With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
Filmmaker and programmer Moore talks process, offers perspective on his debut feature and Cinema by the Bay opener, ‘I Think It’s Raining.’
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
The National Film Preservation Foundation delivers another gem with the fascinating three-disc box set 'The West 1898-1938.'
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
Saraf and Light's work is marked by an unwavering appreciation for underdogs and outsiders.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
A film on Cherokee chief Wilma Mankiller bucks biopic formula and concentrates on a pivotal moment in the leader's life.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
An East Bay filmmaker takes another look at U.S. financial woes with 'Heist,' which world premieres at the Mill Valley Film Festival.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Artistic integrity is always in short supply, which makes Broughton an inspiration for every successive generation of poets and filmmakers.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
Two Berkeley filmmakers tap vitality of 84-year-old neuroscientist Dr. Marian Diamond.
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
San Francisco loses two of its cinema icons, pioneering 'camp humorist' George Kuchar and seminal experimental filmmaker Jordan Belson. George Kuchar, the beloved San Francisco filmmaker, teacher, mentor and friend, died Tuesday night, September 6, at the age of 69. He passed away at Coming Home Hospice in the Castro, where he resided for the last month. Kuchar had been diagnosed with cancer a year and a half ago, but the sad news was not conveyed beyond a circle of close friends until recently. Kuchar and his twin brother, Mike, began making movies in their teens in their Bronx neighborhood in the late ’50s. Inspired by the florid emotions of Hollywood melodramas, they made 8mm narratives that were funny...
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Priya Giri Desai documents matchmaking efforts for HIV-positives in India.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
A collaborative project recounts the life and work of a German-born nun located outside Nairobi and the Sudanese Lost Girls she helped find.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Connie Field makes a radical shift to verité filmmaking, accompanied by an equally momentous switch in fundraising strategy with her latest project.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
Berry Minott's work-in-progress travels to Guam seeking a cure, puzzling over scientific mystery.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
The best of the Bay Area's historical docs transform our understanding of previous eras, and, consequently, our own.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
SFJFF covers broad geographic, political terrain.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Two Bay Area location-based features that speak to the moment are poised to stand the test of time.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Surprising characters, narratives emerge in Jamie Meltzer and Amanda Micheli’s portraits of unlikely artists.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Jakob Kornbluth hopes to turn another of brother Josh’s monologues, ‘Love & Taxes,’ into celluloid gold.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
Filmmaker Jan Krawitz explores the nature of altruism in a story about a woman seeking to donate an organ to a perfect stranger.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
First-time doc-maker Dain Percifield offers notes on capturing the highs and lows of drag queen Anna Conda's 2010 run for S.F. Supervisor.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
A filmmaker finds the rigors of circus life match the rigors of growing up in poverty in Brazil.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
The Roxie's new leaders offer notes on their unique vision for the rep house.
The Roxie's new leaders offer notes on their unique vision for the rep house.
The Roxie's new leaders offer notes on their unique vision for the rep house.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
Margaret Cho, transgender cinema are highlights of 2011 LGBT festival.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
S. Smith Patrick shares purpose with the children she films.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
John Antonelli finds good news, bad news and plenty of drama in African environmental stories.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
Screenwriter Frank Pierson talks production at SFIFF54; Bay Area-made 'These Amazing Shadows' screens after the Festival closes.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
The region's nonfiction filmmakers consider next steps after their SFIFF debuts.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
Social-justice filmmaking gets discussed in a Bill Nichols'-moderated salon during SFIFF.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
A veteran producer talks about the art, craft and industry behind her work.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Local filmmakers reflect on the opportunities presented by screenings at the San Francisco International Film Festival.
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Mimi Chakarova gains a new perspective on journalism as well as international crime in investigating 'The Price of Sex.'
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
Jennifer Juelich uses California carnivals as atmosphere for her DIY drama.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A collection of Dave Kehr's analytical, entertaining pieces from 30-plus years ago offers critical enlightenment for a short-form era.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Todd Haynes talks melodrama, movies, TV, the Great Depression and personal motivation.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
Ron Merk sends a San Francisco-set series into the ring.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Long story short: A filmmaker finds the right length for his South American health doc.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
Jason Wolos builds a drama about family and food with a few key ingredients.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
An environmental film festival with exceptional flair enters the San Francisco scene.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
After her own Assange story broke big, a Bay Area filmmaker followed another lead...to Iceland.
