After delighting audiences at this year's Frameline festival with its sexy, stylish update on the classic Hollywood screwball formula, 'Run Lola Run' director Tom Tykwer's '3' gets a full run at Sundance Kabuki and other venues around the Bay starting this Friday. More info sundancecinemas.com.
After delighting audiences at this year's Frameline festival with its sexy, stylish update on the classic Hollywood screwball formula, 'Run Lola Run' director Tom Tykwer's '3' gets a full run at Sundance Kabuki and other venues around the Bay starting this Friday. More info sundancecinemas.com.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
Peaches Christ and Dr. Carol Queen host the Sixth Annual Good Vibrations Indie Erotic Film Festival Short Film Competition this Thursday, boasting a Barbary Coast-themed party featuring food, drinks and an array of appropriately sexed-up performers and a curated screening of sexy short films from this year. Each event costs $10, more info castrotheatre.com.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Canonized director John Huston's 'The African Queen,' now mostly remembered for its tumultuous production history, was also the director's biggest grossing film, securing Humphrey Bogart his first Oscar for acting. The Alameda Theatre screens this battle-of-the-sexes classic on film Wednesday and Thursday only. More info at alamedatheatres.com.
YBCA kicks off its Smut Captial of America series with a film of the same name by Michael Stabile, who will be present for discussion at the screening. The in-progress doc chronicles the sex scene in San Francisco in the ’60s and ’70s and the city's rise to prominence as the country's porn capital. SCoA runs through August 18. More info at ybca.org.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
A legal expert offers advice on staying within the law while shedding extra layers.
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
'A Better Life' succeeds as an L.A.-set remake of bleak Italian neorealist classic 'The Bicycle Thief.'
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
It gets better: Frameline35 offers a strong selection of work about youth.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
The San Francisco International LGBT Film Festival delivers internationally as well as locally made films of every identity and genre stripe.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Terence Stamp has treated acting not as a job, but as a restless quest for new frontiers.
Filmmaker Mimi Chakarova is at Sutardja Hall Auditorium, UC Berkeley, to present her documentary, ‘The Price of Sex,’ which is an award-winning investigation into sex trafficking throughout Europe and the Middle East. More at priceofsex.org.
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
Director Cassie Jaye and producer Nena Jaye are in person for a discussion following their documentary, ‘Daddy I Do,’ which explores the need to provide youth and young adults with sexual education. More at cafilm.org.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
Weissman and Weber's 'We Were Here' pulls a surprising degree of hope and inspiration out of the AIDS tragedy.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
SF Indiefest brings drama, doc, fact, fiction and physique into its annual showcase.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
'The Sound of Music' stretches its music empire into a new century with popular sing-alongs and a new home-entertainment release. When we look back at the 1960s, the phenomenon that was—and still somewhat is—The Sound of Music seems like an anomaly. But at the time it was more like the solid rock of reassuring constancy that masses clung to as waters of bewildering change rose all around them, a three-hour oasis of clean living and cheerful melody that wouldn't go away—no matter how many antiwar protesting, unisex...
'The Sound of Music' stretches its music empire into a new century with popular sing-alongs and a new home-entertainment release. When we look back at the 1960s, the phenomenon that was—and still somewhat is—The Sound of Music seems like an anomaly. But at the time it was more like the solid rock of reassuring constancy that masses clung to as waters of bewildering change rose all around them, a three-hour oasis of clean living and cheerful melody that wouldn't go away—no matter how many antiwar protesting, unisex...
Katie Aselton stars in her heartfelt and humorous directorial debut as one half of a married couple struggling with fading desire. They decide that a ‘freebie,’ a guilt-free night with a stranger, may serve as a sexual reawakening and help save their relationship. More at landmarktheatres.com.
"Ten Bay Area filmmakers got good news this month when the San Francisco Film Society and the Kenneth Rainin Foundation announced that they had narrowed their choices to a short list of contenders competing for $225,000 in cash," writes Hugh Hart. "The awards will go toward funding projects that explore civil rights, discrimination, gender and sexual identity. Winners will be named in November." More at SFGate.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
A critic offers not-to-be-missed entries in the ninth annual SF Docfest.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
The Bay Area's best first-person documentaries take us through a lens, darkly.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A Greek film incriminates the viewer.
