The California Story Fund, presented by California Council for the Humanities (CCH), supports public humanities programs that bring light to compelling stories from California's diverse communities and provide opportunities for collective reflection and public discussion. ELIGIBILITY: Applicants must have California tax-exempt organizational status or partner with a California tax-exempt organization that will serve as a fiscal sponsor, not have an open grant with CCH, and be in good standing with CCH. Projects should be based on stories gathered from community members, include a public discussion component and at least one humanities expert. Film/video projects should not exceed a total budget of $50,000. AWARDS: Applicants may request up to $10,000, which must be matched by at least an equivalent contribution of non-federal funds or in-kind services. DEADLINE: November 15, 2011. WEBSITE: calhum.org/guidelines/guidelines_csf.htm.
San Francisco Arts Commission (SFAC) Cultural Equity Grants provide "financial support for the enrichment of San Francisco's multicultural landscape." ELIGIBILITY: Organization Project Grants provide up to $15,000 to support the presentation of high quality works of art and arts activities, including film and video screenings and arts festivals. All art forms will be considered. To be eligible, organizations must have 501(c)(3) status or use a fiscal sponsor. Grant Period: June 15, 2012 - December 31, 2013. AWARDS: Grants awards are up to 15,000 to support the enhancement of arts facilities in the city. DEADLINE: November 10, 2011. WEBSITE: sfartscommission.org/ceg/grants/index.html#opg.
Press release: The San Francisco Jewish Film Festival announced its new Executive Director: Lexi Leban, who begins working with the festival November 7, 2011. A longtime member of the Bay Area film community, Lexi has worked in all aspects of film, from production to distribution. She’s also worked with numerous film festivals, including the Mill Valley Film Festival, the San Francisco International Film Festival, and the Global Social Change Film Festival in Bali. Lexi is currently Academic Director of the Digital Filmmaking & Video Production Program at the Art Institute of California, where she built the department from its inception. Her most recent feature documentary, Girl Trouble, which follows young girls in San Francisco’s juvenile justice system, aired on PBS’s acclaimed series Independent Lens in January of 2006, and won Best Bay Area Documentary at the San Francisco International Film Festival. More at sfjff.org.
"Filmmakers and coders hunkered down for two days of creative collaboration here during a first-of-its-kind hackathon that explored the future of web video — specifically Popcorn.js, Mozilla’s HTML5 media toolkit designed to amp up interactivity" reports Angela Watercutter. More at wired.com.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
"The multiyear deal announced Monday," reports Michael Liedtke, "will give Netflix's streaming service the exclusive rights to show the latest content from DreamWorks, the studio behind a list of popular franchises that includes Shrek, Kung Fu Panda and Madagascar." More at usatoday.com.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
Gavin O'Connor does a remarkable job making his two-and-a-half-hour fight film gritty, involving and as credible as humanly possible.
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
As an appreciation of George Kuchar's inspired presence, we offer up the filmmaker in his own words, excerpted from 'Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000.'
The Roy W. Dean Film and Writing Grants fund shorts, documentaries and low budget independent features. ELIGIBILITY: New film and video projects (including works-in-progress) that are unique and benefit the society. Student filmmakers, independent producers or independent production companies are all welcome. AWARDS: Winner gets a variety of awards including scholarships and cash prizes for different production fields. DEADLINE: August 30, 2011. WEBSITE: fromtheheartproductions.com/grant-lavideo.shtml.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
When news of San Francisco Executive Director Graham Leggat’s passing hit the web, responses were heartfelt and immediate. SF360 collects a few of those thoughts.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
SFFS presents the work of pioneering software artist Marius Watz, who uses digital processes and authored algorithms to “automatically” produce numerous types of media including video, still imagery and sculpture through semi-autonomous software systems, as part of its KinoTek series. Look for sci-fi writer/theorist Bruce Sterling's essay on Watz in Thursday's SF360.org. Events: An exhibition in Super Frog Gallery at New People opens July 22; Artist Talk, July 26; Master Class, July 27. More at sffs.org.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Ficks’ ‘Watch out for Children’ triple bill features a long lost career-lanching teen-drama gem.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
In a quarter century of filmmaking feats, persistence and vision are defining qualities for Matthew Barney.
Roxie Theater hosts Playback: ATA Film & Video Festival 2006-2010, a one-day event that showcases a selection of short films from the experimental media arts gallery. More at roxie.com.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
The Media that Matters Conference showcased innovative formats and powerful storytelling.