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
Carrie Lozano and Charlotte Lagarde find a life-and-death story in the making of 'My Coma Dreams.'
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
SF Silent Film Festival's Winter Event offers financial dramas that speak volumes.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Australian films comprise fully a third of the Mostly British Film Festival lineup.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Marcia Jarmel and Ken Schneider follow 'Speaking in Tongues' with a doc that talks baseball.
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Stephen Olsson looks into novel methods of treating PTSD in 'A Soldier’s Heart and the Long Road Home.'
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
Geoff Alexander opens a window into the 20th century with a book about films for/from the classroom.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
The German Gems series moves beyond Berlin in bringing attention to worthy new work out of Germany.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Rachel Nanstad finds a unique American story in the Reed Sisters' musical act.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
Director Duane Baughman's day job in direct mail/political consulting brought him unbelievable access to Benazir Bhutto.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
SFMOMA's Rudolf Frieling talks about media arts, chance encounters and low/high-tech transformations.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Perhaps it's OK to bring art film home for the holidays with sophisticated collections of DVDs and must-buy film books.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Filmmakers with deep roots in Bay Area cinema enter the brave new world of Web broadcasting with a series on food education for children.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Caitlin Manning takes a look at her cartoon-artist grandfather's life and legacy.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
Eat, dance, love: Les Blank brings nonfiction back to life in a long and storied career.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
San Francisco Film Society's Cinema by the Bay festival puts the focus on locals.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
David L. Brown explores traumatic brain injuries with 'Going the Distance.' When ABC’s Bob Woodruff and his cameraman were badly injured by an IED in Iraq in January of 2006, it was the top story for days. We may not know any of the estimated 320,000 soldiers who’ve returned home with traumatic brain injuries (TBI), but we do remember the co-anchor of World News Tonight. To his credit, he and his family created the Bob Woodruff Foundation to advocate for and raise money for veterans with head injuries, and to educate the public. Longtime Brisbane documentary maker David L. Brown was at one of those benefits, a 22-mile traverse....
David L. Brown explores traumatic brain injuries with 'Going the Distance.' When ABC’s Bob Woodruff and his cameraman were badly injured by an IED in Iraq in January of 2006, it was the top story for days. We may not know any of the estimated 320,000 soldiers who’ve returned home with traumatic brain injuries (TBI), but we do remember the co-anchor of World News Tonight. To his credit, he and his family created the Bob Woodruff Foundation to advocate for and raise money for veterans with head injuries, and to educate the public. Longtime Brisbane documentary maker David L. Brown was at one of those benefits, a 22-mile traverse....
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Charles Ferguson offers intel on the world financial crisis with 'Inside Job.'
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Bay Area filmmakers find a platform at the Mill Valley Film Festival.
Judy Irving goes from parrots to pelicans with her new documentary.
Judy Irving goes from parrots to pelicans with her new documentary.
The CinemaLit Film Series, curated by film critic and SF360.org contributor Michael Fox, presents Leo McCarey's 'Love Affair' at the Mechanics' Institute.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker revisits '70s gay erotic life in the work of Wakefield Poole.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A filmmaker shows environmentalists who are changing the way we as Americans relate to nature.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
A Mechanics' Institute series appreciates Leo McCarey's genius with comedy.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Lisa Fruchtman moves from feature-film editing to documentary film directing with a hopeful story out of Rwanda.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Dolissa Medina uncovers more ashes in a new, historical piece on San Francisco and its many great fires.
Scott Kirschenbaum's 80-minute doc aims to convey the experience of Alzheimer’s from the patient’s point of view.
Scott Kirschenbaum's 80-minute doc aims to convey the experience of Alzheimer’s from the patient’s point of view.
