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  • Deadlines

    Funding: TFI Latin America Media Arts Fund

    Oct 10, 2011

    The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.

  • Home

    ‘Aurora’ Startles, Subtly

    Dennis Harvey
    Sep 15, 2011

    Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...

  • September 15, 2011

    ‘Aurora’ Startles, Subtly

    Dennis Harvey
    Sep 15, 2011

    Unhurried, character-driven story demonstrates the filmmaking finesse that’s brought Romanian cinema to the fore. Though it had made an occasional international impression before—notably with a long history of Cannes entries and prize winners—few could have anticipated the splash Romanian cinema would create in the last few years. Or that the attention paid it would bring a number of often long, difficult, obtuse movies out of their usual habitat (the festival circuit) into theaters around the world. The collapse of Communism and execution of Romania's quarter-century dictator Nicolae Ceausescu in 1989 freed the filmmaking industry from strict governmental control and propagandic content. But it took until the middle...

  • August 4, 2011

    In Theaters: 'Life in a Day,' 'The Tree,' 'Cameraman'

    Jackson Scarlett
    Aug 2, 2011

    Critics from the Bay Area and beyond weigh in on the weekend's openings.

  • Home

    In Theaters: 'Life in a Day,' 'The Tree,' 'Cameraman'

    Jackson Scarlett
    Aug 2, 2011

    Critics from the Bay Area and beyond weigh in on the weekend's openings.

  • Reviews

    In Theaters: 'Life in a Day,' 'The Tree,' 'Cameraman'

    Jackson Scarlett
    Aug 2, 2011

    Critics from the Bay Area and beyond weigh in on the weekend's openings.

  • August 4, 2011

    Yoav Potash Takes 'Crime's' Case to Larger Audience

    Judy Stone
    Aug 1, 2011

    Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.

  • Home

    Yoav Potash Takes 'Crime's' Case to Larger Audience

    Judy Stone
    Aug 1, 2011

    Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.

  • Q & A

    Yoav Potash Takes 'Crime's' Case to Larger Audience

    Judy Stone
    Aug 1, 2011

    Deborah Peagler's case in 'Crime After Crime' gets its time in court and on screen, with moving results.

  • Home

    On Kickstarting a Campaign to Bring Back the Parkway

    Kim Nunley
    May 20, 2011

    A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.

  • May 26, 2011

    On Kickstarting a Campaign to Bring Back the Parkway

    Kim Nunley
    May 20, 2011

    A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.

  • Q & A

    On Kickstarting a Campaign to Bring Back the Parkway

    Kim Nunley
    May 20, 2011

    A local fan of a local cinema has big dreams for his favorite, now-defunct East Bay movie-theater.

  • April 12, 2011

    ‘Henry’s Crime’

    Apr 15, 2011

    Keanu Reeves, James Caan and Vera Farmiga star in Malcolm Venvile’s ‘Henry’s Crime,’ which opens at Landmark’s Embarcadero Center Cinema in San Francisco, Landmark’s Shattuck Cinemas in Berkeley and other Bay Area theaters. The film was an official selection of the Toronto International Film Festival. More at landmarktheatres.com.

  • December 23, 2010

    Film 2010: Think Globally, View Locally

    Adam Hartzell
    Dec 20, 2010

    Why one local cineaste has made a resolution to support his local theater, the Bridge.

  • December 28, 2010

    Film 2010: Think Globally, View Locally

    Adam Hartzell
    Dec 20, 2010

    Why one local cineaste has made a resolution to support his local theater, the Bridge.

  • Home

    Film 2010: Think Globally, View Locally

    Adam Hartzell
    Dec 20, 2010

    Why one local cineaste has made a resolution to support his local theater, the Bridge.

  • In Depth

    Film 2010: Think Globally, View Locally

    Adam Hartzell
    Dec 20, 2010

    Why one local cineaste has made a resolution to support his local theater, the Bridge.

  • Home

    'Client 9' Reclaims Spitzer

    Dennis Harvey
    Nov 18, 2010

    'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New.  Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...

