it’s the nature of character dramas to keep pace with the living rather than meditate in the shadow of loss. In his most recent lyrical essay-film, The Darkness of Day, local filmmaker Jay Rosenblatt creates such a meditative space, intertwining different stories and perspectives of suicide: near and far, first-person and third, male and female, young and old, anonymous and notable. Rosenblatt cues the multiple narratives to a poetic stream of found...
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
'Surrogate Valentine's' Goh Nakamura offers his fans some sugar as his starring role closes SFIAAFF 2011.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Apichatpong Weerasethakul’s much anticipated ‘Uncle Boonmee Who Can Recall His Past Lives,' a dramatic feature that tells the story of a dying man who visits the incarnations of his past lives in his final days, remains at the Sundance Kabuki Cinemas for a few days. More at sffs.org.
Apichatpong Weerasethakul’s much anticipated ‘Uncle Boonmee Who Can Recall His Past Lives,' a dramatic feature that tells the story of a dying man who visits the incarnations of his past lives in his final days, remains at the Sundance Kabuki Cinemas for a few days. More at sffs.org.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Breaking down the common licensing terms.
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
Apichatpong Weerasethakul returns to the jungle, and full-on magic realism, with 'Uncle Boonmee.'
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Artist in Residence speaks on cities, Siberia, family and life in the Middle East.
SFFS Screen presents Alexei Popogrebsky’s, ‘How I Ended This Summer,’ a psychological drama about two men's relationship over a summer of working at a meteorological station in the Arctic Circle. The film plays at Sundance Kabuki Cinemas. More at sffs.org.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
Variety: "Marking another acquisition partnership coming out of the Sundance Film Festival, Roadside Attractions will team with Participant Media," handling U.S. theatrical distribution rights of writer and director Maryam Keshavarz's Iranian drama 'Circumstance.' More at variety.com.
SFFS Screen offers ‘Come Undone,’ Silvio Soldini’s recent dramatic film featuring Alba Rohrwacher of ‘I Am Love.’ The film examines the reasons behind and subsequent emotional effects of a couple's extramarital affair. The film plays at Sundance Kabuki Cinemas. More at sffs.org.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
The Bay Area film community sounds off on the best/worst trends, times, docs and Bay Area-made films of 2010.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Film fans and makers agree to disagree on the best films of 2010 in SF360.org's annual Year in Film poll.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
When structuring a screenplay, sometimes you need to leave the "advice" behind.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
The year closes with six weeks of strong foreign and arthouse awards-seekers as well as solid franchise holiday entertainments.
A longtime friendship grows into a film.
A longtime friendship grows into a film.
A longtime friendship grows into a film.
San Francisco Film Society’s New Italian Cinema series wraps up this week at Landmark’s Embarcadero Center Cinema. Upcoming films include Giuseppe Capatondi’s thriller ‘The Double Hour’ and Luis Prieto’s heartfelt drama, ‘I Am Glad You Are Here’ (pictured). The Closing Night film is Paolo Virzì’s ‘The First Beautiful Thing’ with a reception at Fior d’Italia, 2237 Mason Street. More at sffs.org.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
Olivier Assayas's 'Carlos' chases after a notorious phantom. Since premiering out of competition at Cannes, nearly all the write-ups of Olivier Assayas’s Carlos have located the film amidst the post–War on Terror flurry of dramatizations of the self-styled revolutionaries of the 1960s and ’70s (e.g. Che, United Red Army, The Baader Meinhof Complex and locally produced documentary The Weather Underground). This is as it should be: it’s often noted that Assayas wrote for Cahiers du Cinéma before he became a filmmaker, but more than his other movies Carlos works as criticism. In particular, it’s clear that Assayas is having....
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
Appearances deceive in Lyès Salem’s 'Masquerades,' at the Arab Film Festival.
This sizzling new drama by director Gaspar Noe opens at Landmark Theaters. Look for more on SF360.org later this week.
