Love permeates SFFS's francophone film series.
Love permeates SFFS's francophone film series.
Love permeates SFFS's francophone film series.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
Arab Film Festival Executive Director Michel Shehadeh speaks to building an all-encompassing international space.
ITVS, Global Fund for Women, Spark and Women's Funding Network present a prescreening of issues doc 'Peace Unveiled,' part of a new PBS miniseries, 'Women, War & Peace,' launching this fall. Producer Abigail Disney and guests will be present for post-screening panel discussion. More info at pbs.org.
ITVS, Global Fund for Women, Spark and Women's Funding Network present a prescreening of issues doc 'Peace Unveiled,' part of a new PBS miniseries, 'Women, War & Peace,' launching this fall. Producer Abigail Disney and guests will be present for post-screening panel discussion. More info at pbs.org.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
With 'Connected,' Tiffany Shlain weaves hope into a high risk story.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Maria Onetto quietly dazzles in Argentine film about a midlife jigsaw puzzler.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Lynn Hershman Leeson catalogues revolutions past and pushes the art and technology envelope well into the future.
Pacific Film Archive screens 'The Makioka Sisters,' Kon Ichikawa's gorgeous and understated women's drama based on Tanizaki's novel of the same name. Lush color sequences of beautiful kimonos and cherry blossoms falling make this subtle masterpiece a joy to view on the large screen. New 35mm print shows Wednesday and Friday only. More info at bampfa.berkeley.edu.
The luxurious single-screen represents for its Castro neighbors, screening a mini-retrospective of Pedro Almodovar's sensitive and dynamic arthouse crankers. Viva Pedro opens with Gael García Bernal vehicle 'Bad Education' on Wednesday, finishing off with the excellent, underseen 'The Flower of My Secret' and 'Women on the Verge of a Nervous Breakdown' on Friday. More info at castrotheatre.com.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Filmmakers take personal approach to Jewish cultural debates.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
Note to screenwriters: Don’t defeat the promise of your story by pulling your punches.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
San Francisco Silent Film Festival features the work of the most important female director of the silent era, Lois Weber.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
One day of Frameline35 finds Witi Ihimaera offering insight into the writing of 'Kawa,' dour Norweigan drag kings processing endlessly and Ma Rainey being well-remembered.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
An historical-romantic novel in screen form, 'Bride Flight' offers all the pleasures (some guilty ones) of a film made half a century ago.
Red Vic Movie House offers up Kaneto Shindo’s 1968 Japanese horror masterpiece ‘Kuroneko.’ More at redvicmoviehouse.com.
Red Vic Movie House offers up Kaneto Shindo’s 1968 Japanese horror masterpiece ‘Kuroneko.’ More at redvicmoviehouse.com.
Ben Sombogaart’s ‘Bride Flight’ opens at Smith Rafael Film Center. The Dutch feature pursues drama in the stories of three women taking a plane flight to meet their awaiting fiancés. More at cafilm.org.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Leanne Pooley's Topp Twins documentary views world politics through the prism of two eccentric lesbian performers from New Zealand.
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Kelly Reichardt creates a moving meditation on open space with 'Meek's Cutoff.'
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
Cash prizes, recognition showered on the winning filmmakers of 2011 San Francisco International. The San Francisco International Film Festival presented its 2011 Golden Gate Awards to filmmakers Wednesday night at Temple Nightclub/Prana Restaurant. Kelly Duane de la Vega and Katie Galloway's Better This World won both Documentary Feature and Bay Area Documentary awards. Yoav Potash's Crime After Crime received the Investigative Documentary prize. Park Jung-bum's The Journals of Musan won the New Directors award. A complete list...
The Sundance Film Festival Audience Award winner, ‘Circumstance,’ which tells the story of two Iranian women who fall in love, plays at Sundance Kabuki Cinemas on May 1 and May 3. Director Maryam Keshavarz attends each screening of her debut feature. More at fest11.sffs.org.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
A soundtrack staple in the Denis oeuvre, Tindersticks play their beautifully brooding music live to clips at SFIFF54.
Lynn Hershman Leeson's decades-in-the-making documentary about women artists taking on the establishment debuts at the festival Saturday, April 23, with a San Francisco Museum of Modern Art screening, and plays again Monday, April 25, at the Pacific Film Archive. More at fest11.sffs.org.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
A South Korean gem, Lee Chang-dong’s ‘Poetry’ inspires.