  • November 18, 2010

    'Client 9' Reclaims Spitzer

    Dennis Harvey
    Nov 18, 2010

    'Client 9' makes the case that Wall Street, not women, brought Eliot Spitzer down. This month commenced with the most stellar edition yet of what's become America's favorite political pasttime, a game we call Out with the (Sorta) Old, In with the (Kinda) New.  Payback was especially directed at the current administration's failure to get the economy back to booming. Yet as one of the year's biggest documentaries, Charles Ferguson's Inside Job, noted, conservative politicos and their allies were very much in on the policies that got our collective piggy bank broken and looted in the first place. Though it can certainly stand on its own merits, Client 9 (which opens at local theaters this...

  • Home

    'Left in the Dark' Savors the Bay Area's Cinema Past, Present

    Susan Gerhard
    Oct 4, 2010

    Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.

  • October 7, 2010

    'Left in the Dark' Savors the Bay Area's Cinema Past, Present

    Susan Gerhard
    Oct 4, 2010

    Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.

  • Q & A

    'Left in the Dark' Savors the Bay Area's Cinema Past, Present

    Susan Gerhard
    Oct 4, 2010

    Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.

  • Festivals

    Toronto's New Lightbox Offers Transcendence

    B. Ruby Rich
    Sep 16, 2010

    A festival transforms itself and transports audiences with a visionary new theater.

  • Home

    Toronto's New Lightbox Offers Transcendence

    B. Ruby Rich
    Sep 16, 2010

    A festival transforms itself and transports audiences with a visionary new theater.

  • September 16, 2010

    Toronto's New Lightbox Offers Transcendence

    B. Ruby Rich
    Sep 16, 2010

    A festival transforms itself and transports audiences with a visionary new theater.

  • August 26 ,2010

    A Vampire Weekend at YBCA

    Max Goldberg
    Aug 26, 2010

    Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .

  • Home

    A Vampire Weekend at YBCA

    Max Goldberg
    Aug 26, 2010

    Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .

  • News & Blogs

    KQED Forum: 'Endangered Cinemas'

    Aug 25, 2010

    The Clay theater in San Francisco's Pacific Heights became the latest neighborhood movie theater to announce it would go dark. Wednesday's KQED Forum offered multiple takes on the fight to save the city's remaining historic single-screen theaters; listen to the podcast here.

  • 08-12-10

    Sausalito Film Festival Views New Horizons

    Adam Hartzell
    Aug 12, 2010

    Run, walk, bike, or bus to Sausalito for a festival filled with environmental (and other) surprises. The Sausalito Film Festival at Cavallo Point offers an impressive natural/urban backdrop to complement the worlds on view inside its theaters. Situated in the less-crowded film festival calendar space of August, it offers residents of the Bay Area ample room for their eyes to roam, with gorgeous vistas to greet those coming and going from its two restored theaters, the Mission Blue and Callippe. (Cavallo Point, a backdrop for the 22nd century in Star Trek: Enterprise, also provides a view of the San Francisco that will never get old.)

  • Home

    Sausalito Film Festival Views New Horizons

    Adam Hartzell
    Aug 12, 2010

    Run, walk, bike, or bus to Sausalito for a festival filled with environmental (and other) surprises. The Sausalito Film Festival at Cavallo Point offers an impressive natural/urban backdrop to complement the worlds on view inside its theaters. Situated in the less-crowded film festival calendar space of August, it offers residents of the Bay Area ample room for their eyes to roam, with gorgeous vistas to greet those coming and going from its two restored theaters, the Mission Blue and Callippe. (Cavallo Point, a backdrop for the 22nd century in Star Trek: Enterprise, also provides a view of the San Francisco that will never get old.)

  • Home

    Crime on the Mind

    Sura Wood
    Jul 29, 2010

    The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.

  • Reviews

    Crime on the Mind

    Sura Wood
    Jul 29, 2010

    The Pacific Film Archive's Criminal Minds series offers a liberating mix of asocial outlaws and sordid stories based on the ripped-from-the-headlines exploits of real-life gangsters and killers.

  • Q & A

    On the Road with 'Joan,' Stern and Sundberg Talk Big Picture

    Michael Fox
    Jun 14, 2010

    The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.

  • Reviews

    'Fish Tank's Essex truth

    Dennis Harvey
    Jan 28, 2010

    Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.

  • Legal

    What's In a Name?