Pacific Film Archive hosts ‘Film and Video Makers at Cal,’ which offers an array of short narratives, documentaries and music videos by UC Berkeley student filmmakers. More at bampfa.berkeley.edu.
Press Release: The Audience Award winners for the 13th San Francisco Independent Film Festival include ‘Kaboom,’ named as Best Narrative Feature, ‘Bathing and the Single Girl’ for Best Narrative Short, ‘Free Radicals’ for Best Documentary, ‘Burning Wigs of Sedition’ for Best Music Video and ‘Mars’ for Best Animated Film. More at sfindie.com.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Noise Pop brings the noise as well as great filmmaking to its annual music-and-movie event.
Jordan Biren, Tony Labat and Anne McGuire appear in person for the Radical Light program Post-Conceptual Performance: Video, 1977 to 1997, which looks at the artist's body as the medium in works by Biren, McGuire, Labat, Leslie Singer, Doug Hall and Cecilia Dougherty. More at press.bampfa.berkeley.edu/radical.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
The Film on Film Foundation and Oddball Film and Video offer a little financial advice to start the new year with their program of 16mm ’70s-era shorts, ‘In It For the Money: Short Films You Can Take to the Bank.’ The program plays at 8:00 p.m., Oddball Films, 275 Capp St. More at filmonfilm.org and oddballfilm.com.
Sword, sandals and a sinister real-life epilogue: 'Deathstalker' earns top billing in a Midnite for Maniacs evening at the Castro. As one of 1982's bigger box-office hits, Conan the Barbarian accomplished two things. First, it finally made a movie star out of thick-bodied, thicker-accented Arnold Schwarzenegger after several failed attempts. Second, it spawned a legion of cheaper imitations cashing in on the early 1980s' seemingly bottomless need for films to fill cable airtime and video rental shelves. (Remember, until that time there the only commercial outlets for movies were theatrical release and network TV—so these were entirely...
Sword, sandals and a sinister real-life epilogue: 'Deathstalker' earns top billing in a Midnite for Maniacs evening at the Castro. As one of 1982's bigger box-office hits, Conan the Barbarian accomplished two things. First, it finally made a movie star out of thick-bodied, thicker-accented Arnold Schwarzenegger after several failed attempts. Second, it spawned a legion of cheaper imitations cashing in on the early 1980s' seemingly bottomless need for films to fill cable airtime and video rental shelves. (Remember, until that time there the only commercial outlets for movies were theatrical release and network TV—so these were entirely...
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
Is this what we talk about when we talk about YouTube?
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
San Francisco has not quite been the same since it began experiencing the cinema/performance antics of an uncontainable Anne McGuire.
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
Pacific Film Archive offers the second of three excerpts from its monumental work, 'Radical Light.'
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
San Francisco International Animation Festival: Semiconductor's Ruth Jarman and Joseph Gerhardt talk about their work in music, movies and animation. What do you call a duo that considers itself a trio? Or videomakers who call themselves sculptors? Semiconductor has been making video and installation work for over ten years. They consist of Joseph Gerhardt, Ruth Jarman and a computer. They create animations and present live music and visual shows. Everything they do is slightly inside out. The computer is more or less an antagonist in their midst. They haven’t quite broken up the band yet, because the....
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Mike Ott, now up for a Gotham Award, speaks on filmmaking process and his indie film 'Littlerock.'
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
This Bay Area Video Coalition panel includes representatives from Microcinema International and Filmmakers Collaborative discussing the many emerging choices independent filmmakers have for releasing their films.
This Bay Area Video Coalition panel includes representatives from Microcinema International and Filmmakers Collaborative discussing the many emerging choices independent filmmakers have for releasing their films.
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
A Bay Area filmmaker's trip to Africa cemented her "bond with Facebook and created a new way for human rights activists to spread the word--while promoting the social networking site's month-old streaming video channel," writes Alex Ben Block. More at Canada.com.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Contemplating the pros and cons of entering online film contests.
Local digital media artist Tim Roseborough presents a feature-length video in homage to Shirley Clarke's 1967 documentary, 'Portrait of Jason,' one last time at Scenius Gallery on 18th Street.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
Oakland's youth video-production collective The Factory showcases more than a dozen documentary, narrative, and experimental films made by students at the Pacific Film Archive on August 24. A panel discussion with student filmmakers follows.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
A filmmaker offers a script excerpt in appreciation of Jules Laforgue on the 150th anniversary of his birth.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Bob Ray brings his Down & Dirty Austin Film Tour to the Bay Area. And you can't stop him.