Scott Kirschenbaum's 80-minute doc aims to convey the experience of Alzheimer’s from the patient’s point of view.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
Three films document essential chunks of San Francisco's tragic and mythic past, told in empathetic but non-hagiographic testimony.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
The San Francisco Jewish Film Festival finds fans beyond its identity-based target audience with a wide array of international films and topics.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Look back in (anything but) anger: Members of the Red Vic Collective wax nostalgic on wild times, amazing meals and surprise visits from the theater's biggest fan, Danny Glover.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Deborah Koons Garcia's latest film explores the mystery and complexities of one of the earth's most valuable resources.
Tamara Perkins' The Trust is intended to provide a rare lens into the lives of incarcerated men and their families.
Tamara Perkins' The Trust is intended to provide a rare lens into the lives of incarcerated men and their families.
East Bay filmmaker Kristy Guevara-Flanagan muscles her way through her new documentary feature, The History of the Universe as Told by Wonder Woman.
East Bay filmmaker Kristy Guevara-Flanagan muscles her way through her new documentary feature, The History of the Universe as Told by Wonder Woman.
Scott Boswell’s marvelous debut feature, The Stranger In Us, plays out on Polk Street and in the Tenderloin, far from the oft-photographed glamour spots of San Francisco.
The makers of Joan Rivers: A Piece of Work speak about their latest, as well as the state of documentary filmmaking.
With a new book, gallery exhibition, appearances on local radio and stages, John Waters is quickly becoming a Bay Area fixture, a welcome addition to the film and cultural landscape.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
San Francisco filmmaker Jon Bowden brings a second comic feature, The Full Picture, to screens.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Maria Breaux, deep in the heart of production on Mother Country talks about politics, process and her existential road movie.
Emiko Omori s upcoming documentary, Ed Hardy: Tattoo the World, a collaboration of sorts between the two artists, grew out of a friendship that dates to 1974.
From chilling to dangerous to horrendous, local reactions to Judge Lewis A. Kaplan s ruling in favor of Chevron in New York on May 6 ran an unsurprisingly narrow gamut.
Today s fun fact: San Francisco has more nail salons per capita than any city in the country.
We caught up with several Bay Area makers, fresh off their high-energy screenings at SFIFF53 and primed to keep the momentum rolling.
Along with selfless sacrifices and random luck, low-budget independent films often depend on the timely intervention of an angel.
Leland Orser saw his first movie at the Alexandria, and Joshua Grannell initially established himself as a S.F. character via his alter ego Peaches Christ.
If there's a sure-fire crowd-pleaser in this year's San Francisco International Film Festival, it s Roberto Hernandez and Geoffrey Smith's Presumed Guilty.
Ch‚ Sandoval of Chile, Kaspar Astrup Schroder of Denmark, Pedro Gonzal‚z-Rubio of Mexico, John Herschend and Claudia Gonson don t have much in common except stories to tell.
The Statton era has begun. Kate and Chris Statton have officially assumed the positions of co-executive directors of the venerable Mission District cinema.
From Michael Powell to Carlos Saura to Sally Potter, a stratum of directors has progressively reimagined the relationship between dance and film.
First-time filmmaker Christina Yao is soft-spoken and exceedingly polite, but it s apparent that very little intimidates her.
The new law reforming the Federal student loan program will save billions and help millions. But it won t make Serge Bakalian s debt expos‚ superfluous.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
One of the oldest points of contention in documentary is whether the camera s presence alters the subject s behavior.
There's so much about this product called milk that we think we know everything about, declares Jed Riffe with his usual blend of enthusiasm and amazement.
The culture war is over, and the reactionaries have won. In this climate, Jerome Hiler and Owsley Brown III s Music Makes a City is a revelation,
Deann Borshay Liem's 1999 doc First Person Plural recounted her experience as an orphaned Korean adoptee raised in an East Bay suburb.
Cementing its status as the preeminent animation company of the 00s, Pixar won the Oscar for Best Animated Feature for the third time in seven years.
If Kimberly Reed took a not particularly unique path into filmmaking, she certainly took an interesting road out of it.
When Laos revised its visa structure to allow visitors to stay for more than one week, Westerners with digital cameras surged over the border.
From his modest start as a staff writer at 20th Century Fox, Sid Ganis has built an uncommonly long and successful career in Hollywood.