    George Rush
    Jan 5, 2010

    The thing about titles is they re too short to receive copyright protection. For copyright purposes, a title is like a label of a copyrighted work.

  • Q & A

    Parker and di Napoli on Parody and High Art

    Adam Hartzell
    Nov 1, 2009

    Bay Area locals Jonathan Parker and Catherine di Napoli discuss (Untitled), a hilarious romp through the world of conceptual art and atonal music.

  • Reviews

    The Turn-off Sex Cinema of Koji Wakamatsu

    Dennis Harvey
    Oct 16, 2009

    Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.

  • Q & A

    Franny Armstrong's S.O.S. to the World

    Sean Uyehara
    Sep 19, 2009

    Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.

  • Q & A

    How Scary Cow co-op is making indie filmmaking in SF a little less frightening

    Elizabeth Rader
    Aug 2, 2009

    Jager McConnell speaks about Scary Cow, a filmmakers' co-op that offers experience, people, money and equipment to aspiring filmmakers with ideas to burn.

  • Q & A

    Shelley Diekman Reflects on Well-Spent life

    Hilary Hart
    Jul 27, 2009

    Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.

  • Reviews

    Whip-smart, Witty 'In the Loop'

    Dennis Harvey
    Jul 23, 2009

    Director Armando Iannucci's razor-sharp satire is about how the politics of spin can determine critical decisions on both sides of the Atlantic.

  • Q & A

    Miller Brothers Touch Home at AT&T Park

    Michael Fox
    Jun 2, 2009

    The Miller brothers take their memoir-release to the local ballpark.

  • In Production

    Recession-Proof Theaters, to a Point

    Michael Fox
    May 14, 2009

    Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.

  • Reviews

    Strand Releasing Turns 20

    Dennis Harvey
    Feb 26, 2009

    Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.

  • Reviews

    'Strand' Follows Thread to Rep Cinema's Glory Days

    Michael Fox
    Feb 3, 2009

    In Strand: A Natural History of Cinema, Christian Bruno pays homage to the pivotal and shifting role of movie theaters in San Francisco's cultural life.

  • Q & A

    Ariella Ben-Dov's Madcat Archives

    Matt Sussman
    Sep 14, 2008

    What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.

  • News & Blogs

    SFFS Screen at Sundance Kabuki

    Robert Avila
    Jun 12, 2008

    The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.

  • Q & A

    'Up the Yangtze' with Yung Chang

    Judy Stone
    Jun 6, 2008

    Filmmaker Yung Chang talks about 'Up the Yangtze,' his superb documentary that examines the surreal changes in China around the controversial Three Gorges Dam.

  • Festivals

    Frameline's 32nd SFLGBT Festival Program

    Susan Gerhard
    May 20, 2008

    The historic Castro Theatre, its marquee recently revamped for the Milk biopic shoot, hosted Frameline's announcement of its 2008 festival.

  • Festivals

    Location Scouting at Sundance

    Susan Gerhard
    Jan 30, 2008

    Susan Gerhard reflects on Sundance's program with particular attention to sense of place.

  • Festivals

    Second S.F. International Animation Festival

    Susan Gerhard
    Nov 12, 2007

    The S.F. International Animation Festival experienced a major bounce, with a number of sold-out shows in its venue at the Embarcadero Center Cinema.

  • Q & A

    Connie Field, from Berkeley to Johannesburg

    Robert Avila
    Nov 5, 2007

    The filmmaker talks about her recent projects, including Salud!, which looks at Cuba's world-class health system.

  • Reviews

    A Sean Penn Top 10

    Susan Gerhard
    Sep 28, 2007

    Let SF360 count the ways Penn can take on the President, the paparazzi, and the possibilities for peace in our time.

  • Festivals

    Frameline, Scalped

    Laura Irvine
    May 16, 2007

    Jeff Iorillo on the fourth festival trailer that he's written and directed for the S.F. International LGBT Film Festival.

  • Festivals

    Digital Festival

    Michael Fox
    May 2, 2007

    Movies are shifting at mach speed from the theater to the home. The future is at hand.

  • Q & A

    Von Donnersmarck's Oscar-nominated "The Lives of Others"

    Miljenko Skoknic
    Feb 12, 2007

    Von Donnersmarck talks about his Lola-winning and Oscar-nominated debut during a visit to San Francisco.