A Greek film incriminates the viewer.
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Ruba Nadda speaks of sultry actors and tenacious directors in the making of 'Cairo Time.'
Drawing from reality, and yoga practice, an independent production team catalogues childhood's end.
Drawing from reality, and yoga practice, an independent production team catalogues childhood's end.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
SF Indiefest unveils its 7th annual showcase of the wildest and weirdest in independently produced sci-fi, horror and fantasy.
SF Indiefest unveils its 7th annual showcase of the wildest and weirdest in independently produced sci-fi, horror and fantasy.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Scott Boswell’s marvelous debut feature, The Stranger In Us, plays out on Polk Street and in the Tenderloin, far from the oft-photographed glamour spots of San Francisco.
Screens are getting smaller. From the cineplex to TV to the computer or iPhone screen, surfaces have shrunk but creativity and resourcefulness have expanded.
Frameliine 34 presents a Beat movement mini-theme and 10 gay-themed films from South America.
Former San Franciscan Jack Stevenson returns from Denmark to promote the U.S. publication of Scandinavian Blue: The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s.
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
Nani Sahra Walker went to Nepal for seven months, and returned with a one-hour documentary. OK, a rough cut. No big deal? Enlightenment guaranteed, indeed.
Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.
Josef von Sternberg's The Salvation Hunters caused a small sensation within the industry when it appeared, and is visually assured time capsule of urban poverty.
Vampires are still the It Ghoul of our cultural moment and South Korean film Thirst is as precisely crafted as it is gleefully over-the-top in content both carnal and carnivorous.
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
What's the key to writing comedy that sticks with us, despite perhaps an overblown story line or how lost and low-down the characters seem at the time?
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
An interview with Flynn Witmeyer about his debut feature Tweaker With an Axe, and the desire to make genre films—horror or sci-fi or fantasy—that incorporate gay and lesbian characters.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
A dose of self-affirmation arrives with Frameline33 (or, if you prefer, the multiple-breath-intake-requiring San Francisco International Lesbian Gay Bisexual Transgender Film Festival.)
Carlos Reygadas' third film is an unmistakably serious work, emblematic of the kind of brooding, large-canvas filmmaking which has become a rarity.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
Matt Sussman draws conclusions about women and Hollywood from three big women-oriented films of 2008.
Dennis Harvey reviews some of 2008's year-end sobering dramas.
Bay Area filmmakers represented at Sundance.
Global Film Initiative's Global Lens series offers a regular spot in your home theater for edgy world-cinema narratives don't often get a place at local multiplexes.
A newly restored print of Bergman's Monika, which deals with underage, guiltlessly unfaithful femininity, plays the Red Vic.
Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.
It used to be standard for San Francisco to be portrayed in movies as a magical, mythical, and slightly mysterious catalyst for transformation.
Sharma might never have made his film had he not felt guilty about causing unhappiness to his dying mother by telling her he was homosexual.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
Li Yang speaks about commercial pressures in Chinese film and the story behind Blind Mountain.
Viva's cautionary tale is aptly encapsuled by the poster line: 'They were housewives seeking kicks, in a world of swingers, orgies, booze, and sin.'
Viva's cautionary tale is aptly encapsuled by the poster line: 'They were housewives seeking kicks, in a world of swingers, orgies, booze, and sin.'
Critic's notebook: Marriage changes everything at the San Francisco International LGBT Film Festival.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
Dennis Harvey covers the first week of low-budget geeks, weirdos and gore on display at the Another Hole in the Head Festival.
Michael Lumpkin's mini-retrospective of features that highlight some personal favorites that made waves at the Frameline Festival (and sometimes in the larger cinematic world).
In 'Surfwise', documentarian Doug Pray examines the eccentric Paskowitz clan, whose patriarch and nine children have been legends in the surfing world for decades.
The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.
Warren Beatty on the sexual and political message of Shampoo and a new film in the works about romantic revolutionary journalist John Reed.
East Bay filmmaker Johnny Symons' documentary "Ask Not" moves beyond stereotypes to examine what experience is really like for gays and lesbians in the military.