Bob Ray brings his Down & Dirty Austin Film Tour to the Bay Area. And you can't stop him.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Two graduate students at Stanford University have won an Academy Award for their latest documentary short, "Dreams Awake," about a campus custodian.
San Francisco-based video production company recognized for work for Adobe Systems and Izze Sparkling Juice.
Bruce Conner, the sculptor, painter, photographer and filmmaker who loomed large in the Bay Area's shifting avant-garde currents for 50 years, resurfaces with Three Screen Ray.
ViewChange.org, a digital-media hub on global development, offers news about microeconomics and innovative web technology that enables users to contribute to the causes they re learning about.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.
It s a strange time for independent film, with scaled-back specialty divisions and online self-distribution, but SF Indiefest remains a champion of the unsung and un-buzzable.
In the YouTube-Facebook-viral video era, it's hard to remember the time when youth-made media was rare.
When President Obama took office, CNN brought it online, allowing viewers to chat with friends and strangers, their conversation appearing next to the video.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Catherine Galasso talks about her performance piece Lightning Never Strikes the Same Place Twice, which features dance, theater and projected video.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.
Miami-born Julia Kahn offers strange revelations about the South in the long-gestating, cliche-crunching documentary Swamp Cabbage.
The Sixth Screen: Veteran journalists and filmmakers alike are polishing up their resumes, contemplating the hospitality industry, and wondering: Who stole my career?
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
Tom Shepard revisits the overachieving, hyper-ambitious world of science-obsessed high school seniors in his new film, Whiz Kids.
Like most social-issue documentaries, Food Stamped sprang from an activist impulse for Shira and Yoav Potash.
The Sixth Screen: Eaves analyzes the future of video in developing countries, specifically the proliferation of mobile communication.
On May Day Eve, Travis Wilkerson performed Proving Ground, probably the first multimedia Leninist rant to have ever graced the Sundance Kabuki.
Jarmel and Schneider's Speaking in Tongues follows the stories of four public school children studying Mandarin, Cantonese and Spanish along with their English.
The 6th Screen: Hannah Eaves recommends Twitter, Meebo, Facebook, Ning and eNewsletters as film promotion tools.
This year, the festival feels like it has truly arrived as an internationally recognized platform for cross-Pacific cinematic exchange, in this disparate cross-section of films from home, abroad and places in between.
Co-directors Senain Kheshgi and Geeta V. Patel, two American friends with family ties to opposite sides of the conflict, went to Kashmir together to see what they could learn–and what the rest of us could.
Holly Million reviews some of the documentaries shown at this year's festival: It Came >From Kuchar, MIne and Motherland.
Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.
This "dramatized documentary" was a labor of love–if also a graphic portrayal of the vast LA detached from Hollywood's success-bubble glamour.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
The Sixth Screen: Senior Director of Marketing and Product Management and iFanboy producer and co-host Ron Richards talks about Revision3, the next generation of TV.
Parr licenses film and video footage, and presents some of the best screenings in town through his Oddball Films series.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.
A film in a darkened theater commands our undivided attention, but a video installation in a museum doesn't have the same effect.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
The Legend of the Holy Net Potato, the first feature by Kerala-based filmmaker Vipin Vijay, concerns a cyborg, black magic, and a hacker.
The Sixth Screen: The first installment of a new, monthly column by filmmaker and journalist Hannah Eaves looks at just how "fair use" is being utilized.
On curating the Robert Flaherty Film Seminar, a social Petri dish that annually brings together a different programmer, a captive and engaged audience, and filmmakers.
Bruce Conner, the great, irascible, and ever-evolving San Francisco-based artist known for his assemblages, films, drawings, and interdisciplinary works, passed away on July 7, 2008.
Composer Erling Wold's solo chamber opera enjoys a thrillingly intimate world premiere this week under the banner of the San Francisco International Arts Festival.
In addition to bringing a host of worldwide performers to the Bay Area for the first time, the San Francisco International Arts Festival (May 2-June 8), now in its fifth year, has become an indispensable showcase for collaborative work by leading Bay Area artists and their peers across all manner of geographical, cultural and disciplinary borders. The more than 40 performances in this year’s lineup, taking place at 14 separate venues across the city and in Berkeley, span the worlds of dance, music, opera, theater, visual arts and multidisciplinary work. The following four highlights are all hybrid productions with strong film and/or video components.