The moving arrow anoints a new hot spot of contemporary cinema every few years, and then moves on. Yet Germany never makes the cool list.
Injured in a crash on the Golden Gate Bridge, Dr. Grace Dammann spent 45 days in a coma and 13 months in the hospital.
Transformation, of any kind, an ephemeral, elusive thing to capture on film. One advisor told Nancy Kelly she'd never do it. Difficult, sure, but impossible?
The Oscar nomination for The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers is a validation of the doc's right-now relevance.
Olga Samaroff, the path-breaking 20th-century concert pianist, critic and teacher, was born Lucy Hickenlooper in San Antonio, Texas. That's right, she reinvented herself.
"I wish gay cinema would die", Joe Graham declares. It s not queer movies the San Francisco filmmaker hates, but categories and pigeonholing.
By any measure, the long-awaited release of Have You Heard from Johannesburg? shapes up to be one of the major documentary events of 2010.
Geralyn Pezanoski s doc about the separation and occasional reunion of pets and owners in post-Katrina New Orleans beat the shelf-life odds.
Nani Sahra Walker went to Nepal for seven months, and returned with a one-hour documentary. OK, a rough cut. No big deal? Enlightenment guaranteed, indeed.
With more than 25 documentaries to his credit, many on mathematicians and scientists, George Csicsery is arguably the most prolific filmmaker in the Bay Area.
Michael Fox shows independent filmmakers who are thriving in the Bay Area.
Filmmakers Justine Jacob And Alex da Silva release the documentary Ready, Set, Bag!, which follows competitive grocery baggers from across the country.
David Thomson's new book commemorates the golden anniversary of Hitchcock's "Psycho."
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
Catherine Galasso talks about her performance piece Lightning Never Strikes the Same Place Twice, which features dance, theater and projected video.
Frederick Wiseman documents the frantic routine of choreographers for the Paris Opera Ballet as Frazer Bradshaw gives a more familiar portrayal of workplace satisfaction.
Marin County filmmaker John Antonelli talks about his documentary on influential late singer-songwriter Sam Cooke for PBS's "American Masters" series.
In town for the premiere of Wasteland Utopias, the artist, curator and administrative director of Canyon Cinema gives us the scoop on Wilhelm Reich and other shadowy figures.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Reminiscent of Marcel Ophuls' fearless provocations in Hotel Terminus (1988), Yoav Shamir breaks every rule of polite documentary filmmaking in Defamation.
Two films from Oakland filmmakers, Dhana & Indra and Family 2469, illuminate the changing face of the country as the 21st Century unfolds.
Shot in depressed burgs and 'burbs across the country, this documentary looks at the U.S. at its lowest economic ebb in generations.
Aroy's film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s.
It’s hard to imagine a venue where the new documentary Holding On to Jah will sound better than it did at Mezzanine last Wednesday night.
From the steep slope of 22nd Street down to La Taqueria, from the Attic to Boogaloos, this droll feature showcases the Mission to glowing advantage.
Anne McGuire finds the beauty in the strange, and the strangeness in the beautiful. That's not perversity, people; that's poetry.
The writer has had ample opportunity in the last 40 years to come to terms with his stint as an ambulance driver and medic.
East Bay filmmaker Miles Montalbano is in preproduction on dark coming-of-age story The Recondite Heart, his followup to his lauded debut, Revolution Summer.
Chris Simon and Maureen Gosling's documentary-in-progress, tentatively titled No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records, pays tribute to an underappreciated artist.
Ray Telles's ambitious two-hour film, The Storm that Swept Mexico, with a budget north of $1.2 million, reaches out to the world.
Miami-born Julia Kahn offers strange revelations about the South in the long-gestating, cliche-crunching documentary Swamp Cabbage.
Five years ago, Common Sky director Kathy Carlson committed herself to the task of bridging the gulf between those who've fought in battle and the rest of us.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
Ellen Schneider speaks on the impact of social-issue documentaries and her San Francisco-based strategic communications company Active Voice.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
East Bay documentary producer Pete Nicks places interactive storytelling booths in hospital waiting rooms.
