Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Nonfiction filmmakers are re-engaging audiences with an entrepreneurial spirit and a focus on creative narrative strategy.
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
Cabaret New Burlesque gets the French art-house treatment with ‘On Tour.’
The Sundance Film Festival Audience Award winner, ‘Circumstance,’ which tells the story of two Iranian women who fall in love, plays at Sundance Kabuki Cinemas on May 1 and May 3. Director Maryam Keshavarz attends each screening of her debut feature. More at fest11.sffs.org.
Ry Russo-Young’s 2009 Gotham Independent Film Award winner and Sundance Film Festival Selection, ‘You Won’t Miss Me,’ plays for one week at Roxie Theater. The film features Stella Schnabel, who plays a 23 year-old just released from a psychiatric hospital. More at roxie.com.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
A new crop of filmmakers are building audiences by showing nonfiction doesn’t have to be depressing to reveal hard truths.
Variety: "Marking another acquisition partnership coming out of the Sundance Film Festival, Roadside Attractions will team with Participant Media," handling U.S. theatrical distribution rights of writer and director Maryam Keshavarz's Iranian drama 'Circumstance.' More at variety.com.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
An expert offers advice on solving the issues rough-cut screenings raise.
Reports indieWIRE: "Oprah Winfrey Network has added another member to its Documentary Film Club with Yoav Potash’s “Crime After Crime,” which premiered at the Sundance Film Festival in the U.S. Documentary Competition." More at indiewire.com.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Ten days of audience voting and jury contemplation lead to a barrel of awards for directors, writers.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Reality bursts through daydreams; labors of love pay off in 2011's edition of the Sundance Film Festival.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
Filmmakers make plans, stay calm, hone their messages for Park City audiences in days before festival opens.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
The Rights Workshop offers timely advice on clearing music rights pre-Sundance.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Horror legend George Romero offers fundraising advice to first-timers: "Just make the movie. Don’t worry about the money."
Laura Poitras speaks during SFIFF53 about the process of creating The Oath from the stories of Osama Bin Laden's former bodyguard and driver.
Live & Onstage thought globally and drafted locally with Sam Green and musician Dave Cerf s live Utopia in Four Movements, which never takes the exact same form.
I found Sam Green deep in preparation, but he found time to walk me through the greatest dreams and worst nightmares of the 20th century.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
The harsh glare of the spotlight that brought Howl mixed reviews from critics on opening night of Sundance had melted into a warm glow by Saturday.
The Butcher Brothers The Violent Kind is a nightmare-with-bikers-in-the-woods fantasy shot in Petaluma and Cotati, and it fits their collaborative moniker.
The Butcher Brothers The Violent Kind is a nightmare-with-bikers-in-the-woods fantasy shot in Petaluma and Cotati, and it fits their collaborative moniker.
In late January, many tune their radar to the snowy, showy glare of Sundance. With Noir City here, the stay-at-homes are the luckier ones.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
Susan Gerhard caught up with the director of an Oakland-shot domestic drama whose first-time feature was chosen for Sundance.
New Zealand transplant Richard Levien, a longstanding fixture of the San Francisco indie film community, breaks out of the editing room with Immersion.
The Edit Room: How do you keep your audience engaged rather than putting them to sleep?
The 2009 SFIFF has been a launching pad for the numerous Bay Area filmmaker
The San Francisco Film Society honored Francis Ford Coppola, Carroll Ballard, Robert Redford and James Toback. Coppola surprised the audience by turning over the Founder's Directing Award he received to longtime colleague Carroll Ballard.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
Susan Gerhard reports on film and physique highlights at Sundance 2009.
Hilary Hart blogs her 14th year at Sundance, back on the midnight shift at the Egyptian Theatre.
Levy offers thoughts on the program she's presenting at Sundance and what's being called the "New Documentary Movement."
Tom E. Brown talks about producing and funding Pushing Dead, a film about an HIV-positive writer forced to give up his daily drug regimen.
Bay Area filmmakers represented at Sundance.
Bay Area filmmakers represented at Sundance.
Hammer discusses his debut feature premiered at Sundance to resounding critical fanfare, winning prizes for best director and cinematography.
Avoiding Disaster: George Rush offers tips on bridging the worlds of creativity and business.
Scott Crocker's documentary brings the truth behind the "Lord God" bird phenomenon out of the bushes.
SF360.org sits down with director Alex Gibney, whose film, Gonzo: The Life and Work of Dr. Hunter S. Thompson played at the 51st SFIFF.
The SF Film Society is optimistic that its year-round screen at the Sundance Kabuki will contribute to the spectrum of films in Bay Area theaters.
Filmmaker Yung Chang talks about 'Up the Yangtze,' his superb documentary that examines the surreal changes in China around the controversial Three Gorges Dam.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
Rivera's debut centers on a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy.
The SFIFF announced its 2008 program and the June 13 launch of its year-round programming on one screen at the Sundance Kabuki
San Francisco Irish Film Festival begins this Wednesday at the Roxie with a slate of narratives and documentaries imbued with Ireland's particularly unique sense of time and place
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
Galison, whose film is competing at Sundance '08, answers questions about the world of hidden national security policy.
Mitchell Lichtenstein's directorial debut has made Jess Weixler the newest "it girl" on the indie scene.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
As filmmakers, fans, and skiers get zipped up to head off to Parka City for the annual Sundance Festival this week, SF360.org checked in with Gail Silva.
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
The Sundance feature follows a 70-year-old novelist trying to complete the book he's been working on for the last 10 years.
George Ratliff talks about his first feature narrative Joshua, described by Sundance as a "horror story disguised as a sophisticated family drama."
Industy vets will identify Klores with his PR firm, but he's also produced and directed TV docs and Ring of Fire: The Emile Griffith Story.
Industy vets will identify Klores with his PR firm, but he's also produced and directed TV docs and Ring of Fire: The Emile Griffith Story.
The editor and actor, known for his frequent work with Todd Haynes, died in New York. His friends share their thoughts.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
Wrapping up Sundance Ô07, with the NFL's big game as the best metaphor to describe the annual festival.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
Inteview with the artist and filmmaker on her work and her latest movie, presented at Sundance.
Hailed as one of the best films of 2005 without distribution, Becker's doc hits theaters nearly two years after it debuted at Sundance.
At least three Bay Area-based filmmakers will be making the trek to Park City this year, Jon Else, Steven Okazaki, and Jay Rosenblatt.
At least three Bay Area-based filmmakers will be making the trek to Park City this year, Jon Else, Steven Okazaki, and Jay Rosenblatt.
Ramin Bahrani's debut feature follows a solitary, quiet immigrant struggling to make a go of it in New York City.
Ryan Fleck talks about his new film Half Nelson, his filmmaking career, and his creative inspirations and tastes.
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."
California Film Institute's Executive Director, Mark Fishkin, comments on the Sundance Institute's "Art House Project."