The 7th Annual San Francisco Women’s Film Festival opens with ‘Grace, Milly, Lucy… Child Soldiers’ and runs five days, with shows and events at the Roxie Theater, Ninth Street Independent Film Center and Mission Workshop. More at roxie.com and womensfilminstitute.com.
Liz Canner’s astounding and yet amusing documentary ‘Orgasm, Inc.,’ which examines the attempt of pharmaceutical companies to take advantage of women’s desire to orgasm to sell perhaps ineffective and possibly dangerous medications, plays at Roxie Theater. Opening reception with Canner takes place at Good Vibrations on April 2 and a panelist discussion featuring Dr. Carol Queen follows an April 4 showing. More at roxie.com.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
Build an action picture with a poor script? At your own risk.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
On the amoral goodness of nature, shapelessly shaped things and the hereness of bodies.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker/photographer Laurel Nakadate talks about acting, power and identity.
Filmmaker Nicole Karsin shares the latest cut of her documentary ‘We Women Warriors,’ which showcases three Colombian women’s nonviolent efforts to protect their liberties while caught in the crosshairs of a rebellious war. The film plays at The Women’s Building. More at wewomenwarriors.com.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
Sofia Coppola's 'Somewhere' nails the spiritual erosion of constant, effortless indulgence.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
A filmmaker’s trip to Luanda with a State Department program brings insight on the growth of a young national cinema.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
'The Sound of Music' stretches its music empire into a new century with popular sing-alongs and a new home-entertainment release. When we look back at the 1960s, the phenomenon that was—and still somewhat is—The Sound of Music seems like an anomaly. But at the time it was more like the solid rock of reassuring constancy that masses clung to as waters of bewildering change rose all around them, a three-hour oasis of clean living and cheerful melody that wouldn't go away—no matter how many antiwar protesting, unisex...
'The Sound of Music' stretches its music empire into a new century with popular sing-alongs and a new home-entertainment release. When we look back at the 1960s, the phenomenon that was—and still somewhat is—The Sound of Music seems like an anomaly. But at the time it was more like the solid rock of reassuring constancy that masses clung to as waters of bewildering change rose all around them, a three-hour oasis of clean living and cheerful melody that wouldn't go away—no matter how many antiwar protesting, unisex...
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
A local drug war, an unjust court case and an ignorant police state are the antagonists to three resilient native Colombians in Nicole Karsin’s documentary-in-progress, ‘We Women Warriors.’ More at thelab.org.
"Following its world premiere at this year’s Toronto International Film Festival (TIFF) in September, Lynn Hershman Leeson’s '!Women Art Revolution' has been acquired by Zeitgeist Films for North American distribution," reports Nigel M. Smith. More at indiewire.com.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
The Arab Film Festival wraps up this weekend in Berkeley at Shattuck Cinemas. Closing Night films include ‘Every Day is a Holiday,' the story of three women in Lebanon and their very different intentions for boarding the same bus to a men’s penitentiary, and ‘Cinecitta,' about a struggling filmmaker who decides to rob a bank to fund his latest project. More at arabfilmfestival.org.
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Judy Irving goes from parrots to pelicans with her new documentary.
Judy Irving goes from parrots to pelicans with her new documentary.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
'Army of Crime’s' portraits in heroism remain admirably restrained, unlike so many Resistance fantasies.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
A festival and awards-buzz favorite since its January Sundance premiere, The Kids Are All Right has real depth and drama yet is largely comedic in tone.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
East Bay filmmaker Kristy Guevara-Flanagan muscles her way through her new documentary feature, The History of the Universe as Told by Wonder Woman.
East Bay filmmaker Kristy Guevara-Flanagan muscles her way through her new documentary feature, The History of the Universe as Told by Wonder Woman.
Frameline34 brought together a wide array of programs following the retrospective impulse.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
Ondine finds Neil Jordan back on personal terra firma with a story (his own, in conception and screenplay) that sits exactly on the thin line separating reality and fantasy.
Today s fun fact: San Francisco has more nail salons per capita than any city in the country.
Cash prizes totaling nearly $300,000 for filmmakers highlighted the San Francisco International Film Festival s Golden Gate Awards Wednesday night.