Dina Ciraulo's debut feature reconsiders the curious case of nature writer Opal Whiteley, who burst to prominence—and controversy— in the 1920s.
Seiji Horibuchi, founder and chairman of VIZ Media, speaks about VIZ Cinema, a built-from-scratch venue located in the New People building in Japantown.
Oakland attorney Richard Lee speaks on the legal case surrounding the Swedish filmmakers of the hot-button documentary Bananas!.
Academy Award-winning documentary filmmakers Rob Epstein and Jeffrey Friedman combine live-action period drama and animation in retelling of Ginsburg's Howl
The San Francisco Jewish Film Festival arrives with an expansive program spotlighting the Jewish tradition of social justice and human rights.
A revealing portrait of veteran local singer-songwriter-guitarist with a cult following investigates existential questions about fame with respect, empathy and self-reflection.
J.P. Allen and Janis DeLucia Allen's latest imagining, Sex and Imagining, is a two-character piece thick with dialogue and psychological undercurrents.
David Weissman speaks on his new project, Heartbreak and Heroism, revisiting the early years of the AIDS outbreak in San Francisco.
Adam Goldstein and Eric Kutner discuss their debut, The Snake, an unapologetically impertinent, made-in-S.F, comedy that marks its creators as resourceful wiseguys.
An interview with Flynn Witmeyer about his debut feature Tweaker With an Axe, and the desire to make genre films—horror or sci-fi or fantasy—that incorporate gay and lesbian characters.
When Rick Tejada-Flores decided to explore his family's checkered Bolivian past, he accepted that he had to be a character.
A case could be made that Cary Cronenwett's Maggots and Men isn't just the most unique work in Frameline33, but of any festival all year.
Blood-soaked, darkly comic All About Evil has writer-director Joshua Grannell and editor Rick LeCompte on an express-train schedule rare for an independent feature.
Blood-soaked, darkly comic All About Evil has writer-director Joshua Grannell and editor Rick LeCompte on an express-train schedule rare for an independent feature.
Tom Shepard revisits the overachieving, hyper-ambitious world of science-obsessed high school seniors in his new film, Whiz Kids.
Like most social-issue documentaries, Food Stamped sprang from an activist impulse for Shira and Yoav Potash.
The Miller brothers take their memoir-release to the local ballpark.
Iranian filmmaker Cyrus Omoomian documents post-Pinochet Chile in work-in-progress Pushing Towards Democracy.
Michael Fox interviews Igor Sinyak, founder of Subtitles & Subtleties, about his dinner and a movie discussion forum.
Michael Fox reviews Brant Smith's In-World War, a dark sci-fi comedy about a beta tester trapped in a futuristic war on terror.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Deborah Kaufman and Alan Snitow explore the customs and modernity of the next generation of Jews in their documentary Dis-Continuity.
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
The Professionals an ambitious array of panels, case studies and discussions, makes its debut as a forum for encouraging Bay Area moviemakers to engage with guests and colleagues.
Four independent narratives - La Mission, My Suicide, Everything Strange and New and (Untitled) - are adding to the Bay Area's repertoire, historically regarded as a breeding ground for documentary filmmakers.
Zac Holtzman scores The Lost World with Dengue Fever, creating a sound that has been described as a psychedelic version of vintage Cambodian rock'n'roll, fueled by Cambodian singer Chhom Nimol's vocal stylings and Ethan Holtzman's organ and accordion shadings.
Bringing Rainer's work to a larger audience: Feelings Are Facts: The Life of Yvonne Rainer, a feature-length documentary about the choreographer and experimental filmmaker.
National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.
Mark Kitchell current project is an ambitious summation of the environmental movement, from the protests of the 1960s, the '70s focus on pollution, the Greenpeace campaigns and the global climate change.
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Sam Green talks about his latest project, an experimental documentary where the stories tease out, in more of an emotional way, ideas about hope and imagination of the future
Caroline Kraus is embarking on a project with a rough outline, a firm destination, little money and no ending, but with a unifying theme: underdogs, and our notions of success, failure and disappointment.