Founded in 1968, San Francisco-based Newsreel is the oldest nonprofit, social-issue documentary film center in the U.S.
Tanner Shea and Zach Slow have launched the 2 Husbands contest and website, where they ask women to post videos in consideration of becoming their wives.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
Susan Gerhard enjoys an hour or so inside the wilds of Gondry's brain at the Apple Store, SF.
Midnites for Maniacs unearths populist yet esoteric genre and exploitation flicks that have mostly disappeared into the netherworld of discarded VHS rental tapes.
Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.
Michael Fox interviews director and Mission District icon George Kuchar
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
"SF Indiefest: Gets Animated," piggybacking on the 4th Annual Another Hole in the Head Film Festival, co-presents an animation program with the popular archivist.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
Thinking about the upcoming SFIFF, music may not be the first thing that pops into your head. It may not even be the second.
The SFIFF GreenWorld Contest brings the vision of filmmakers to the forefront of environmental discourse through fiction, documentary, experimental, and essayistic films.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
The List: A collection of individuals who caught my eye in an intense week of YouTube scouring. Most have gotten upwards of one million views.
SF IndieFest's founder/director Jeff Ross announced the ninth edition of the Bay Area's indie showcase festival
This series of cinematic responses to war, curated by Lebanese video artist Akram Zaatari, opens up possibilities for re-imagining the dehumanized landscape of violence.
MTV's boat has long since sailed, but music videos are as ubiquitous on YouTube and Myspace as YBCA brings music videos to its downstairs gallery.
Half of Illbilly Productions and 1/45th of Killing My Lobster, Bancroft has made claymation shorts and perhaps the quintessential rap video, Maximum Wage.
The Redwood City-based startup InDplay is like an online dating service for the film industry.
The resounding refrain at Digimart 2006 was that the traditional model of independent film and video distribution was dying.
For close to a decade now, Miranda July has been exploring and often crossing the traditional boundaries between life and the movies.
When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.
Though it won the Silver Bear at the Berlin Film Festival in 1975, Overlord is one of those movies that mostly slipped through the cracks.
Killer Films' Christine Vachon's new memoir, A Killer Life (written with Austin Bunn), bolsters the producer as the driving force of independent film.
Craig Baldwin and Noel Lawrence bring their brand of smart, quirky, avant-garde and political programming into the home.
The Catharine Clark Gallery's new Video on Demand feature allows you to choose videos from the gallery's extensive library of video work.
The List:10 local filmmakers describe what they love about shooting on the streets of San Francisco.
There's one resource on the Net where some of the best travel videos have congregated, the Emervyille company aptly named TurnHere.
Benjamin Weil took time out from preparations for the upcoming Barney show to answer questions about the artist's "Drawing Restraint" series.
Carrie Lozano talks about her inspiration to make Reporter Zero, a documentary on Chronicle reporter Randy Shilts, who documented the early years of the AIDS epidemic.
A conversation with John Peterson on his unusual farming practices, and the documentary that captures them.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
Christian Bruno, Julie Lindow and R.A. McBride discuss their love of San Francisco and its theaters over beers at the Uptown.
A list of the 24 reasons why to find yourself in the Mission this Sunday and the rest of the week for the 10th annual Music and Arts Festival.
Director Caveh Zahedi and his partner, Amanda Field, speak about turning their personal lives over to the public with I Am a Sex Addict.
The documentary Persian Garden chronicles the grandest art exhibition in Iran since the 1979 Revolution.
A conversation with the filmmakers and one star of "Sentenced Home," about three Cambodian Americans in the process of being exiled.
The Oppenheimer Cine Rental New Filmmaker Equipment Grant Program supports new filmmakers in producing their first serious film project. The grant awards the use of Grant Program Arriflex 16SR2 camera package to senior and graduate thesis students and to independent filmmakers for a scheduled period of time. ELIGIBILITY: Students, media arts center members and unaffiliated independents are encouraged to apply. Proposed projects may be of any noncommercial nature: dramatic, narrative, documentary, experimental, etc. (Commercial projects, music videos and PSAs will not be considered.) DEADLINE: Ongoing. WEBSITE: oppenheimercinerental.com/grant.html.