Press release: The San Francisco Neighborhood Theater Foundation announced today that it is partnering with Gary Meyer to keep the City’s historic Balboa Theatre (1926) open and to develop a sustainable long-term plan for the theater. The Theater Foundation also announced it has reached an agreement to lease the theater through 2024—securing the future of one of San Francisco’s oldest operating cinemas. More at sfntf.org.
John Turturro shares his passion for the Neapolitan songbook.
John Turturro shares his passion for the Neapolitan songbook.
John Turturro shares his passion for the Neapolitan songbook.
The San Francisco Opera & CFI Education co-present a one-hour kid-friendly version of the famous opera at the Smith Rafael Film Center, along with educational take-home materials and an introduction by SF Opera staff. Free this Saturday, more info cafilm.org.
SFMOMA's Opera on Film series continues with a screening of Otto Preminger's 'Carmen Jones,' based on George Bizet's 'Carmen' but recast as a WWII-era yarn with an all-black cast featuring Harry Belafonte and Dorothy Dandridge, who received an Oscar nom for her performance. Screening will be preceded by an introduction and live performance by entrancing New York artist Kalup Linzy. More info at sfmoma.org.
SF Museum of Modern Art's Opera on Film series screens Jean-Jacques Beineix's under-appreciated 'Diva' on Thursday. The Caesar Award-winning romance/thriller hybrid deftly handles a complex, opera-centric plot littered with brilliant pop-art inspired chase scenes and features a number of standout performances, including those by Jeunet regular Dominique Pinon and real-life opera singer Wilhelmenia Wiggins Fernandez. More info sfmoma.org.
"Balboa Theatre operator Gary Meyer said Wednesday that this summer will be his last at the Richmond District movie house, leaving the future of the scrappy independent theater in doubt," reports Peter Hartlaub. More at sfgate.com.
The Red Vic collective announced today that after 31 years of continuous operation as a cooperatively-run, single screen neighborhood theater, the theater will be closing its doors July 25.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
Film Society’s leader for more than five years resigns due to health issues.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Danish filmmaker/artist Michael Madsen turns questions around a European nuclear-waste project into an operatic doc.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
Mystery Science Theater returns to the Castro in the form of ‘Cinematic Titanic.’ Fans rejoice.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
Masashi Niwano, the San Francisco International Asian American Film Festival's new director, speaks about bringing new worlds to this world cinema event.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
'When in Rome,' or outside it: NIC offers fresh voices, new locations.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
A pair of expert heist films top Berlin & Beyond.
As a final curtain call for the summer-long Grand Opera Cinema Series, the California Film Institute and San Francisco opera present a chance to see an encore high -definition recording of Madame Butterfly at the Rafael Film Center on August 12-14.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
The Statton era has begun. Kate and Chris Statton have officially assumed the positions of co-executive directors of the venerable Mission District cinema.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Frederick Wiseman documents the frantic routine of choreographers for the Paris Opera Ballet as Frazer Bradshaw gives a more familiar portrayal of workplace satisfaction.
A study in contrasts, Everyman and intellectual, Roy Andersson speaks about his career and new film, You, the Living.
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Local filmmakers Allie Light and Irving Saraf's latest film Empress Hotel delves into the lives of the residents at the titular building, a Tenderloin housing facility for the recently homeless. The film makes visible an area many city dwellers may only experience in the fringe of their consciousness and provides insight into the lives of the residents within.
The two weeks of programs offers 151 films from 55 countries, awards and prices, and a wide array of San Francisco talent, from legendary names to the fledgling artists.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
The Sixth Screen: If you're interested in the future of online technology, 'jaguar' is the evergreen example used to explain what's called The Semantic Web.
Tony Gerber and Jesse Moss's film candidly explores 'the ground truth' of Iraq without setting foot in the country.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
In addition to bringing a host of worldwide performers to the Bay Area for the first time, the San Francisco International Arts Festival (May 2-June 8), now in its fifth year, has become an indispensable showcase for collaborative work by leading Bay Area artists and their peers across all manner of geographical, cultural and disciplinary borders. The more than 40 performances in this year’s lineup, taking place at 14 separate venues across the city and in Berkeley, span the worlds of dance, music, opera, theater, visual arts and multidisciplinary work. The following four highlights are all hybrid productions with strong film and/or video components.
When The English Surgeon had its U.S. premiere at the SFIFF this month, Geoffrey Smith and Henry Marsh received a standing ovation.
Unlike most experimental filmmakers, Sonbert's collected works have had the benefit of full retrospectives at major museums (SFMOMA, NYMOMA, Guggenheim) and a strong preservation effort.
Joan Didion famously said, "We tell ourselves stories in order to live." We've internalized the American narrative of Abu Ghraib and accepted its implications.
Errol Morris has a giant brain. Anybody who wants to argue against that thesis does not have a giant brain. So let's move on.
Joan Didion famously said, "We tell ourselves stories in order to live." We have internalized the narrative of Abu Ghraib and accepted its implications.
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
The SFIFF announced its 2008 program and the June 13 launch of its year-round programming on one screen at the Sundance Kabuki
Despite the blanket of financial and technical doom constantly smothering Independent Filmdom, Indiefest serves as a satisfying reminder that great indie film isn't going anywhere.
How does Jean-Jacques Beineix's breakthrough hold up a quarter-century later, duly remastered and freshly subtitle-translated?
"In Search of Mozart" is a comprehensive overview of the composer's generous genius and one of the finest examples of the PBS-style, talking heads-and-cutaways documentaries in recent memory.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
The prolific British director, known for a large and eclectic body of work, has done something very unusual in the past half decade.
A shot in Wonders Are Many makes visual reference to Guernica as shorthand for art's charge to speak for the voiceless.
Wonders Are Many: The Making of Doctor Atomic blends World War II history with composer John Adams and director Peter Sellars’ staging of a new opera on the subject.
We asked the collectively owned and operated theater to come up with a list of their five favorite screenings over the years.
A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Who knows what the Mafia, or Cosa Nostra as it's called in Sicily, is really like? Marco Turco's really-real chronicle, Excellent Cadavers.
Filmmaker Kirby Dick talks about censorship, and discrimination against independent films.
Executive director Bashir Anastas discusses this year's lineup.