Barry Jenkins talks abut his background, making movies in San Francisco and the issues of black identity, assimilation and gentrification, which are at the heart of his film.
The throughline of Micha Peled's film is a farmer in a village in Vibharba, in central India's cotton belt, over a farming season.
The Black Rock focuses on the African American prisoners and guards who lived on the island when it was a federal penitentiary.
The tentatively titled Winter of Love uses Prop. 8 as a framework for a look at the increasing acceptance of gay marriage.
SF360.org interviews Davila on his film about a bottom-rung Tenderloin drug dealer with aspirations of becoming an artist.
When we're finally all watching movies on the most expedient of platforms–our mobile phone–Ellen Lake will be at the head of the parade.
In Strand: A Natural History of Cinema, Christian Bruno pays homage to the pivotal and shifting role of movie theaters in San Francisco's cultural life.
While ballplayers were relaxing in the off-season, Eugene Corr plowed ahead with his baseball documentary From Ghost Town to Havana.
Michael Fox looks behind the scenes of a film on the maverick Seattle composer-performer-inventor Trimpin.
The forthcoming film Speaking in Tongues follows four diverse local public-school students enrolled in language-immersion programs.
Steven Soderbergh's fascinating portrait of legendary revolutionary Ernesto "Che" Guevara is willfully disinterested in the conventions of mainstream movies.
If you've been waiting for a punk-rock doc about sewage and wastewater treatment–admit it–it's in the pipeline and heading your way by year's end.
Tom E. Brown talks about producing and funding Pushing Dead, a film about an HIV-positive writer forced to give up his daily drug regimen.
Oakland's Pamela Harris and Grantmakers in Film + Electronic Media are connecting media makers with financial resources.
Victor Fleming: An American Movie Master and Glenn Lovell's Escape Artist: The Life and Films of John Sturges are splendid biographies by critics with local ties.
Bay Area filmmakers represented at Sundance.
Frameline's new executive director discusses his non-profit background and graduate school pipe dream of being a novelist.
Former San Francisco Examiner film critic Michael Sragow talks about his newly released book Victor Fleming: An American Movie Master.
Bay Area filmmaker Jennifer Kroot talks about her inspiration to make a documentary on legendary, underground filmmaking twins George and Mike Kuchar.
Michael Fox chats with Gus Van Sant and screenwriter Dustin Lance Black on the eve of Milk's much-anticipated theatrical release.
Scott McDonald's Canyon Cinema: The Life and Times of an Independent Film Distributor, details the formation of the revered Bay Area artists' collective in the early 1960s.
Film historian and essayist David Thomson talks to SF360 about his new book, Have You Seen . . . ? A Personal Introduction to 1,000 Films.
A husband and wife filmmaking pair are in the midst of a documentary on mysterious disappearances in the Galapagos.
The PFA senior curator talks about her cinematic influences, curating in Canada and the U.S., and recent additions to the world of film.
Epstein and Friedman bring a poem to the screen, while a South Bay director goes Russian.
We sat down with Michel Shehadeh, who joined the festival earlier this year, for a wide-ranging interview on Arab film.
Andy Abrahams Wilson talks about Under Our Skin, his elegantly crafted film on the underreported epidemic of Lyme disease.
Marilyn Mulford collaborated with Quique Cruz on the pensive, humanistic, and inspiring Archaeology of Memory: Villa Grimaldi.
In 'Crooked Beauty,' mental health is re-imagined and redefined.
It used to be standard for San Francisco to be portrayed in movies as a magical, mythical, and slightly mysterious catalyst for transformation.
"Horror films can hold a lot of crazy ideas and political ideas and no one blinks," says Pig Hunt writer and producer Robert Mailer Anderson, "and that serves our purposes."
Yun Suh's film City of Borders documents group dynamics and conflict through the doors of a Jerusalem's only gay bar: a locale where anyone can, "come, be themselves, and be accepted."
A film in a darkened theater commands our undivided attention, but a video installation in a museum doesn't have the same effect.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
There is little question that so-called educational films with specific social-welfare goals don’t get much respect as examples of craft or art.