Two critics offer opposing views on an audience-dividing arthouse buzz-magnet, Gaspar Noé's 'Enter the Void.'
Two critics offer opposing views on an audience-dividing arthouse buzz-magnet, Gaspar Noé's 'Enter the Void.'
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Mill Valley brings an eclectic collection of indies and world cinema to audiences.
Friends, enemies, Facebook: 'The Social Network' dramatizes the making of a Web phenomenon.
Friends, enemies, Facebook: 'The Social Network' dramatizes the making of a Web phenomenon.
Friends, enemies, Facebook: 'The Social Network' dramatizes the making of a Web phenomenon.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Surprising themes and high profile documentaries are among the highlights of the Telluride 2010 lineup.
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
The second screening in Film on Film Foundation's Film Maudit program, a curated reconsideration of oft-maligned and misunderstood films, is Franco Zeffirelli's unabashed melodrama 'Endless Love.'
SFFS Screen presents Robert Guédiguian’s 'Army of Crime,' a historical drama that follows a cell of Jewish and communist resistance fighters led by French Armenian poet Missak Manouchian and his wife Mélinée.
The director of Life During Wartime speaks about fear, loathing, and emotional truth.
The director of Life During Wartime speaks about fear, loathing, and emotional truth.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
Maren Ade’s second feature is striking for what it doesn't do as it follows ordinary lives through a failing relationship.
Maren Ade’s second feature is striking for what it doesn't do as it follows ordinary lives through a failing relationship.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Storytelling took center stage at the U.S.'s pre-eminent documentary film festival, Silverdocs, headquartered in Silver Spring, Maryland.
Hirokazu Kore-eda's Air Doll is a conceptual gamble pulled off with a master’s grace and subtlety.
Hirokazu Kore-eda's Air Doll is a conceptual gamble pulled off with a master’s grace and subtlety.
Frameline34 brought together a wide array of programs following the retrospective impulse.
Scott Boswell’s marvelous debut feature, The Stranger In Us, plays out on Polk Street and in the Tenderloin, far from the oft-photographed glamour spots of San Francisco.
Frameline34 takes a fresh look at Andy Warhol's world while offering a view to the world of international LGBT cinema 2010.
Making a film called Stagecoach in the Sky as part of the 48 Hour Film Project requires planning, as well as a flying boat.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
Ondine finds Neil Jordan back on personal terra firma with a story (his own, in conception and screenplay) that sits exactly on the thin line separating reality and fantasy.
A literary adaptation filled with first-class actors in sumptuous settings, City doesn't fall too far from the familiar Merchant-Ivory tree.
William Shatner has survived as a unique sort of elder showbiz statesman, one who is willing to be the butt of jokes because he is in on them.
A letter from Iranian filmmaker Abbas Kiarostami speaks out against Ministry of Guidance and Islamic Cutlure and in solidarity with detained director Jafar Panahi.
Laura Poitras speaks during SFIFF53 about the process of creating The Oath from the stories of Osama Bin Laden's former bodyguard and driver.
We caught up with several Bay Area makers, fresh off their high-energy screenings at SFIFF53 and primed to keep the momentum rolling.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Films about our species enduring capacity to be inhumane toward its own are perennials at festivals, and will be so as long as wars are waged.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
Inuit peoples—the indigenous cultures rooted in Arctic regions from Alaska to Greenland—have an honored place in film history, dating to Flaherty's Nanook of the North.
When television first became a dire threat, Hollywood fought the small screen by making the big one really big with vast spectacles worth leaving home for.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
YBCA s month-long, six-part Human Rights and Film series closes with two documentaries on the Arab-Israeli conflict made 35 years apart.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
People are fascinated by the lives of others. But can someone make a doc, biopic, historical or narrative film about a famous person without their permission?
Last month's nominations announcement was anticipated with unusual interest, largely because the Academy reverted to ten Best Picture nominees, a practice abandoned in 1943.