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
Don t let Hollywood crow about The Hurt Locker and the year of the woman until more filmmakers of the sort featured at this year s festival benefit.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
First-time filmmaker Christina Yao is soft-spoken and exceedingly polite, but it s apparent that very little intimidates her.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
A theme that emerged in this year s SFIAFF was the importance of archives in the film world.
Deann Borshay Liem's 1999 doc First Person Plural recounted her experience as an orphaned Korean adoptee raised in an East Bay suburb.
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
There will probably never be a theatrical release for James Benning's landscape movies. Amazingly, Ilisa Barbash and Lucien Castaing-Taylor have scored distribution and made a splash.
Injured in a crash on the Golden Gate Bridge, Dr. Grace Dammann spent 45 days in a coma and 13 months in the hospital.
YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.
Olga Samaroff, the path-breaking 20th-century concert pianist, critic and teacher, was born Lucy Hickenlooper in San Antonio, Texas. That's right, she reinvented herself.
Olga Samaroff, the path-breaking 20th-century concert pianist, critic and teacher, was born Lucy Hickenlooper in San Antonio, Texas. That's right, she reinvented herself.
Writer-director Andrea Arnold created a stir with her first feature Red Road, but her new film is arguably an even stronger work.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Jennifer Phang has experienced more than enough culture shocks in her life to empathize with the identity challenges of the characters in her debut feature.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
On Sept. 13, 2001, I stood in a Toronto park and spoke to Canadian television: Movies wouldn't be the same. I was wrong.
Claire Denis proves her unpredictability and versatility as a director with the 2008 release 35 Shots of Rum.
The PFA is offering a rare overview of Bergman's European films in the series, A Woman's Face: Ingrid Bergman in Europe.
Chick Strand, a crucial pioneer of West Coast experimental cinema, died July 11 at 78.
Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.
The Toronto International Film Festival has always allowed a generosity of pursuits to co-exist, rewarding the adventurous and satiating the lazy, all without judgment.
To viewers of Lucrecia Martel's earlier work, The Headless Woman is the crowning achievement; the filmmaker speaks about her vision of the world.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
A mini-retrospective of the work of Kim Longinotto plays during the Women Make Movies Film Festival at the Roxie.
The Edit Room: I knew the right thing to do was to turn the project over to an editor. The problem was that I didn't have the $45,000 a good editor would require.
Sjogren threads her vexations with feminist film theory into a study of sound and voice in "women's film" touchstones like Letter from an Unknown Woman.
Sjogren threads her vexations with feminist film theory into a study of sound and voice in "women's film" touchstones like Letter from an Unknown Woman.
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
Hong Sang-soo's Night and Day is a comedic unraveling of a South Korean art student's gaffes throughout Paris.
The Lost World, the 1925 silent fantasy
Local filmmakers Allie Light and Irving Saraf's latest film Empress Hotel delves into the lives of the residents at the titular building, a Tenderloin housing facility for the recently homeless. The film makes visible an area many city dwellers may only experience in the fringe of their consciousness and provides insight into the lives of the residents within.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
Matt Sussman draws conclusions about women and Hollywood from three big women-oriented films of 2008.
Matt Sussman draws conclusions about women and Hollywood from three big women-oriented films of 2008.
Global Film Initiative's Global Lens series offers a regular spot in your home theater for edgy world-cinema narratives don't often get a place at local multiplexes.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
What do women want to watch? With Diane English’s recent unfunny and product placement-filled re-make of The Women hitting theaters last week, Hollywood’s answer, predictably, is more of the same.
Empress Hotel looks at residents of a hotel turned homeless people's residence through San Francisco's Access to Housing program.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
Li Yang speaks about commercial pressures in Chinese film and the story behind Blind Mountain.
For all his lasting wholesome appeal, Stewart was an oddity: Gangly, stammering, Pennsylvania-drawling and not particularly attractive by 1930s studio standards.
East Bay filmmaker Johnny Symons' documentary "Ask Not" moves beyond stereotypes to examine what experience is really like for gays and lesbians in the military.
Tanner Shea and Zach Slow have launched the 2 Husbands contest and website, where they ask women to post videos in consideration of becoming their wives.
Fresh insight into the Iranian director is offered in a remarkable DVD featuring Five, an experimental, meditative film set on the shores of the Caspian.