Writer/director Jonah Markowitz's Shelter is a romantic gay surfer that more than earns its spurs in terms of real-world credibility and psychology.
Ira Sachs' third feature Married Life is both a crime thriller and a satire of complacency and intrigue in the restless climate of Eisenhower-era suburbia.
In addition to practically every extant band you’d want to see, an art exhibit, and comedy shows, there are movies at Noise Pop.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
Sundance is like being in a car accident: Everything seems to be in slow-motion, but later you can hardly remember what happened.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
Judd Apatow has come to so dominate American comedy that I often find myself thinking, "If only this movie had been written by Apatow..."
In honor of Gus Van Sant's new film, 'Paranoid Park,' five skate films that matter to the skate junkie, and three honorable mentions.
A perfect example of the emerging genre of improv-based, digitally shot, minimally budgeted seriocomedies about twentysomethings stumbling through, you know, relationship stuff.
Slow your rhythms down to this film's idiosyncratic tempo, and you'll get a striking, authentic-feeling epic that's often rivetingly tense.
The List: While one might take comfort that the following list lies isolated in the filmic realm, do play it safe: don't piss off the ladies in your life.
S.F.Ôs Italian Cultural Institute is launching an extensive if not quite exhaustive retrospective of Pasolini's features.
A non-rich family is torn apart by money matters, and young actors lie atop, next to, and around each other with youthful, sexual abandon.
A non-rich family is torn apart by money matters, and young actors lie atop, next to, and around each other with youthful, sexual abandon.
SF360.org talks to Marc Huestis, who exhibits a playful flair to his showmanship, putting the "imp" back in impresario.
List: American Cannibal documents two down on their luck television writers, Gil Ripley and Dave Roberts, as they sell their souls to the reality television circuit.
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
SFMOMA offers plenty of chances to appreciate Astaire's feather-light charm this month in Also Dances: The Films of Fred Astaire.
The San Francisco International LGBT Film Festival lineup includes several world premieres and international features from Korea, Argentina, and Cuba.
Taste a bit of the vintage grindhouse experience at the last of Dead Channels' Month of Sleazy Sundays triple bill of under-the-radar movies.
Verhoeven's career can be divided between the character-driven movies he made in Holland and the slick genre films he directed in Hollywood after 1985.
“I Don’t Want to Sleep Alone” puts its melodrama and comedy within a Malaysian mattress. 1962’s “Mafioso” may be the mob-chronicle genre’s ground zero.
Filmmaking was just one among many creative outlets for Japanese multimedia artist Hiroshi Teshigahara.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
John Cameron Mitchell's latest film: A bright, sexually explicit ensemble piece featuring American friends and acquaintances who might have made good primetime TV.
Filmmaker Kirby Dick talks about censorship, and discrimination against independent films.
Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.
SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.
Conference discusses the difficulties for lesbian features to get made and do well at the box office.
Matthew Barney: Drawing Restraint opens at the San Francisco Museum of Modern Art. Barney talks to SF360 about his film and gallery project.
Highlights from San Francisco International LGBT Film Festival's 30th annual edition.
Carrie Lozano talks about her inspiration to make Reporter Zero, a documentary on Chronicle reporter Randy Shilts, who documented the early years of the AIDS epidemic.
The 2006 San Francisco International Arts Festival focuses on Latino culture across North and South America.
The 2006 program for the San Francisco International LGBT Film Festival features an eclectic mix of genres and narrative types.
Director Caveh Zahedi and his partner, Amanda Field, speak about turning their personal lives over to the public with I Am a Sex Addict.
Filmmaker Carlos Reygadas discusses his life and work upon the release of his second film, Battle in Heaven.
Filmmaker Carlos Reygadas discusses his life and work upon the release of his second film, Battle in Heaven.
The List: How JT LeRoy went from fiction to fact in the media.
SFFS Press Release: "The San Francisco Film Society and the Kenneth Rainin Foundation announced the ten finalists for the fourth round of SFFS/KRF Filmmaking Grants of up to a total of $225,000, to be given to one or more feature films that through plot, character, theme or setting significantly explore human and civil rights, discrimination, gender and sexual identity and other urgent social justice issues of our time." More at sffs.org