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
You might fare better in today's market with a character-driven story, the Doc Doctor advises.
As soon as the silent era hit sound circa 1927, musicals became a leading genre worldwide. How could their appeal possibly die out?
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
"I wish gay cinema would die", Joe Graham declares. It s not queer movies the San Francisco filmmaker hates, but categories and pigeonholing.
While the U.S. moved from rebuilding decimated skyscrapers to the rebuilding of an entire economy, film moved from the multiplex to the mailbox to the mobile.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
Highlights from the 2009 San Francisco Silent Film Festival winter event.
Dennis Harvey weighs in on the upcoming films of the holiday season.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
This little no-budget film has picked up a slew of festival prizes for its character depth, unpredictable storytelling, humor and warmth.
Francois Truffaut’s The 400 Blows is being revived as part of San Francisco Film Society’s second annual French Cinema Now festival, which runs the week of October 29 through November 4 at the city’s Clay Theatre.
There's an advantage to being an insulated American while watching Tom Hooper's dramatization of an important part of the life of football coach Brian Clough.
A new, four-day showcase of local filmmaking doubles as a forum for the region's influence as subject and setting for filmmakers beyond the bay.
Beyond Words: The people who back up the main character are often key sources of revelation, unmasking aspects of personality, motivation and backstory.
East Bay filmmaker Miles Montalbano is in preproduction on dark coming-of-age story The Recondite Heart, his followup to his lauded debut, Revolution Summer.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
The story of teenagers living like a savage, roaming pack of animals, The Beautiful Person locates a classic in a contemporary setting.
Flame & Citron, one of the most expensive Danish films ever made, is an historical drama that plays like an espionage thriller.
Jager McConnell speaks about Scary Cow, a filmmakers' co-op that offers experience, people, money and equipment to aspiring filmmakers with ideas to burn.
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
The Sixth Screen: Veteran journalists and filmmakers alike are polishing up their resumes, contemplating the hospitality industry, and wondering: Who stole my career?
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
In this year's Frameline Fest, as so often in life, it's all about the one(s) that got away.
A dose of self-affirmation arrives with Frameline33 (or, if you prefer, the multiple-breath-intake-requiring San Francisco International Lesbian Gay Bisexual Transgender Film Festival.)
Avoiding Disaster: Clearing music is one of those horrible, arduous, frustrating tasks that needs to be done in order to show or sell a film.
The Miller brothers take their memoir-release to the local ballpark.
The Miller brothers take their memoir-release to the local ballpark.
Hong Sang-soo's Night and Day is a comedic unraveling of a South Korean art student's gaffes throughout Paris.
Philippe Garrel sticks to his highly-personal aesthetic in Frontier of Dawn.
Fear-Free Fundraising: Holly Million pitches her approach to securing donors, The Six Degrees of Kevin Bacon.
SFIFF handed out approximately $100,000 and announced the winner San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grant during its Golden Gate Awards.
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
An Evening with Francis Ford Coppola & Friends honored Coppola with the Founder Directing Award and included a moderated discussion with editing/sound design genius Walter Murch, director Carroll Ballard, scenarist-turned-director Matthew Robbins, and George Lucas.
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
The San Francisco Film Society awarded Francis Ford Coppola the Founder & Directing Award this week. Justin Juul offers us five reasons why San Francisco loves Coppola.
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
The Professionals an ambitious array of panels, case studies and discussions, makes its debut as a forum for encouraging Bay Area moviemakers to engage with guests and colleagues.
Peter Bratt's La Mission focuses on conflict within a family and a neighborhood, exploring what happens when a single father named Che learns a secret about his son that tests his love for his family and his community's love for him.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Where would cinema be without good, old-fashioned youthfulness? Hence: Youth Bring the Truth, a showcase for promising pre-adult media-makers including several local teenagers from this year's San Francisco International Film Festival.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
The films of William Kentridge make up a significant and absorbing part of the San Francisco Museum of Modern Art enthralling survey of recent work by the acclaimed South African artist
His personal curiosity on family histories and some actual events, are behind this movie about complex families Ñthose in Mexican gangs and those traveling immigrants looking for a better life in the U.S.