The list of talking dog movies is long and storied, but one stands head and forelocks above the others: A Boy and His Dog.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
“Passion & Power, the Technology of Orgasm” gives Rachel Maines’ entertaining academic book on the subject a new life onscreen.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
A reprinting of an interview with Amanda Micheli because her film, now playing Sundance, has just made the final cut for an Academy Award.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
Yu's latest doc centers on four rather damaged individuals, applying the dramatic structure of Greek playwright Euripedes to contemporary life.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
As the Madcat Women's International Film Festival heads into its final stretch this coming week in San Francisco, SF360.org felt it was important to catch up with its chief curator, Ariella Ben-Dov.
Lynn Hershman Leeson discusses her new project, ÔStrange Culture'.
Here are a few quick takes on programs that look particularly worthwhile at Madcat.
Here are a few quick takes on programs that look particularly worthwhile at Madcat.
The List: While one might take comfort that the following list lies isolated in the filmic realm, do play it safe: don't piss off the ladies in your life.
The List: While one might take comfort that the following list lies isolated in the filmic realm, do play it safe: don't piss off the ladies in your life.
The '05 feature imagines a 21-year-old Indian American returning to India to visit her family and discover where she was born.
Sperling's Itty Bitty Titty Committee closes the SF International LGBT Film Festival, at which Sperling—17 films strong—receives the Frameline Award.
Sperling's Itty Bitty Titty Committee closes the SF International LGBT Film Festival, at which Sperling—17 films strong—receives the Frameline Award.
For some movies, Sprite and popcorn aren't enough. You need gin and vodka and a room of unruly bodies shouting when they're not supposed to,
The artist's filmsÑsensual, intricate, tactileÑare a magical combination of optical artistry, snippets of forgotten films, and bits of lace, tape, and glitter.
in Claude Chabrol's latest film, Isabelle Huppert plays a judge plunging headlong into a dangerous investigation of french corruption and gender dynamics.
A Western occupying power faces opposition from the locals and responds with brutal military suppression, spurring a countrywide resistance movement reaching down to the grassroots.
When Bay Area filmmaker Amanda Micheli approaches, you can see that she is an athlete. She's sure of herself.
When Bay Area filmmaker Amanda Micheli approaches, you can see that she is an athlete. She's sure of herself.
The 1959 reworking of the Greek myth of Orpheus and Eurydice is a bossa nova adventure through Brazilian Carnival, with actor Breno Mello as the black Orpheus.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
For close to a decade now, Miranda July has been exploring and often crossing the traditional boundaries between life and the movies.
After weeks of Western Europe, what better way for the young cineaste to crash the City of Light than a trip to the silver screen?
Killer Films' Christine Vachon's new memoir, A Killer Life (written with Austin Bunn), bolsters the producer as the driving force of independent film.
The Maquilapolis filmmakers talk about empowering their subjectsÑwomen factory workers in Tijuana.
The Maquilapolis filmmakers talk about empowering their subjectsÑwomen factory workers in Tijuana.
The founder of the Madcat International Film Festival talks about the 2006 lineup.
The founder of the Madcat International Film Festival talks about the 2006 lineup.
The renowned local critic and historian talks about his book about the iconic Hollywood beauty.
The Association for Computing Machinery Ôs 2006 conference and exhibition offered animation, new media art exhibits and the latest techniques in interactivity.
Back at the Castro this weekend for the 13th year, the San Francisco Silent Film Festival presents a variety of titillating titles.
SF360 spoke to the director of Rise Above: The Tribe 8 Documentary, showing at the Red Vic Movie House and an imminent DVD release.
The beloved cult classic will screen in conjunction with a live cast reunion at Peaches Christ's Midnight Mass series.
Conference discusses the difficulties for lesbian features to get made and do well at the box office.
Conference discusses the difficulties for lesbian features to get made and do well at the box office.
Carrie Lozano talks about her inspiration to make Reporter Zero, a documentary on Chronicle reporter Randy Shilts, who documented the early years of the AIDS epidemic.
Four stories from familiar performers who once found themselves in the "formerly employed by" category, taken from Fired!, which plays Docfest 2006.
Docfest founder Jeff Ross explains the S.F. Indie empire's definition of reality filmmaking.
An address delivered by Tilda Swinton to an audience at the Kabuki Theatre on April 29, 2006, during the San Francisco International Film Festival.
The List: How JT LeRoy went from fiction to fact in the media.
Chuck Stephens shares his thoughts, existential and otherwise, on the Bangkok set of Citizen Dog.