I confess that for a long while I had the misperception, based on almost no exposure to his work, that French essayist Chris Marker made dense, dry films steeped in political theory and inaccessible to anyone but a narrow strata of irrelevant European intellectuals.
Film Arts Foundation, a nonprofit organization formed by 15 independent filmmakers in 1976, joins forces with SFFS.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
SF360.org looks at the making of a documentary about the controversial leak of the Pentagon papers.
Empress Hotel looks at residents of a hotel turned homeless people's residence through San Francisco's Access to Housing program.
Andrea Kreuzhage speaks about her documentary, 1000 Journals, which raises a host of fascinating questions about creativity, collaboration, community, and communication.
The first of SF360.org's In Production columns looks at two works-in-progress: Laura Lukitsch's film about beards and Lise Swenson's Salton Sea pic.
The first of SF360.org's In Production columns looks at two works-in-progress: Laura Lukitsch's film about beards and Lise Swenson's Salton Sea pic.
Programmers for the San Francisco Jewish Film Festival, Peter Stein and Nancy Fishman, speak about never taking the path of least resistance.
French author and director Catherine Breillat speaks about the fierce passion play of her latest, The Last Mistress.
Medicine for Melancholy is a graceful and poignant film about fleeting urban connections, black identity and invisibility, cultural adventures and this gentrified city's lost soul.
The Mission filmmaker has slaved in the underground for some three decades, a guide and shaman for other artists working on the fringes.
If making a movie about one’s family could be equated with a fire-walk in August, then making a documentary about one’s partner’s family might be akin to a midsummer sauna. Yet veteran L.A. filmmaker Renee Tajima-Pe–a (Who Killed Vincent Chin?) signed on to a road trip with her husband from L.A. to Washington state to Texas in search of "la verdad" about the father that abandoned Armando’s mother Rosa and his six brothers several decades ago. An intimate and elegantly crafted work of cinema verita, Calavera Highway encompasses universal familial tensions, Mexican-American identity, the responsibilities of fathers (and sons) and the psychic malleability of map-drawn borders.
Tajima-Pe–a, who’s an associate professor at UC Santa Cruz, will receive the Golden Gate Award for long-form television documentary at the S.F. International Film Festival, where Calavera Highway screens three times in early May. Via email, she talked about searching for "Calaveras" hidden in closets and elsewhere.
East Bay filmmaker Johnny Symons' documentary "Ask Not" moves beyond stereotypes to examine what experience is really like for gays and lesbians in the military.
Will "the Thrill" Viahro, impresario of East Bay cult movie extravaganza "Thrillville," discusses the difference between "trash" and "garbage" in film.
Bodies of work have emerged from the intersections of performance, film and electronic art. Cinematograph 7ÑLive Cinema: A Contemporary Reader, edited by Thomas Beard's provides thoughtful writing on the subject.
Warts & All: The Films of Danny Plotnick: 10 short comic narratives are exemplars of an unpolished, unpretentious school of moviemaking that aims at every moment to be audience-friendly.
Even as the country has become a typically affluent Western society, its cinema has retained its status as a crucial component of the national dialogue.
The unassuming young director and producer spent five years on their optimistic yet unsentimental doc spotlighting four teenagers from the S.F.-based Youth Speaks project.
Way back in 1998, Jeff Ross founded the San Francisco Independent Film Festival to showcase iconoclastic, grassroots moviemakers locked out of the standard channels of distribution. As the 10th SF Indiefest kicks off tonight, Ross and his rotating cast of programmers remain as idealistic as ever, but the indie landscape has largely changed for the worse.
Michael Fox reviews the release of a Sergei Paradjanov DVD boxed set and the arrival of a Jean-Luc Godard box spotlighting his underrated mid-'80s work.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
The Goethe-Institut's festival offers a pointed reminder that Germany, Austria and Switzerland aren't just in the center of Europe, but in the middle of international cinema.
Jamie Meltzer talks about his new film on Nigeria, where the digital revolution enables entrepreneurs to churn out movies quickly and inexpensively.
Lynn Hershman Leeson discusses her new project, ÔStrange Culture'.