Troell keeps everything emotionally intimate in this lovely film full of grace moments, that chronicles the early 20th-century travails of the Larsson family.
The retrospective offers fascinating, if not always exemplary, viewing of what could be called a cinema of disaster: characters face the worst, or are living in its aftermath, and like the audience, they are provided with no easy answers.
The retrospective offers fascinating, if not always exemplary, viewing of what could be called a cinema of disaster: characters face the worst, or are living in its aftermath, and like the audience, they are provided with no easy answers.
Sound design: in a documentary can be a great ally in bringing real life to the screen, and the dilemma is not whether to use this wonderful story device but rather how and in what context.
Like the strictest kind of verite doc, Gomorrah simply presents activity, without "introducing" characters or spelling out their circumstances or motivations.
Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.
Beyond Words: To pull off an adaptation, you must translate the unwieldy bulk of the original story into a breathing and transformative tale on screen.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
With a roster that sprawls from horror to softcore to verite-style drama and documentary, the only constant is that you won't be bored.
Grants totaling $3 million for narrative feature films made in the Bay Area will be distributed by the SFFS and the Kenneth Rainin Foundation.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Susan Gerhard reports on film and physique highlights at Sundance 2009.
SF Sketchfest pays tribute to Bud Cort with a live Q&A and screening of Harold and Maude.
Avoiding Disaster: George Rush writes on the conundrum of not getting money for a project without a known cast, and not getting a cast without a bunch of money.
Wenders, one of the stellar directors of "New German Cinema," is this year's honoree at the 14th annual Berlin & Beyond festival.
Sebastopol-based screenwriter Pamela Gray's approach to screenwriting is the literary equivalent of the slow food movement.
Dennis Harvey reviews some of 2008's year-end sobering dramas.
Dennis Harvey reviews some of 2008's year-end sobering dramas.
Bay Area filmmakers represented at Sundance.
Bay Area filmmakers represented at Sundance.
The Pacific Film Archive shows Discovering Teuvo Tulio, a four-film retrospective of works from Finland's master of over-the-top melodrama in the 1930s and '40s.
Michael Fox chats with Gus Van Sant and screenwriter Dustin Lance Black on the eve of Milk's much-anticipated theatrical release.
A director who lives in both Switzerland and New York leads a Swiss-German coproduction about two women from former Yugoslavian territories who meet in Zurich.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
Whether you dig jazz or not, O'Day's charisma and story make this movie riveting.
'It takes your guts and your entrails and your soul to make a film,' Mikels once proclaimed. 'It takes everything you possess within you!'
A film from 1961, The Exiles is a long-in-making unvarnished look at 12 hours in the lives of a group of American Indians who have come to Los Angeles.
As an Asian film fan, it's a miracle I keep my day job at this time of year.
Boarding Gate is raw, silly, bloody, funny, carnal, intricate, coarse and self-conscious. It all suggests Olivier Assayas has a lot more surprises in him yet.
Small-town "heartland" America that once held our majority populace is now seldom seen on screen. Jeff Nichols debut feature Shotgun Stories is an exception.
The Associazone Piemontesi of Northern California, with the Italian Cultural Institute and Regione Piemonte, presents "Cinema Piemonte," four movies made in that beautiful region.
Anton Corbijn's Control is a dramatization of the book written by the frontman's widow, chronicling their romance and marriage, his eventual infidelity, and his mental health issues.
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
U.S.-Cambodian co-production Holly might easily have gone straight to DVD, which would be a pity because it's well worth rushing to the theatre for.
SF360.org sits down with a criminally little-known director of stage and screen who is arguably the most imaginative, talented multi-hyphenate of his generation.