  • Q & A

    The Red Vic Movie House's Top 5

    Susan Gerhard
    Feb 9, 2007

    We asked the collectively owned and operated theater to come up with a list of their five favorite screenings over the years.

  • Reviews

    "Samoan Wedding"; "Romantico"

    Robert Avila
    Jan 16, 2007

    A delightfully funny movie on boy-men redeeming themselves from New Zealand, and Mark Becker's absorbing documentary on a musician in the Mission.

  • Q & A

    Mark Becker's Mission-Inspired "Romantico"

    indieWIRE
    Jan 15, 2007

    Hailed as one of the best films of 2005 without distribution, Becker's doc hits theaters nearly two years after it debuted at Sundance.

  • Reviews

    "Absolute Wilson"; "Army of Shadows"

    Robert Avila
    Jan 9, 2007

    A documentary provides an in-depth description of Robert Wilson's life and art. Melville's spy story on a Resistance cell in Nazi-occupied French challenges our idea of heroism.

  • Q & A

    Frank Lee on 4 Star Theatre's Second Life

    Laura Irvine and Jennifer Young
    Dec 11, 2006

    Last week, theater operators Frank and Lida Lee won the battle to save the 4 Star, and announced they'd purchased the building.

  • Festivals

    A Cinequest 35

    Susan Gerhard
    Nov 17, 2006

    Cinequest announces a plan to distribute indie films via DVD, the Internet, TV, and some traditional theatrical sales.

  • News & Blogs

    Roxie, The Vote

    Susan Gerhard
    Oct 6, 2006

    The List: 25 Bay Area landmarks, including the Roxie and the Fox Oakland, are vying for $1 million in preservation grants from American Express.

  • News & Blogs

    Voting Protection-Related Sites

    Susan Gerhard
    Sep 15, 2006

    The List: American Blackout director Ian Inaba names the top four Web sites.

  • Festivals

    Ariella Ben-Dov on View-Mastery and "Women's Work"

    Susan Gerhard
    Sep 11, 2006

    The founder of the Madcat International Film Festival talks about the 2006 lineup.

  • Q & A

    Bernal Heights Outdoor Cinema 2006

    Susan Gerhard
    Sep 1, 2006

    The List:10 local filmmakers describe what they love about shooting on the streets of San Francisco.

  • Reviews

    Pacific Film Archive's "A Theater Near You"

    Max Goldberg
    Aug 31, 2006

    This 2006 series of recent releases and restorations that played theaters for only a day or, at most, a week is exceptionally varied.

  • Q & A

    Naut Humon, Recombinant Media Labs Explore Limits of Sight, Sound

    Johnny Ray Huston
    Aug 22, 2006

    Through Asphodel Records and RML, Humon pursues his fascination with sound's spatial properties.

  • Reviews

    Francois Ozon, Mortal

    B. Ruby Rich
    Aug 2, 2006

    Ozon's Time to Leave demonstrates how central he's become to European cinema, and reminds us that he's among gay world cinema's most accomplished writer/directors.

  • Q & A

    Car Talk with Chris Paine

    Susan Gerhard
    Jul 11, 2006

    SF360 talked to the director of Who Killed the Electric Car?, which opened last week, after his recent stop through the City.

  • Q & A

    Larry Clark's New Kids on the Block

    Glen Helfand
    Jul 3, 2006

    SF360 spoke with Clark about Impaled, in which his exploration of adolescent mores reaches in discomfiting, yet fascinating new directions.

  • Reviews

    Would Football By Any Other Name Smell As Sweet?

    Susan Gerhard
    Jun 30, 2006

    Bay Area soccer fans offer their takes on the best football films.

  • Reviews

    "An Inconvenient Truth" Strikes a Nerve

    Jonny Leahan
    Jun 2, 2006

    Al Gore's documentary keeps the viewer thoroughly engaged while offering what may be the most comprehensive explanation of global warming for the layperson that exists.

  • Q & A

    One Screen, Three San Francisco Cinephiles

    Johnny Ray Huston
    May 15, 2006

    Christian Bruno, Julie Lindow and R.A. McBride discuss their love of San Francisco and its theaters over beers at the Uptown.


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