Michael Fox interviews director and Mission District icon George Kuchar
Miles Matthew Montalbano's evocative and empathetic portrait of Bush-era dissatisfaction among the post-collegiate set.
An intimate four-day buffet of tributes, premieres, restorations, and revivals laid out in the Colorado mountains, Telluride is an oasis for film lovers.
Delpy, who studied film at NYU in the early '90s, spoke fluent, rapid-fire English during a late-July visit to San Francisco.
Although it's too early to write Allen off, it's also clear that he hasn't connected with younger audiences in a long time, so who's the next Woody Allen?
Savvy moviegoers outside the target demographic have learned to scout the niche fests' programs for films that premiered to raves at Berlin or Cannes.
Jasmine Dellal's affinity for Roma (or Gypsy) and new film, Gypsy Caravan is a spectacular portrait of five top-drawer Roma acts.
Movies are shifting at mach speed from the theater to the home. The future is at hand.
Wonders Are Many: The Making of Doctor Atomic blends World War II history with composer John Adams and director Peter Sellars’ staging of a new opera on the subject.
White's heroes and heroines are content with their mundane lives until some uninvited intruder or unforeseen event exposes their frustration and complacency.
An interview with documentary and narrative filmmaker Philip Haas upon the release of his latest film, The Situation.
Spencer Nakasako gets the credit for starting the still-cresting wave of first-person camcorder documentaries back in 1995, but he claims it was largely an accident.
Daniel Burman's smartest play was casting Daniel Hendler as his onscreen alter ego. Michael Apted's worthy Grace, reminds that period pieces make effective message movies.
Filmmaker Rory Kennedy talks about her process and approach with making her new chilling documentary Ghosts of Abu Ghraib.
The director talks about his movie Perfume and his perspective as a filmmaker and artist.
Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.
The relationship between intellectualism and passion, a distinctly Italian concern, propels the 2006 edition of New Italian Cinema.
Make a bid on Schwarzenegger's low-budget 1970 travesty, Hercules in New York.
Eric Steel's disturbing, controversial documentary, The Bridge, focuses on people who end their lives at the famous landmark at the edge of the continent.
Joseph McBride's What Ever Happened to Orson Welles?: A Portrait of An Independent Career catalogs the director's amazingly prolific final 15 years.
The expat archivist and writer makes his near-annual pilgrimage to San Francisco with a flurry of shows teeming with goodies from his personal collection.
Why do updates of Jerry Lewis flicks get more slack from critics than Zailian's "All the King's Men" and Demme's "The Manchurian Candidate?"
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
Filmmaker Kirby Dick talks about censorship, and discrimination against independent films.
The renowned local critic and historian talks about his book about the iconic Hollywood beauty.
The San Francisco Media Archive director talks about the weirdness and normality revealed on Home Movie Day.
The veteran Israeli filmmaker, in town for the Jewish Film Festival, talks about radical art and Free Zone.
Chris Metzler and Jeff Springer talk about their acclaimed debut Plagues and Pleasures on the Salton Sea, their influences, and making films in San Francisco.
Arriaga, who authored Amores Perros, 21 Grams, and The Three Burials of Melquiades Estrada, discusses working in collaboration and across mediums.
The sudden climate change in the Middle East has had a tone-altering effect on the San Francisco Jewish Film Festival, where the war will be Topic A.
Jean-Pierre Melville's remarkable 1969 nail biter is on a different plane than contemporary spy thrillers.
Newly appointed S.F. Cinematheque executive director Caroline Savage discusses the state of experimental film.
San Francisco filmmaker Terry Zwigoff, a former curmudgeon softened by success, discusses Art School Confidential.
An intimate group caught Addictive TV's VJ-style show of ÔEye of the Pilot' at the Kabuki, and stayed late for an enthusiastic Q&A.
A conversation with director Michael Glawogger on his film, Workingman's Death, which screens at the 2006 SFIFF.
David Munro and Xandra Castleton speak about making their indie Full Grown Men and taking it to the Tribeca Film Festival.
A conversation with David Kipen about his book, The Schreiber Theory, which reclaims the contribution of screenwriters to motion pictures.
Michael Fox goes behind the scenes on Peaches Christs' slice-'em-up.