Sometimes even presumably good intentions can warp into artistic misdeeds most foul.
Michael Fox interviews director and Mission District icon George Kuchar
Miles Matthew Montalbano's evocative and empathetic portrait of Bush-era dissatisfaction among the post-collegiate set.
Although it's too early to write Allen off, it's also clear that he hasn't connected with younger audiences in a long time, so who's the next Woody Allen?
A non-rich family is torn apart by money matters, and young actors lie atop, next to, and around each other with youthful, sexual abandon.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
The story of literary sensation and media darling J.T. Leroy, a persona created by Laura Albert, took another dramatic turn Friday in New York.
List: American Cannibal documents two down on their luck television writers, Gil Ripley and Dave Roberts, as they sell their souls to the reality television circuit.
Roadside Pictures signed Colma: The Musical for national release. A sort of anti-"High School Musical," "Colma" follows three friends in their new post-high school freedom.
The prolific British director, known for a large and eclectic body of work, has done something very unusual in the past half decade.
Verhoeven's career can be divided between the character-driven movies he made in Holland and the slick genre films he directed in Hollywood after 1985.
“I Don’t Want to Sleep Alone” puts its melodrama and comedy within a Malaysian mattress. 1962’s “Mafioso” may be the mob-chronicle genre’s ground zero.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
One film shows how an inspirational movie can actually inspire; the other that a con sometimes looks better on paper.
The cinematic image of the Ô60s commune is normally as two-dimensional as the screen it's projected on, and rarely very kind.
SF IndieFest's founder/director Jeff Ross announced the ninth edition of the Bay Area's indie showcase festival
Rock&Roll, romantic comedy, fantasy and adventure, among the themes of this year's festival.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
Teenager Lucie's (Islid Le Besco) encounter with her idol, the pop diva Lauren Waks (Emmanuelle Seigner), turns into a twisted and creepy psychological relationship.
The language of film may be universal, as the Landmark trailer reminds us, but the critics in major U.S. cities speak their own dialects.
"Candy," an Australian film an accent-less Aussie Heath Ledger, follows the downward spiral of a Heroine addict - by now a time-tested narrative conceit.
"Candy," an Australian film an accent-less Aussie Heath Ledger, follows the downward spiral of a Heroine addict - by now a time-tested narrative conceit.
Filmmaking was just one among many creative outlets for Japanese multimedia artist Hiroshi Teshigahara.
The List: Lesser remembered and/or excellent Mafia films that might make you an offer you can't refuse.
Tributes to Helen Mirren and Tim Robbins highlight the 29th annual edition .
Al Gore's fledgling S.F.--based cable and satellite channel, Current TV, generates cutting-edge content democratically, with a third of the programming created by viewers.
Director Laura Poitras’ traveled to Iraq for her latest film, “My Country, My Country.”
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
The sudden climate change in the Middle East has had a tone-altering effect on the San Francisco Jewish Film Festival, where the war will be Topic A.
Jean-Pierre Melville's remarkable 1969 nail biter is on a different plane than contemporary spy thrillers.
Benjamin Morgan talks about his San Francisco-made drama, Quality of Life, and his favorite graffiti sites on the web.
Highlights of San Francisco Black Film Festival's eighth annual edition.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
The List: In the aftermath of the Roxie resurrection, the five top-grossing films that screened there over the past two decades.
The Oppenheimer Cine Rental New Filmmaker Equipment Grant Program supports new filmmakers in producing their first serious film project. The grant awards the use of Grant Program Arriflex 16SR2 camera package to senior and graduate thesis students and to independent filmmakers for a scheduled period of time. ELIGIBILITY: Students, media arts center members and unaffiliated independents are encouraged to apply. Proposed projects may be of any noncommercial nature: dramatic, narrative, documentary, experimental, etc. (Commercial projects, music videos and PSAs will not be considered.) DEADLINE: Ongoing. WEBSITE: oppenheimercinerental.com/grant.html.